tag:blogger.com,1999:blog-90668860441226813022024-03-15T22:28:08.383+01:00Do gran ó panEspacio virtual de contenidos de arte y todo lo demás, con la villa de Cea, el pan y la Abadía de Oseira al fondo...Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.comBlogger999125tag:blogger.com,1999:blog-9066886044122681302.post-75140264724792207102024-03-15T22:27:00.003+01:002024-03-15T22:27:21.479+01:00Manolo "Buciños", edificio Viacambre, Ourense, Galicia<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div> <span style="font-size: large;">R</span><span style="font-size: large;">elieves del pilar de entrada a las galerías del edificio</span><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjypx3ke7PP-gih3eYRDHSc-AhkGXyal__CWMgTzQfJxV-nrWKNs9J_NPL2SRnM1cKSYrEok__6J2OydvX-6Lp_7bMM2-8jx1V-0PsacUdUWIX2q3vOCGkvY_nJSSczzGbXdYUaUULXtd0yWCB2bc0wxCRj9vxnKX2GQ6Ix7Sp0M5I1Ww0jdqsg9tLgM-Sk" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="600" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjypx3ke7PP-gih3eYRDHSc-AhkGXyal__CWMgTzQfJxV-nrWKNs9J_NPL2SRnM1cKSYrEok__6J2OydvX-6Lp_7bMM2-8jx1V-0PsacUdUWIX2q3vOCGkvY_nJSSczzGbXdYUaUULXtd0yWCB2bc0wxCRj9vxnKX2GQ6Ix7Sp0M5I1Ww0jdqsg9tLgM-Sk=w480-h640" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjQD9Ty-OXW5eI81dMQ_SyKrHKDJUy2lL6ApBlq5JxHcil4SlB0hn1E8-IQ-8kFPwyLUxtBkwkoP_2F_lbAeqPnp7dM3KDVCofaGRUuGQUlUx77k-h-zCe2S-cXn4gxylHt5OeZPeZdmfFAwbu91trHE90i91gb3eYFRcoFudYp-q__AkkEJKZWoIbxxWK7" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="600" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjQD9Ty-OXW5eI81dMQ_SyKrHKDJUy2lL6ApBlq5JxHcil4SlB0hn1E8-IQ-8kFPwyLUxtBkwkoP_2F_lbAeqPnp7dM3KDVCofaGRUuGQUlUx77k-h-zCe2S-cXn4gxylHt5OeZPeZdmfFAwbu91trHE90i91gb3eYFRcoFudYp-q__AkkEJKZWoIbxxWK7=w480-h640" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjBzlHEEV588zYByBS5h5UHit3WnVQbtoIg5sQ7V_ZMTnJO65Y3frKmMQqBF8ZAdXAIyp_q7CCF0AR3oFtE0jo2InBsyyJKdhWoBWMvYQFbGAsgRrLPnoGuSSLlAiTbo99bZ0aTWX2hYIN_gUjN-PjSkQjvPKK3Tw0p0joEdFRRQqkax5ds_6Vro6WkBmJJ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEjBzlHEEV588zYByBS5h5UHit3WnVQbtoIg5sQ7V_ZMTnJO65Y3frKmMQqBF8ZAdXAIyp_q7CCF0AR3oFtE0jo2InBsyyJKdhWoBWMvYQFbGAsgRrLPnoGuSSLlAiTbo99bZ0aTWX2hYIN_gUjN-PjSkQjvPKK3Tw0p0joEdFRRQqkax5ds_6Vro6WkBmJJ=w400-h300" width="400" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhV12Bo-vG2k7_qM3Vs2QSbk8K5SREwbhWz9H41_SKzP2Mfp3A-anNqjR1_lvVaC-luhy0WsmQlk6EYpqE52_tGAwFwVxZRUhaw9NI0QbLltHHsbLM3zB6OvjYmjiSQcOpK1IY3q-NCIyxjU4_b-hTprLSmiSRaGjniy_EEExS0TRRTaYosaU9vJwCXmbk9" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="450" data-original-width="600" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhV12Bo-vG2k7_qM3Vs2QSbk8K5SREwbhWz9H41_SKzP2Mfp3A-anNqjR1_lvVaC-luhy0WsmQlk6EYpqE52_tGAwFwVxZRUhaw9NI0QbLltHHsbLM3zB6OvjYmjiSQcOpK1IY3q-NCIyxjU4_b-hTprLSmiSRaGjniy_EEExS0TRRTaYosaU9vJwCXmbk9" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEis458-l19_pDzFB9hUEaLT_PR7ylWzNp-lgaGkcAbKWksUVvDsnICHEz95bA4wYgoKJidCmV2sDNXhq_Mv4cafFQbGG-kSlcSXtCgwzWtuJ7PU9yaaZNCW2sIsW9P8JTqyTxjPwtOiWYjI8sTDEND6wYNiufLSxsnfKjc1veYOBvq3ix5clV6IfF0gIjfU" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEis458-l19_pDzFB9hUEaLT_PR7ylWzNp-lgaGkcAbKWksUVvDsnICHEz95bA4wYgoKJidCmV2sDNXhq_Mv4cafFQbGG-kSlcSXtCgwzWtuJ7PU9yaaZNCW2sIsW9P8JTqyTxjPwtOiWYjI8sTDEND6wYNiufLSxsnfKjc1veYOBvq3ix5clV6IfF0gIjfU=w400-h300" width="400" /></a></div><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgNFx3SGv1LhJyhgJ9BfZxmS0vXPLebs2FFs1vrt9KYnpkQwnA-E-nHTTXVwJFRySnEvF6jK8bkbAkTTYA_YNQvXT2VhYrEKei5lRRkVJ1NRRzsxo-UKvuDrpBtAja7p61dddsUUtvxgEgFTBDoqY2-XfvL50uMDxZXL__-BCzYS6JUiK3ToOJu8G31CXnU" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="600" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgNFx3SGv1LhJyhgJ9BfZxmS0vXPLebs2FFs1vrt9KYnpkQwnA-E-nHTTXVwJFRySnEvF6jK8bkbAkTTYA_YNQvXT2VhYrEKei5lRRkVJ1NRRzsxo-UKvuDrpBtAja7p61dddsUUtvxgEgFTBDoqY2-XfvL50uMDxZXL__-BCzYS6JUiK3ToOJu8G31CXnU=w480-h640" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh1bSOn7kMlUKCGxPk0oZvRWQhBLTUuo5kyKzQO5cNYvEzymyGGOr52YnsysKmoW0rgif2MNjPrbAg8CiyhG-Eu_L-Gzve46v7j9MHSlakhQx_nXn3vovbG0wkRYcaYPcBPguHIvSwwgUA__zkzTC6MaFl4S9fIgQWXZ6tGfIDQAkTJAPZkrIguD-0poFqw" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="960" data-original-width="518" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEh1bSOn7kMlUKCGxPk0oZvRWQhBLTUuo5kyKzQO5cNYvEzymyGGOr52YnsysKmoW0rgif2MNjPrbAg8CiyhG-Eu_L-Gzve46v7j9MHSlakhQx_nXn3vovbG0wkRYcaYPcBPguHIvSwwgUA__zkzTC6MaFl4S9fIgQWXZ6tGfIDQAkTJAPZkrIguD-0poFqw=w347-h640" width="347" /></a></div><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /></div><br /><br /></div><br /><br /></div><br /><p></p>Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-66459945802031854602024-03-12T13:01:00.008+01:002024-03-12T18:17:48.319+01:00Los alegres interiores de Francesch en Ourense <p> <span lang="ES-TRAD" style="background: white; color: #4472c4; font-family: arial; line-height: 107%;">En e</span><span lang="ES-TRAD" style="background: white; color: #4472c4; font-family: arial; line-height: 107%;">l CCMV, esto es el Centro Cultural Marcos Valcárcel, </span><strong style="font-family: arial;"><span style="background: white; color: #4472c4; line-height: 17.12px;">Héctor Francesch</span></strong><span lang="ES-TRAD" style="background: white; color: #4472c4; font-family: arial; line-height: 107%;"> presenta </span><b style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; line-height: 17.12px;">en la sala 1</span></b><span lang="ES-TRAD" style="background: white; color: #4472c4; font-family: arial; line-height: 107%;"> sus i</span><b style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; line-height: 17.12px;">nteriores </span></b></p><p class="MsoNormal"><span style="color: #4472c4; font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #4472c4; font-family: arial;"><b></b></span><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiWvRb5I3BvvwHjDZBI5bEn01lJNM8x2u1teMiGF26TGok7QrSXZzla1Ie9FYJRtuWBH-ghmGRoScP5rfhDFNYQNbQXxwuXuigWtYlzzIdd3SbCQY6PTYAXAf5nJZOHUliUGrIo7XkrDpmjTznFHzEQKm3FbMNdGjL2p_gVIwHyPLqq4klb0z-MoZsupP1v" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="214" data-original-width="526" height="130" src="https://blogger.googleusercontent.com/img/a/AVvXsEiWvRb5I3BvvwHjDZBI5bEn01lJNM8x2u1teMiGF26TGok7QrSXZzla1Ie9FYJRtuWBH-ghmGRoScP5rfhDFNYQNbQXxwuXuigWtYlzzIdd3SbCQY6PTYAXAf5nJZOHUliUGrIo7XkrDpmjTznFHzEQKm3FbMNdGjL2p_gVIwHyPLqq4klb0z-MoZsupP1v" width="320" /><div class="separator" style="clear: both; text-align: center;"><br /></div></a></div><span style="color: #4472c4; font-family: arial;"><b><br /><br /></b></span><span style="font-family: arial;"><b><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 17.12px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiFAHC-sbe32-R7aExfZ2uEJv6UOP811qnaU0NK0xGCNwAuANq-wers7e6qlIN-X1iGdSTuI0xXn-5cPDFWuvfX4oaLQYekCPP9OSVuOdxRxvArU4K12yYgcNb8wxA_VVWaN14yR57svBTeZqHGaR4ZyE91YExc41fjSKtg3NFTH-wY9wodjjjxm0UHbEGR" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" data-original-height="306" data-original-width="503" height="195" src="https://blogger.googleusercontent.com/img/a/AVvXsEiFAHC-sbe32-R7aExfZ2uEJv6UOP811qnaU0NK0xGCNwAuANq-wers7e6qlIN-X1iGdSTuI0xXn-5cPDFWuvfX4oaLQYekCPP9OSVuOdxRxvArU4K12yYgcNb8wxA_VVWaN14yR57svBTeZqHGaR4ZyE91YExc41fjSKtg3NFTH-wY9wodjjjxm0UHbEGR" width="320" /></a></div><br /></span></b></span><p></p>
<p class="MsoNormal"><span style="background-color: white; color: #4472c4; font-family: arial; font-size: 16px;">El artista</span><span style="font-family: arial;"><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"> (A Coruña, 1977) lleva en el arte veinticinco años con numerosas
muestras, mas es ahora y aquí donde hace </span><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">su primera gran exposición, que la sala tiene
espacio <i>dabondo</i>, y trae una obra, con variaciones, más de sesenta.</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhCO4mutnE3Ttd0K5FVsr4fQl3CvYkof0MBYSR8arBkUj8JJgacI7tXywxRl3TVXuk3Bgydcahts7G8gWd746atR6WNOqMRUVGZA12HNn4icmrk4cX6gp92202nbmTUwbF-lN2ctqEjkLXkvFxXVkWJdoq8AhHK9FMVFRtdl7iCTNozb7gT1qbu0yoDDLpV" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="450" data-original-width="600" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEhCO4mutnE3Ttd0K5FVsr4fQl3CvYkof0MBYSR8arBkUj8JJgacI7tXywxRl3TVXuk3Bgydcahts7G8gWd746atR6WNOqMRUVGZA12HNn4icmrk4cX6gp92202nbmTUwbF-lN2ctqEjkLXkvFxXVkWJdoq8AhHK9FMVFRtdl7iCTNozb7gT1qbu0yoDDLpV=w400-h300" width="400" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p class="MsoNormal"><span style="background-color: white; color: #4472c4; font-family: arial; font-size: 16px;">El autodidacta y versátil </span><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">Héctor, </span></span><span style="background-color: white; color: #4472c4; font-family: arial; font-size: 16px;">de raíces catalanas</span><span style="background-color: white; color: #4472c4; font-family: arial; font-size: 16px;"> aunque A Coruña es su ciudad, como muestra su </span><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">afirmación de que siendo adolescente ya se fijaba en la obra de Luís Seoane...</span></span></p><p class="MsoNormal"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhUBSPlIUarvXNwtal5uv3Clesi5w-fMyjRaTytw5wp_-VsEVBhAH8tKoFL2iEAS4Mem5OKJ05qmB581tRNSwPtq3iaPHcggADD8-GlHM-gvf2lJe_GIwfALL5m3PEd9WPUg28EW2qV_3FF9XLaogm3ZuGQeHTA2piWqRzGQFxMg7QKbysN9ngpT9_36jla" style="font-family: arial; margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="366" data-original-width="374" height="391" src="https://blogger.googleusercontent.com/img/a/AVvXsEhUBSPlIUarvXNwtal5uv3Clesi5w-fMyjRaTytw5wp_-VsEVBhAH8tKoFL2iEAS4Mem5OKJ05qmB581tRNSwPtq3iaPHcggADD8-GlHM-gvf2lJe_GIwfALL5m3PEd9WPUg28EW2qV_3FF9XLaogm3ZuGQeHTA2piWqRzGQFxMg7QKbysN9ngpT9_36jla=w400-h391" width="400" /></a><span style="font-family: georgia;">Salón a dos alturas</span></div><p class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgpPjOx2_KaAHh44oPTmjiKxceO1q4wNq5Javr7uE4ttK38W6x4_bHmDpY3zK7LZdApLk4nQ0tfbcNqaL7Tb7rSUYpaKaBP2bVfCqA4RuDfz89tG8L9SHLyrPtau-hdLbaigsHGO3jE07-wmWnagG46HX4MzZhglW2JlOAvu9kMqDVbIaZBDfFsSPvU6eY7" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" data-original-height="1574" data-original-width="664" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgpPjOx2_KaAHh44oPTmjiKxceO1q4wNq5Javr7uE4ttK38W6x4_bHmDpY3zK7LZdApLk4nQ0tfbcNqaL7Tb7rSUYpaKaBP2bVfCqA4RuDfz89tG8L9SHLyrPtau-hdLbaigsHGO3jE07-wmWnagG46HX4MzZhglW2JlOAvu9kMqDVbIaZBDfFsSPvU6eY7=w168-h400" width="168" /></a><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><br /></span></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-family: arial;"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><br /></span></span></span></p><span style="font-family: arial;"><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">Se ha ido expresando en su caminar vital desde el diseño textil,</span><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"> a la serigrafía e </span><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">ilustración, sobre todo, </span><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">impartiendo además clases
en la Fundación del Centro Internacional de la Estampa Contemporánea de
Betanzos. En paralelo ha firmado </span><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">el
cartel de fiestas Mª Pita 2021</span><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"> y hecho diversas exposiciones en </span><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;">Moret Art, galería con
la que acude a la feria madrileña de Arte Contemporáneo, ARCO. </span></span><p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><br /></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 17.12px;">También ha hecho destacados proyectos de efímeras instalaciones.</span></span><span lang="ES-TRAD" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: arial; font-size: 12pt; line-height: 17.12px;"> </span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEih5eBNYlk_ip2PHyez9tg8pkI6bylpjNvN3YL-dz-tJDCU2YAoUXyy_RG8080qG-4DWjtUI-QUFK_Us0wmijTOKBhfOOzYQuzNjBlLoDeV79jw2pxbLAUiexO-Cc8n7-0lgHfED31lMakLqBm2J_V2I99zK_v8sRxDkBjjDVkJjxQ-nWGLY5CKohDIy6xU" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" data-original-height="1149" data-original-width="1393" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEih5eBNYlk_ip2PHyez9tg8pkI6bylpjNvN3YL-dz-tJDCU2YAoUXyy_RG8080qG-4DWjtUI-QUFK_Us0wmijTOKBhfOOzYQuzNjBlLoDeV79jw2pxbLAUiexO-Cc8n7-0lgHfED31lMakLqBm2J_V2I99zK_v8sRxDkBjjDVkJjxQ-nWGLY5CKohDIy6xU" width="291" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgpPjOx2_KaAHh44oPTmjiKxceO1q4wNq5Javr7uE4ttK38W6x4_bHmDpY3zK7LZdApLk4nQ0tfbcNqaL7Tb7rSUYpaKaBP2bVfCqA4RuDfz89tG8L9SHLyrPtau-hdLbaigsHGO3jE07-wmWnagG46HX4MzZhglW2JlOAvu9kMqDVbIaZBDfFsSPvU6eY7" style="margin-left: 1em; margin-right: 1em;"></a></div><br /><br /></span></div><p></p><p class="MsoNormal"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><span style="font-family: arial;">Este de aquí es un trabajo muy de diseñador, consiguiendo
con una paleta de colores planos, desde lápices de color y acrílicos, una
iconografía de aire pop-naïf, simple y alegre, de formas recortadas. </span></span></p><p class="MsoNormal"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><span style="font-family: arial;">Son todos, dibujos lúdicos de entornos cotidianos, de interior, que quieren ser bodegones contemporáneos, desde un dominante carácter general de ilustración gráfica.</span></span></p><p class="MsoNormal"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><span style="font-family: arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjFT9q0rO5gPwq2n5sZgzhsirT7ZBMC2Ccfw8MtBMVUnrAkOXazGnjomJUWEkyXPjHuba8lkXZ9Ll-6Gc-e0QN68OHGPyfunu5TdRQVfonuBvd8gNdYx7QSd0T5Ooj27AqgB6eTfTWCCYmdNgS6NNiSHgiUFOk2bOX0CrjDAn-JTLtn8eUeC0VRyWD85wjO" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="279" data-original-width="607" height="184" src="https://blogger.googleusercontent.com/img/a/AVvXsEjFT9q0rO5gPwq2n5sZgzhsirT7ZBMC2Ccfw8MtBMVUnrAkOXazGnjomJUWEkyXPjHuba8lkXZ9Ll-6Gc-e0QN68OHGPyfunu5TdRQVfonuBvd8gNdYx7QSd0T5Ooj27AqgB6eTfTWCCYmdNgS6NNiSHgiUFOk2bOX0CrjDAn-JTLtn8eUeC0VRyWD85wjO=w400-h184" width="400" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjFT9q0rO5gPwq2n5sZgzhsirT7ZBMC2Ccfw8MtBMVUnrAkOXazGnjomJUWEkyXPjHuba8lkXZ9Ll-6Gc-e0QN68OHGPyfunu5TdRQVfonuBvd8gNdYx7QSd0T5Ooj27AqgB6eTfTWCCYmdNgS6NNiSHgiUFOk2bOX0CrjDAn-JTLtn8eUeC0VRyWD85wjO" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjbKxRhodzzNdY9F2s9jtIvxxnkwtzaZpG9ZL8oRCR5vpcgFm-mnARNbqK9uogx5pq9sBWPlSP537jZzH-kiwZ8APlV_KKl6kA5Bvl5S3CxMvaiWyZv9qwaKW0iNhKXZoEY6k2K2ODosQepwgxoSwAuX3FPQHWvV4l4zUr3EO_ne4zCip6uGLQxYh0EQwX2" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="916" data-original-width="2048" height="286" src="https://blogger.googleusercontent.com/img/a/AVvXsEjbKxRhodzzNdY9F2s9jtIvxxnkwtzaZpG9ZL8oRCR5vpcgFm-mnARNbqK9uogx5pq9sBWPlSP537jZzH-kiwZ8APlV_KKl6kA5Bvl5S3CxMvaiWyZv9qwaKW0iNhKXZoEY6k2K2ODosQepwgxoSwAuX3FPQHWvV4l4zUr3EO_ne4zCip6uGLQxYh0EQwX2=w640-h286" width="640" /></a></div><br /></span></div><span style="background-color: white; color: #4472c4; font-family: arial; font-size: 12pt;">Fuera del marco de la
pared, añade en el centro de la sala, sobre pedestales, pequeños formatos
metálicos, estructuras planas de acero negro con corte laser, bidimensionales y
pintadas, en un vistoso juego de instalación decorativo-escultórico en diálogo
formal con las otras. </span><p></p><p class="MsoNormal"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhP-BducbzSHrG9BkG-a1JNEKfbGJK4GJKJhsLQgbEAKLLPVgIDGxwVrFVAzlSgBsdCAhLS9m1SKa7dwv6-US2F-Or2K72NVpom6ofQmPg0SPhpedplbtezwgLb2w7E06vvw_abWdl8V9lzqh-0CN7MaEDW2uu4T1TOT1P0x-7q27oJRWD-gYODWmDIU7If" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="454" data-original-width="607" height="299" src="https://blogger.googleusercontent.com/img/a/AVvXsEhP-BducbzSHrG9BkG-a1JNEKfbGJK4GJKJhsLQgbEAKLLPVgIDGxwVrFVAzlSgBsdCAhLS9m1SKa7dwv6-US2F-Or2K72NVpom6ofQmPg0SPhpedplbtezwgLb2w7E06vvw_abWdl8V9lzqh-0CN7MaEDW2uu4T1TOT1P0x-7q27oJRWD-gYODWmDIU7If=w400-h299" width="400" /></a></span><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><span style="font-family: arial;">Está comisariada por Matilde Rodríguez, quien le ayuda a desplegar
en sala este reciente caminar creativo del último quinquenio.</span></span></p><p class="MsoNormal"><span lang="ES-TRAD" style="background: white; color: #4472c4; font-size: 12pt; line-height: 107%;"><span style="font-family: arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"></div><span style="font-family: arial;"><br /></span><p></p>Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-46770315774812072742024-03-09T12:57:00.003+01:002024-03-09T12:57:19.486+01:00A ponte vella e a cidade de Ourense, mediados do XIX - comezos do séculos XX.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgnhylvGj58dPkGZBaXcZq8V5cNYeP8tPkpPq_MxqKX9mAPbM-0NJ56iSdL28QTIoS2-pqqmrrtuTa4zTzUBRbspeN0wL8qZemw7Fc-rfIQ0TrNqazGRbDcF9rBiAa6BH_LOrsCq_hwAHvVhLMe8k93ehWAYqxR9bAoIaeDqm6TtRi0tNdpoZKUtNNahj_i" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="520" data-original-width="829" height="302" src="https://blogger.googleusercontent.com/img/a/AVvXsEgnhylvGj58dPkGZBaXcZq8V5cNYeP8tPkpPq_MxqKX9mAPbM-0NJ56iSdL28QTIoS2-pqqmrrtuTa4zTzUBRbspeN0wL8qZemw7Fc-rfIQ0TrNqazGRbDcF9rBiAa6BH_LOrsCq_hwAHvVhLMe8k93ehWAYqxR9bAoIaeDqm6TtRi0tNdpoZKUtNNahj_i=w481-h302" width="481" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; text-align: left; white-space-collapse: preserve;">Ponte nos arredores de OURENSE, sobre o Miño. </span></div><p></p><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="background-color: white; color: #050505; display: inline-flex; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; height: 16px; margin: 0px 1px; vertical-align: middle; white-space-collapse: preserve; width: 16px;"><img alt="🎨" class="xz74otr" height="16" referrerpolicy="origin-when-cross-origin" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t82/1/16/1f3a8.png" style="border: 0px; object-fit: fill;" width="16" /></span><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;"> Edgar Thomas Ainger Wigram, 6º Barón de Wigram, 1864-1935. En "Northern Spain", escrito e ilustrado por este aristocrático e curioso acuarelista inglés, publicado en 1906. Fermoso ver aparecer as dúas señoras cos seus mandís polo carreiro fluvial do concello de Canedo. Á dereita da mirada, o de Ourense, </span><div><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;">e agora neste de Francisco Cendón, cara o solpor </span><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;">e 1850, utilizado como cartaz da exposición "Cidades no Tempo: Ourense", que se inaugura en marzo. A ponte vella como definitoria do novo concello Ourense con Canedo, dende mediados do século XX. </span></div><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="background-color: white; color: #050505; display: inline-flex; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; height: 16px; margin: 0px 1px; vertical-align: middle; white-space-collapse: preserve; width: 16px;"><br /></span><div><div><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgb75_M9aDLD53Pc-uUMaEUpp_M6KPReYGyprRh9iMeAjiy359PXifGM4PFS0h6z_uRYunhb9KQ1U1m5A1F-8-1pe9TZ0XuHaff4XoZHboGUYrcmWJh6tLo4QpCX_lzKk4PwWRYVt6CbgTZDIwl10auIjumgcsY3TwGu0MLk_uvDT7Hcn3Pw-sv3zFYGvDM" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="750" data-original-width="1200" height="280" src="https://blogger.googleusercontent.com/img/a/AVvXsEgb75_M9aDLD53Pc-uUMaEUpp_M6KPReYGyprRh9iMeAjiy359PXifGM4PFS0h6z_uRYunhb9KQ1U1m5A1F-8-1pe9TZ0XuHaff4XoZHboGUYrcmWJh6tLo4QpCX_lzKk4PwWRYVt6CbgTZDIwl10auIjumgcsY3TwGu0MLk_uvDT7Hcn3Pw-sv3zFYGvDM=w448-h280" width="448" /></a></div><br />Vista de Ourense deste mesmo artista:. A ponte é a das Burgas, na estrada decimonónica Villacastín-Vigo.</span></div></div><div><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;"><br /></span></div><div><span style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 14px; white-space-collapse: preserve;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEibN621bo-hFnwfkCLQQKD82A_QQUVG0nLaQVSOWnOVzqSiFNhKJwmUiwfz8w9oFCXJodqvlgxGpir0LVjGWkjhs4wFDtOX91LL7Qcz7z8jJa_1Is-7vg00KOL6Ow2DW7vZpEKBGsnxiGsbGF3VFBTKxtVmHO6aWgEzIgmW5tqLEQkiNkJDbP4oqg8yvUZj" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="440" data-original-width="615" height="283" src="https://blogger.googleusercontent.com/img/a/AVvXsEibN621bo-hFnwfkCLQQKD82A_QQUVG0nLaQVSOWnOVzqSiFNhKJwmUiwfz8w9oFCXJodqvlgxGpir0LVjGWkjhs4wFDtOX91LL7Qcz7z8jJa_1Is-7vg00KOL6Ow2DW7vZpEKBGsnxiGsbGF3VFBTKxtVmHO6aWgEzIgmW5tqLEQkiNkJDbP4oqg8yvUZj=w397-h283" width="397" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>A cidade medrou cara o S. da catedral, e a máis moderna para o N. Enriba dela, nas abas de ontalegre o convento medieval de San Francisco.<br /><br /></span></div>Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-33656622204263048412024-03-06T18:10:00.006+01:002024-03-13T10:27:21.675+01:00<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg65IyBC5Opo4qWlsJfszndToIhhlKaOPgP5BMy5jP8ia83g0Q4aMBp76gLhX5Rd_niZwC24wx3GT6Ga0Tjy31rwb8bdUis1D_ZUPCmfOfyQNPo65oKVdbyr98OmnizMjL8h0VJk5JAhlinFIcFjgOxCrqeRdGBjtZYiU4rljJicvZD-L6DBlkCvjPmr6fl" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="682" data-original-width="693" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEg65IyBC5Opo4qWlsJfszndToIhhlKaOPgP5BMy5jP8ia83g0Q4aMBp76gLhX5Rd_niZwC24wx3GT6Ga0Tjy31rwb8bdUis1D_ZUPCmfOfyQNPo65oKVdbyr98OmnizMjL8h0VJk5JAhlinFIcFjgOxCrqeRdGBjtZYiU4rljJicvZD-L6DBlkCvjPmr6fl" width="244" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhXvwP-GCE2BO0JWLR1cAofZ8AYeTo3zZRaXHnhV-0EHF4orsLIbIqQuADNcrtbVDE93htaOmH3-HXQoiK6_X3Ovi910LqSd4BVpIz46QrLKPepeMlxzEW2_HRdd8yWWYNN4SAH9774vuWW8bPL0veHvgoi6yQVuDGdvoKtpwVA1eoxkWJI5M6De1IPH650" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="425" data-original-width="637" height="214" src="https://blogger.googleusercontent.com/img/a/AVvXsEhXvwP-GCE2BO0JWLR1cAofZ8AYeTo3zZRaXHnhV-0EHF4orsLIbIqQuADNcrtbVDE93htaOmH3-HXQoiK6_X3Ovi910LqSd4BVpIz46QrLKPepeMlxzEW2_HRdd8yWWYNN4SAH9774vuWW8bPL0veHvgoi6yQVuDGdvoKtpwVA1eoxkWJI5M6De1IPH650" width="320" /></a></div><br /><br /></div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; white-space-collapse: preserve;">Claustro da hospedería, no antigo mosteiro de Montederramo, Ourense, época do Renacemento, século XVI. Nun antepeito do primeiro andar un significado e culto motivo, en orixe o emblema de Aldo Manuzio, gran tipógrafo florentino, quen o comezou a usar arredor do 1500, e que foi o selo distintivo das súas publicacións. </span><p></p><p><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; font-size: 14px; white-space-collapse: preserve;"><br /></span></p><p><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; font-size: 14px; white-space-collapse: preserve;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjLPja6KuKAvoNK9gshKtXyksLzCIWePoZigtqcShxioqmRWLi46bxzY6OcXjQ8Jw5GUNL6mYmboHrmiQ5wvhh548CtFkPAWrwHrN84xEsjzujJHWCSxHthvGgTRlOg_LsDebQdsD-OsUR5BHWNWR92Urh9AlGHlmPz_M9R4JdIJ6vt1o9UxORyxIGOEbGG" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="448" data-original-width="600" height="299" src="https://blogger.googleusercontent.com/img/a/AVvXsEjLPja6KuKAvoNK9gshKtXyksLzCIWePoZigtqcShxioqmRWLi46bxzY6OcXjQ8Jw5GUNL6mYmboHrmiQ5wvhh548CtFkPAWrwHrN84xEsjzujJHWCSxHthvGgTRlOg_LsDebQdsD-OsUR5BHWNWR92Urh9AlGHlmPz_M9R4JdIJ6vt1o9UxORyxIGOEbGG=w400-h299" width="400" /></a></div><br /><span style="font-family: arial;">Simbolizaba a fusión da velocidade e a estabilidade, que reflectía a filosofía da súa arte. </span><div><span style="font-family: arial;">O lema "Festina lente", encapsula a esencia delo.</span></div><div><p></p><p><span style="background-color: white; color: #050505; font-family: arial; white-space-collapse: preserve;">E Montederramo foi importante colexio para os monxes no tempo da Congregación Cisterciense de Castela<span style="font-size: 14px;">. </span></span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjGEGP6NG1KeYfF-tFT99WqXGqjE_T791gykEe3ilPAcq5FfdFbRi6TEfJpq4Mu-FUVqhkzwyAPj3yILUFA1cSj22BubZ5LMbY1pfQ2xnSDHivjmM4Qly77HVnAJfwwh2Mm69l3ZlZfAWO58Fyc7WE07fWoMryI3KzexE1_YXrkHDQC8RuvL2iD2ZRc_6U7" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="477" data-original-width="720" height="264" src="https://blogger.googleusercontent.com/img/a/AVvXsEjGEGP6NG1KeYfF-tFT99WqXGqjE_T791gykEe3ilPAcq5FfdFbRi6TEfJpq4Mu-FUVqhkzwyAPj3yILUFA1cSj22BubZ5LMbY1pfQ2xnSDHivjmM4Qly77HVnAJfwwh2Mm69l3ZlZfAWO58Fyc7WE07fWoMryI3KzexE1_YXrkHDQC8RuvL2iD2ZRc_6U7=w400-h264" width="400" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; font-size: 14px; text-align: left; white-space-collapse: preserve;">As fotos do claustro son da autoría de Antón Rodicio, esta última de mañanciña...</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; font-size: 14px; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; text-align: left; white-space-collapse: preserve;"><div class="separator" style="clear: both; font-size: 14px; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhXriR1bb_rqrXN9jl3cgXfcWuhOjnhjDUnFgKdjzbG6JZeqfUCZVZWCZLGQIva3cBmNkYAAjWPwVtcJui4aKg9yCXanMdBhi1gn4CkDPSXOBc6nih6eUaDDdD6AdNwJJmTJnzctFRozwswOAWE9Esa0GWCKCYNat1RiGvGMNxiaq-yEVBnD0EJh2Pep8w5" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="896" data-original-width="1080" height="314" src="https://blogger.googleusercontent.com/img/a/AVvXsEhXriR1bb_rqrXN9jl3cgXfcWuhOjnhjDUnFgKdjzbG6JZeqfUCZVZWCZLGQIva3cBmNkYAAjWPwVtcJui4aKg9yCXanMdBhi1gn4CkDPSXOBc6nih6eUaDDdD6AdNwJJmTJnzctFRozwswOAWE9Esa0GWCKCYNat1RiGvGMNxiaq-yEVBnD0EJh2Pep8w5=w379-h314" width="379" /></a></div><span style="font-family: arial;"><span style="font-size: 14px;"><br /></span>Ms. medieval do mosteiro cisterciense no que se destaca por vez primeira a denominación de "Ribeira Sacra", tan utilizada hoxe en día... sendo "</span></span><span style="background-color: white; color: #050505; text-align: left; white-space-collapse: preserve;"><span style="font-family: arial;">o artífice da lectura e traducción erróneas de «rovoyra sacrata» («roble sagrado») por «Ribera Sagrada» o monxe benedictino frei Antonio de Yepes a comezos do século XVII na súa «Crónica General de la Orden de San Benito». Así é coñecido na historiografía científica dende fai anos.</span></span><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; text-align: left; white-space-collapse: preserve;"> </span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; font-size: 14px; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #050505; text-align: left; white-space-collapse: preserve;"><div class="separator" style="clear: both; font-size: 14px; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjOVNKdgym7JE4aIher9nAYPuSCWpsGeZayVG4x3N_UbQT9ndyIiWm3Hi17_ISEyE16oz2OkoQt4V0uj3GWjbVyWRxbQRvPPx-QM1wThTSO61WtX5bbOI9EYLU4TNLEuxmi6cbVn74LD1gWSUukW-moqTWS6XIXM0DGnXnbtVHuleqYtkwIDBRIzLW90756" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="326" data-original-width="1080" height="130" src="https://blogger.googleusercontent.com/img/a/AVvXsEjOVNKdgym7JE4aIher9nAYPuSCWpsGeZayVG4x3N_UbQT9ndyIiWm3Hi17_ISEyE16oz2OkoQt4V0uj3GWjbVyWRxbQRvPPx-QM1wThTSO61WtX5bbOI9EYLU4TNLEuxmi6cbVn74LD1gWSUukW-moqTWS6XIXM0DGnXnbtVHuleqYtkwIDBRIzLW90756=w427-h130" width="427" /></a></div><div class="separator" style="clear: both; font-size: 14px; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Abrangue este espazo entre o río Sil e o Miño, segundo unha recente "Guía"... </span></div><div class="separator" style="clear: both; font-size: 14px; text-align: center;"><br /></div><div class="separator" style="clear: both; font-size: 14px; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgJ24cyTl0RV8BNvbCk_f29mUiQOU1Jwh85pd64Empr4T2jhLNXRAbwlirvVEWxHdGwtPo9t-C6RzJemVUcugAfMyl3RFeKmb2kXvGzRfBrw1UPhavuAa8CMpKXrAkDaIIiZ0nRoPGHaxY3YJ1ijburX03Y2gjUwvAOgQHJor3Qgh6wZ3A1VuOAiufubxXp" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="385" data-original-width="453" height="340" src="https://blogger.googleusercontent.com/img/a/AVvXsEgJ24cyTl0RV8BNvbCk_f29mUiQOU1Jwh85pd64Empr4T2jhLNXRAbwlirvVEWxHdGwtPo9t-C6RzJemVUcugAfMyl3RFeKmb2kXvGzRfBrw1UPhavuAa8CMpKXrAkDaIIiZ0nRoPGHaxY3YJ1ijburX03Y2gjUwvAOgQHJor3Qgh6wZ3A1VuOAiufubxXp=w400-h340" width="400" /></a></div><br /><br /></div><span style="font-size: 14px;"><br /><br /></span></span></div>Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-49049636154791602092024-03-05T17:17:00.005+01:002024-03-05T18:07:39.870+01:00<p> DO ENTROIDO ENFEITIZADO DE MARÍA MAQUIEIRA AO DE CARLOS VELO </p>
<p class="MsoNormal"><span lang="GL" style="background: white; color: #0070c0; font-family: "Georgia",serif; font-size: 16pt; line-height: 107%; mso-ansi-language: GL; mso-bidi-font-family: Helvetica;">C</span><span lang="GL" style="background: white; line-height: 107%;"><span style="color: #0070c0; font-family: Georgia, serif;"><span style="font-size: 12pt;">o gallo do Entroido, singularísimo
tempo anual en Ourense, tan celebrado, a Fundación Carlos Velo conseguiu que a ilustradora
coruñesa de Sada, María Maquieira (n. 1985) expuxera as ilustracións do libro
“Entroido enfeitizado" na galería Visol. O título baséase nunha breve e
significada narración alegórica do recoñecido cineasta nado en Cartelle quen, ao
pouco tempo de fuxir da guerra e ditadura militar do xeneral Franco, pon en
marcha dende o D.F. de México a revista “Saudade (Verba Galega nas Américas)” co
Grupo do mesmo nome entre os que estaban Delgado Gurriarán e Illa Couto, cuxo
primeiro número saíu simbolicamente no mes de Sant Iago de 1942, abrindo o
texto de Velo o segundo número, en Nadal dese ano.</span></span></span></p><p class="MsoNormal"><span lang="GL" style="background: white; line-height: 107%;"><span style="color: #0070c0; font-family: Georgia, serif;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span lang="GL" style="background: white; line-height: 107%;"><span style="color: #0070c0; font-family: Georgia, serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXXxqNsIjVBaOZ4q4uxukRHuRlefRzXquBw_y1rLGFCZvryAMK-Wg8JDYiON3EDHFE1_CM62ga91oy8FAjmbuq9UCHL7CmlyPsqcm-4AiUa0Os67vmAZ-xMVi2uvt5Fkr4Ii4adJJ9WKfEsf-GEX5UQ2DomHxAZD0ab5VooNyUHaebcEAjP4qKOM2WaOh/s1536/M%C2%AA%20Maquieira%20na%20inauguraci%C3%B3n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1361" data-original-width="1536" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXXxqNsIjVBaOZ4q4uxukRHuRlefRzXquBw_y1rLGFCZvryAMK-Wg8JDYiON3EDHFE1_CM62ga91oy8FAjmbuq9UCHL7CmlyPsqcm-4AiUa0Os67vmAZ-xMVi2uvt5Fkr4Ii4adJJ9WKfEsf-GEX5UQ2DomHxAZD0ab5VooNyUHaebcEAjP4qKOM2WaOh/s320/M%C2%AA%20Maquieira%20na%20inauguraci%C3%B3n.jpg" width="320" /></a><span style="font-size: 12pt; text-align: left;">Maquieira, ante o traballo encargado pola
mencionada fundación, ilumina coa súa linguaxe plástica o texto que se subdivide
en trece breves cadros con numeración latina, das que saen dezaoito imaxes.
Unhas son descritivas, caso do bodegón coa cachucha, xerra co viño e chourizos,
ou as dúas da Santina, deitada no cadaleito. Outras son variacións do texto
orixinal, caso dos bois coas estrelas na fronte que levan xugo e non mulida, e
os gaiteiros de Valdariz, mozos barís, sen a compaña do tamboril de Rabal. </span></span></span></div><p></p><p class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjw6eRItok9QIxbwo4C1IJKbkoTGESX9PiM9ehXOksOwsKXDBglrDQFRjEm45er-29CPucnzqBQWqOa2H8u09cItCZMrXjhP02n0uup0-okPXISj8MdwVolg-6GEiY7MtXg22fWQIIBHn5O6XoUYxtJ3GXABpETDQpR6eFwLUfYtGXMcbRrUMUqEVQ9jlOT" style="background-color: white; font-family: Georgia, serif; font-size: 12pt; margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="614" data-original-width="614" height="273" src="https://blogger.googleusercontent.com/img/a/AVvXsEjw6eRItok9QIxbwo4C1IJKbkoTGESX9PiM9ehXOksOwsKXDBglrDQFRjEm45er-29CPucnzqBQWqOa2H8u09cItCZMrXjhP02n0uup0-okPXISj8MdwVolg-6GEiY7MtXg22fWQIIBHn5O6XoUYxtJ3GXABpETDQpR6eFwLUfYtGXMcbRrUMUqEVQ9jlOT=w273-h273" width="273" /></a><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;">Eles
e as sete irmáns choradeiras, tan indispensables nos enterros doutrora, levan rostros
moi semellantes, elas cun ar á propia María..., sendo as imaxes máis efectivas aquelas
nas que a artista propón camiños plásticos dende a súa inspiración, como a
virxe do Entroido de monxa e o Foleiro semiespido.</span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhOFETxodyD8fV1loFmt52OZdJbaLDG5YpU-eNdb1FCTX0KeNTTAhGBKt0WRVLCe53-tPabuXe4Qy-1Pcrii77GtlyRcgCDRFQsvgW8Cxaxqq4eHNS4K4jFmtDsq0pH5-tglEBmDKSrlewm5ySqz6mivCJmm9KBg10RqxxNLBIeSdPELoObzcAqqYZOV0-r" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="467" data-original-width="459" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhOFETxodyD8fV1loFmt52OZdJbaLDG5YpU-eNdb1FCTX0KeNTTAhGBKt0WRVLCe53-tPabuXe4Qy-1Pcrii77GtlyRcgCDRFQsvgW8Cxaxqq4eHNS4K4jFmtDsq0pH5-tglEBmDKSrlewm5ySqz6mivCJmm9KBg10RqxxNLBIeSdPELoObzcAqqYZOV0-r" width="236" /></a>A Raíña Loba</div><p></p><p class="MsoNormal"><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;">A máis salientable é a da morte
da Santa pola Raíña loba, obra como aqueloutra en perspectiva de sotto in su, que
Maquieira licenciouse en Hª da arte entre a USC e a facultade de letras e
filosofía de Perugia, cunha ampla estadía en Roma. </span></p><p class="MsoNormal"><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"><br /></span><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjxa39MJbAZqb1mmT7y-Am_AuyL7fq9KBqsg6NFGg_50fdw_47ueRHc15UCjw43zzgPvYIhVv-hah0CVA6YS6Wdw6cTfooS4UQjVO5m2aIDdLO-ObubYQq2p5zqXSJ34CGWoJhTCGLsblZvDRonmsyRCCjBIBlwR2mi7XHaolIEACcsSXoySz5d-VlYrgpR" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="717" data-original-width="717" height="291" src="https://blogger.googleusercontent.com/img/a/AVvXsEjxa39MJbAZqb1mmT7y-Am_AuyL7fq9KBqsg6NFGg_50fdw_47ueRHc15UCjw43zzgPvYIhVv-hah0CVA6YS6Wdw6cTfooS4UQjVO5m2aIDdLO-ObubYQq2p5zqXSJ34CGWoJhTCGLsblZvDRonmsyRCCjBIBlwR2mi7XHaolIEACcsSXoySz5d-VlYrgpR=w291-h291" width="291" /></a>Morre a Santa pola Raíña Loba<span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"> </span></p><p class="MsoNormal"><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;">Ela é o clímax do in
crescendo que redacta Velo nunha secuencia extraordinaria na que xa se queimara
o Meco e o sol morrera "nas ondas do mar hiperbóreo. O vento de Fisterra çenchese de escuridade mitolóxica",</span><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"> espazo no que sitúa a narración, facendo
que trece mariñeiros se transformen en lobos, que pelexan cos Fenos, que non Felos,
e a Santa cos brazos en cruz faille un desconxuro a Raíña loba, que se bota
enriba dela e morre. Así " desfaise o feitizo da princesa Aldina, filla de El Rei de Galiza" apreixada na pelica de loba. E diante do carro da santa morta, "o vello Breogán coberto cunha coroza chea de vieiras camiña con pes nús camando aos bois"</span><i style="color: #0070c0; font-family: Georgia, serif; font-size: 12pt;">,</i><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"> que Maquieira efixia cun magnífico rostro portando un
facho entre bois e viste, sen máis, unhas vieiras. Todo elo no tempo das festas
míticas do Entroido, co trasno e o foleiro, o Feno pescantín, o novo e o
sacauntos, o Meco do viño, os vellos Chanqueiro e Liberata, dona Pingoleta e
Don Vaselina.</span></p><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"><br /></span></div><span style="background-color: white; color: #0070c0; font-family: Georgia, serif; font-size: 12pt;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTO_4r6EF2LE9BedPjZraUfaey8TPiarhRMaDHZbicHtF07jafbhdGTjKuHD09vxxlGhPC44YqnISquh40XtRyIvj-7_X-zAvSiMCnfpgT-UN6HsLVEjwFbhYTe2S1tTSALDwiyasvoBXzsMEM8iPJ2s5SCWcys_1FlnPJWYQyIO-oiou-40tBTMt-av35/s717/Foleiro.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="717" data-original-width="717" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTO_4r6EF2LE9BedPjZraUfaey8TPiarhRMaDHZbicHtF07jafbhdGTjKuHD09vxxlGhPC44YqnISquh40XtRyIvj-7_X-zAvSiMCnfpgT-UN6HsLVEjwFbhYTe2S1tTSALDwiyasvoBXzsMEM8iPJ2s5SCWcys_1FlnPJWYQyIO-oiou-40tBTMt-av35/s320/Foleiro.jpg" width="320" /></a>Foleiro</div><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh3_qxmHE8Zo9kHXigQzSNQKpyK7q0PKfZ9aLyO2ukLnUIW60UVa6UJqdAwSZPvIAhsROxvkp60rNT7W33uvXSUBqu13aP_rSdQo7C0IezzgvydcyCfLthxHsMb8Lr-h13byIRpWKSrg32Ge2DcFH2QCrtLDyv6LjdXA0G_f4cLzGnhPcF30Y2mqsGtRa-u" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="992" data-original-width="992" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEh3_qxmHE8Zo9kHXigQzSNQKpyK7q0PKfZ9aLyO2ukLnUIW60UVa6UJqdAwSZPvIAhsROxvkp60rNT7W33uvXSUBqu13aP_rSdQo7C0IezzgvydcyCfLthxHsMb8Lr-h13byIRpWKSrg32Ge2DcFH2QCrtLDyv6LjdXA0G_f4cLzGnhPcF30Y2mqsGtRa-u" width="240" /></a>Breogán</div></div><p></p>
<p class="MsoNormal"><span lang="GL" style="background: white; color: #0070c0; font-family: "Georgia",serif; font-size: 12pt; line-height: 107%; mso-ansi-language: GL; mso-bidi-font-family: Helvetica;">Eis unha exposición para o mes do
enfeitizado ano bisesto, que nos fai coñecer esta artista da man da Fundación
Carlos Velo, cunha proposta en prosa poética chegada do exilio galego, que se
inicia co latín da misa de Requiem e remata co Dum Paterfamilias, concluíndo entre
música de zanfona e cantos coa invocación “Isperta do teu sono Santiña! ,
Erguete e canta Rosalía!<i>”.</i> Marabilloso desempeño.<o:p></o:p></span></p><p class="MsoNormal"><span lang="GL" style="background: white; color: #0070c0; font-family: "Georgia",serif; font-size: 12pt; line-height: 107%; mso-ansi-language: GL; mso-bidi-font-family: Helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgA82Xpya2wiWc0d9AF_eXGz7JAzAiwjI4U1G1w8pZPWT5HvwiMdFHboa5KdbIyOs_JLxejb4OcGdPGcZR87ILwsmECEuTwkM-pLUgOMVF4j_MEibZ9DkukpojoN8acO5jcu2tcVtM-lGsdvvs9PPl-063_l92spBzZ8xNUCnLuMEJ1La4tDyUbci8p_Luq" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="200" data-original-width="200" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgA82Xpya2wiWc0d9AF_eXGz7JAzAiwjI4U1G1w8pZPWT5HvwiMdFHboa5KdbIyOs_JLxejb4OcGdPGcZR87ILwsmECEuTwkM-pLUgOMVF4j_MEibZ9DkukpojoN8acO5jcu2tcVtM-lGsdvvs9PPl-063_l92spBzZ8xNUCnLuMEJ1La4tDyUbci8p_Luq" width="240" /></a></div><br /><br /><p></p>Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-91988110939797447032018-07-03T09:40:00.001+02:002024-03-05T16:51:58.549+01:00portico<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
Jenaro Pérez Villaamil<br />
<div>
Pórtico de la Gloria de la Catedral de Santiago de Compostela, 1849, </div>
<div>
Palacio de la Moncloa, Madrid</div>
<div>
<br /></div>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIT7ZdC_JaiqaxJCrm1_gDI0qNr2HB86cZObDJ67-JW-pVLO6n7AyHdZtyijDbh21Hb5j_8W-nCDwJGUoSAzQfWad07N_VQxGPs-svkndZb8Pn9pYRVufriDWBhYVUY6rH1Kk30999RU8/s1600/El_Po%25CC%2581rtico_de_la_Gloria_de_la_Catedral_de_Santiago_de_Compostela%252C_1849%252C_Jenaro_Pe%25CC%2581rez_Villaamil%252C_Palacio_de_la_Moncloa%252C_Madrid.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1175" data-original-width="1600" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIT7ZdC_JaiqaxJCrm1_gDI0qNr2HB86cZObDJ67-JW-pVLO6n7AyHdZtyijDbh21Hb5j_8W-nCDwJGUoSAzQfWad07N_VQxGPs-svkndZb8Pn9pYRVufriDWBhYVUY6rH1Kk30999RU8/s640/El_Po%25CC%2581rtico_de_la_Gloria_de_la_Catedral_de_Santiago_de_Compostela%252C_1849%252C_Jenaro_Pe%25CC%2581rez_Villaamil%252C_Palacio_de_la_Moncloa%252C_Madrid.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />Na Catedral<br /><br />Coma algún día, polos corrunchos<br />do vasto tempro,<br />vellos e vellas, mentras monean,<br />silban as salves i os padrenostros;<br />i os arcebispos nos seus sepulcros,<br />reises e reinas, con gran sosego,<br />na paz das mármores tranquilos dormen,<br />mentras no coro cantan os cregos.<br />O órgano lanza tristes cramores,<br />os das campanas responden lexos,<br />i a santa imaxen do Redentore<br />parés que suda sangre no Huerto.<br /><br /><br />Señor Santísimo, ós teus pes ¡cánto<br />tamén de angustia sudado teño!<br />Mais si o pecado castigas sempre,<br />ó que afrixido vai a pedircho<br />daille remedio.<br /><br />O sol poniente, polas vidreiras<br />da Soledade, lanza serenos<br />raios que firen descoloridos<br />da Groria ós ánxeles i ó Padre Eterno.<br />Santos apóstoles, -¡védeos!- parece<br />que os labios moven, que falan quedo<br />os uns cos outros, e aló na altura<br />do ceu a música vai dar comenso,<br />pois os groriosos concertadores<br />tempran risoños os instrumentos.<br /><br />¿Estarán vivos? ¿Serán de pedra<br />aqués sembrantes tan verdadeiros,<br />aquelas túnicas maravillosas,<br />aqueles ollos de vida cheos?<br />Vós que os fixeches de Dios ca axuda,<br />de inmortal nome Mestre Mateo,<br />xa que aí quedaches homildemente<br />arrodillado, faláime deso.<br />Mais co eses vosos cabelos rizos,<br />santo dos croques, calás... i eu rezo.<br /><br />Aquí está a groria, mais naquel lado,<br />naquela arcada negrexa o inferno<br />cas almas tristes dos condanados,<br />onde as devoran todo-los demos.<br />De alí non podo quitá-los ollos,<br />mitá asombrada, mitá con medo,<br />que aqueles todos se me figuran<br />os dun delirio mortaes espeutros.<br /><br />¡Cómo me miran eses calabres<br />i aqueles deños!<br />¡Cómo me miran, facendo moecas<br />dende as colunas onde os puxeron!<br />¡Será mentira, será verdade!<br />Santos do ceo,<br />¡saberán eles que son a mesma<br />daqueles tempos...?<br />Pero xa orfa, pero enloitada,<br />pero insensibre cal eles mesmos...<br />¡Cómo me firen...! Voume, si, voume,<br />¡que teño medo!<br /><br />Mais xa nos vidros da grande araña<br />cai o postreiro<br />raio tranquilo que o sol da tarde<br />pousa sereno;<br />e en cada prancha da araña hermosa<br />vivos refrexos,<br />cintileando coma as estrelas,<br />pintan mil cores no chan caendo,<br />e fan que a tola da fantesía<br />soñe milagres, finxa portentos.<br />Mais de repente veñen as sombras...<br />Todo é negrura, todo é misterio...<br />Adiós alxofres, e maravillas...<br />Tras do Pedroso púxose Febo.<br /><br />Coma pantasmas cruzas as naves,<br />silbando salves de padrenuestros,<br />vellos e vellas que a Dios lle piden<br />El tan só sabe cáles remedios;<br />que cando o mundo nos deixa, é sóio<br />cando buscamos con ansia o ceo.<br /><br />Ós pes da Virxen da Soledade<br />-¡de moitos anos nos conocemos!-<br />a oración dixen que antes dicía,<br />fixen mamoria dos meus secretos,<br />para mi madre deixéi cariños,<br />para os meus fillos miles de beixos,<br />polos verdugos do me esprito<br />recéi... ¡e funme, pois tiña medo!<div>
<br /></div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-1604499404291042922018-06-27T22:11:00.000+02:002018-06-27T22:14:07.464+02:00Nueve años de la Torre de Hércules como Patrimonio Mundial por la UNESCO<div dir="ltr" style="text-align: left;" trbidi="on">
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgge7GQrqAHHP18vA_I6zxXu3mAAducBtddPrIduJqT4XcvRowW-gRnOD8qpi67xJuk-tCZVm5est-9mxN_vJSxWan8OZa8ziEFg6f8Nk9-IO2EfHWNM45mpG8qEZU6Pmw651s8mW6VU6Nu/s1600/36251556_1655548301208003_3199979849334652928_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="493" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgge7GQrqAHHP18vA_I6zxXu3mAAducBtddPrIduJqT4XcvRowW-gRnOD8qpi67xJuk-tCZVm5est-9mxN_vJSxWan8OZa8ziEFg6f8Nk9-IO2EfHWNM45mpG8qEZU6Pmw651s8mW6VU6Nu/s1600/36251556_1655548301208003_3199979849334652928_n.jpg" /></a></div>
<div>
<br /></div>
<div>
La última campaña institucional de promoción y apoyo a la candidatura realizada por el Ayuntamiento de A Coruña incluyó un cartel, "El Guardián de la Torre", un acrílico sobre lienzo de 65x92 cm., de la autoría de Miguelanxo Prado.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4dR0v4hyphenhyphendgfewZ415jMxew-CuhVw0_QveqXBX1g7uqqNVTfG1BVy-JtCXIsH7zVZoSxQ5bEDzZaTaTKPzrfOGwjWFdt722NQXr7T0iKrfUGzx46Ehz1dlAWBeMjVLX4T8zT7QmhS46CTz/s1600/IMG_2739.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1253" data-original-width="830" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4dR0v4hyphenhyphendgfewZ415jMxew-CuhVw0_QveqXBX1g7uqqNVTfG1BVy-JtCXIsH7zVZoSxQ5bEDzZaTaTKPzrfOGwjWFdt722NQXr7T0iKrfUGzx46Ehz1dlAWBeMjVLX4T8zT7QmhS46CTz/s640/IMG_2739.JPG" width="422" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS8JI0hFS1bNoh3CRtqZ-qilAxnq8FVtgTrK_jwxuEZFWjSDJKFlrN_VJwAkrqEQJzsM8S0Fl3cfXTTUBZ2rCDkugH2h1xSt_QK-_wfJGo6v-kB_zSQHmUPo2RXO2lrU2-CWt90s0nCh9E/s1600/IMG_2738.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="830" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS8JI0hFS1bNoh3CRtqZ-qilAxnq8FVtgTrK_jwxuEZFWjSDJKFlrN_VJwAkrqEQJzsM8S0Fl3cfXTTUBZ2rCDkugH2h1xSt_QK-_wfJGo6v-kB_zSQHmUPo2RXO2lrU2-CWt90s0nCh9E/s640/IMG_2738.JPG" width="557" /></a></div>
<br /></div>
<br /></div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-44098997528522351132018-06-11T17:15:00.000+02:002018-06-19T20:35:45.039+02:00Paula Paula Noya, en Alterarte<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<b style="font-family: Calibri, sans-serif; text-align: left;"><span lang="GL" style="font-family: "helvetica";">Paula Noya, en Alterarte, dende as vivencias familiares </span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b style="font-family: Calibri, sans-serif; text-align: left;"><span lang="GL" style="font-family: "helvetica";">XABIER LIMIA DE GARDÓN</span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b style="font-family: Calibri, sans-serif; text-align: left;"><span lang="GL" style="font-family: "helvetica";">ARTE ET ALIA</span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b style="font-family: Calibri, sans-serif; text-align: left;"><span lang="GL" style="font-family: "helvetica";"><br /></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><span style="font-size: x-large;">V</span>ive e traballa a artista lucense Paula Noya en Madrid, onde ten o seu fogar. Como ela, todos nacemos nunha familia e nunha terra, na que botamos raíces. Por veces, mudámonos cos nosos pais a outras cidades, e noutras ocasións por estudos, somos nós os que pasamos a outras terras, para quedarmos nelas. Disto ben a nostalxia adulta, pois botamos de menos a xente e o mundo no que habitamos os primeiros anos. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><br /></span></div>
<div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmkmKE4V0yEF05Idezhy7d6VsP_KVNUsJRJSgVaVUKHuQ_dK9e8vD-DKviNcYD3FIXyuka1QvBQDPARE8s5xzbzDF5G-UYw1AIww6xzOGy6tmPIB3kaV-qsmJMMc_HeKxf_OANXXKao825/s1600/2018060622472370916.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="1152" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmkmKE4V0yEF05Idezhy7d6VsP_KVNUsJRJSgVaVUKHuQ_dK9e8vD-DKviNcYD3FIXyuka1QvBQDPARE8s5xzbzDF5G-UYw1AIww6xzOGy6tmPIB3kaV-qsmJMMc_HeKxf_OANXXKao825/s640/2018060622472370916.jpg" width="640" /></a><span style="font-size: large;">Da reflexión deste afastamento e separación, incluso da morte, extrae a artista o cerne da súa proposta expositiva na sala Alterarte, no Campus ourensán da UVigo. A mostra é a segunda do programa Estado Crítico 4, Dez curadores dez artistas 2018-2020, que coordina o profesor Buxán Bran. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8GIKtg3MxS7id-M2fxUstgARhkX6Z_DJP_XKEl6D9ypQ3jRhQ6OXGKn0rfP6afi4SupexxmoeEFtrq28SG1Ojiv4Y9vCN11NoDZ7n91lfyFs3QeCQh1CAboYcZf0XoczYkBJp2Xf4fK3u/s1600/sala.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="424" data-original-width="750" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8GIKtg3MxS7id-M2fxUstgARhkX6Z_DJP_XKEl6D9ypQ3jRhQ6OXGKn0rfP6afi4SupexxmoeEFtrq28SG1Ojiv4Y9vCN11NoDZ7n91lfyFs3QeCQh1CAboYcZf0XoczYkBJp2Xf4fK3u/s400/sala.jpg" width="400" /></a></div>
<span style="font-size: large;">Paula convirte o seu espazo, polas súas dimensións, nunha sala de estar domestica, que aproveita para expresar, como unha catarse, o seu 'Espazo de desagarraigamento'. Ise é o fío condutor. Ante todo as 'Ausencias', á dereita da entrada, coas fotos da familia Rois Noya.</span><br />
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigo4DSZy5Q8xRSrLfvvS6MgOngTHL8w1bi-gJszbgcCUsJrzA7GVnzx1DtHeCqF-P8sJlgJED8STwr_0iGDjsP-4hllUeJMJBi5Hw6HW6FKv7kBe25dHnlimdnMTFKqYhvajJpzH9tLkK0/s1600/Serie+Ausencias%252C+familia+Rois+Noya.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="1587" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigo4DSZy5Q8xRSrLfvvS6MgOngTHL8w1bi-gJszbgcCUsJrzA7GVnzx1DtHeCqF-P8sJlgJED8STwr_0iGDjsP-4hllUeJMJBi5Hw6HW6FKv7kBe25dHnlimdnMTFKqYhvajJpzH9tLkK0/s640/Serie+Ausencias%252C+familia+Rois+Noya.jpg" width="640" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
<span style="font-size: large;">Esta manchea de fotografías en branco e negro, deconstruídas e con quebracabezas que tapan / descobren nelas as ausencias. Estas son o devir, asentando o novo camiño dende a aceptación da dor, a construción dun cuarto de estar novo no porvir, onde a vida xermola, e coas presenzas anteriores aínda activas. </span></div>
</div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp6q3dc1WnEdGhv98wmy0v0Cepyf7BFn0taStpDlejDmc5_8JI30ndmVZvzRY7QKzmodbhEFkpdRgpTx67BpE54R2lJwx3yF6__exNC64daXPsEm5heBGXi0CvfnTcooOpHS_LLOmL1CmK/s1600/33037640_2520287664884351_3266838673223581696_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="757" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp6q3dc1WnEdGhv98wmy0v0Cepyf7BFn0taStpDlejDmc5_8JI30ndmVZvzRY7QKzmodbhEFkpdRgpTx67BpE54R2lJwx3yF6__exNC64daXPsEm5heBGXi0CvfnTcooOpHS_LLOmL1CmK/s400/33037640_2520287664884351_3266838673223581696_n.jpg" width="315" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;">O proceso relatase en vídeo, inserido a seguir das fotos, enmarcado en dourado como todas elas: eis o mundo do pasado con marco, a modo dunha aura. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQSkAymNDsxbLjhmToO_29BJiXzvl20jY1jtqNGFnKgM26TCW6aGALjNwtvqCuDfdp0g7Q_MAgITX4xrqrBSr4N12oTB_2PNqlcCG47VbNWK6b0UDhYPZB389-72aBBD9wMex5Mr1EJNY4/s1600/33129677_10216502528459430_3191913411126493184_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="960" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQSkAymNDsxbLjhmToO_29BJiXzvl20jY1jtqNGFnKgM26TCW6aGALjNwtvqCuDfdp0g7Q_MAgITX4xrqrBSr4N12oTB_2PNqlcCG47VbNWK6b0UDhYPZB389-72aBBD9wMex5Mr1EJNY4/s640/33129677_10216502528459430_3191913411126493184_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small; text-align: left;"> F</span><span style="font-size: small; text-align: left;">otografías feitas como pezas de rompecabezas, <br />unha metáfora da construcción da nosa vida.</span><i style="text-align: left;"> </i></td></tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtRQMrHlgtBRqHzvFuBdJy4oZ20A5OmEhSuqZCij6HIl512fB2REWP0-5A7rHx41ImvSu5hjlY2xNFPt4LtkzTw6e38wyFiFU69pG581JdpLJHtRy2xrxFUl_n4RFDFPl18v47tpP2qMY0/s1600/FAMILIA-ROIS-NOYA.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1116" data-original-width="1600" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtRQMrHlgtBRqHzvFuBdJy4oZ20A5OmEhSuqZCij6HIl512fB2REWP0-5A7rHx41ImvSu5hjlY2xNFPt4LtkzTw6e38wyFiFU69pG581JdpLJHtRy2xrxFUl_n4RFDFPl18v47tpP2qMY0/s400/FAMILIA-ROIS-NOYA.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="color: orange;">Serie Ausencias, familia Rois Noya: </span></span><br />
<i style="text-align: left;"><span style="font-size: small;">Me veo en cada obra, en cada ausencia y cada cicatriz. </span></i><br />
<span style="font-size: small;"><i style="text-align: left;">Lo que por supuesto me emociona y conmociona, <br />en la misma medida.<br />¿Magia o complicidad? Puede que ambas cosas</i><span style="text-align: left;">.</span></span><br />
<span style="font-size: small;"><span style="text-align: left;"><br /></span></span></td></tr>
</tbody></table>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhASMt7WHq2dFEu_1TP_zxunKkUdSorQnAeCQZ2FQf345CPmXPyznkjA1Tc0gVxxjcrAHkeQpX1WBrFoB6kYJmFag_TmbviOq2k5lRhDTNEP5qWaebnctB-GZwitwS6sIzFDDjDvip3uCaC/s1600/33471877_10216510790665980_4342730768305356800_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="671" data-original-width="952" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhASMt7WHq2dFEu_1TP_zxunKkUdSorQnAeCQZ2FQf345CPmXPyznkjA1Tc0gVxxjcrAHkeQpX1WBrFoB6kYJmFag_TmbviOq2k5lRhDTNEP5qWaebnctB-GZwitwS6sIzFDDjDvip3uCaC/s400/33471877_10216510790665980_4342730768305356800_n.jpg" width="400" /></a></div>
<br /><span style="font-size: large;"></span>
<div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="clear: right; float: right; margin-bottom: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLqVnlrP_ZPiCJVLkWj3WtCjJRgGxrPSwm_FK5y7VWBYsV2ieTkKuihwCp13BKKQTMGlNWTUU6W2pfy5zV-LE1y77cfskwVYXtoKCCxK1aFp6vLzp-uKpOMm6skmOqo89QX-K6DTUbszyw/s1600/SERIE-OVILLOS.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: left;"><img border="0" data-original-height="1033" data-original-width="958" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLqVnlrP_ZPiCJVLkWj3WtCjJRgGxrPSwm_FK5y7VWBYsV2ieTkKuihwCp13BKKQTMGlNWTUU6W2pfy5zV-LE1y77cfskwVYXtoKCCxK1aFp6vLzp-uKpOMm6skmOqo89QX-K6DTUbszyw/s320/SERIE-OVILLOS.jpg" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Para unha exposición anterior<br />
fixera estes novelos escultóricos</td></tr>
</tbody></table>
</div>
<span style="font-size: medium;">
</span>
<div>
<span style="font-size: medium;"><span style="font-size: medium;"><span style="font-size: large;">E</span></span><span style="font-size: large;">nfronte daquela instalación coas '</span><i>maiorum imagines</i><span style="font-size: large;">', a artista expón grandes debuxos, tres sobranceiros novelosa lapis que enchen a parede co seu gran tamaño, que falan de espazos pechados, impenetrables e baleiros, dende os finos fíos de metal e as texturas, un deles de cadea, e un cuarto de arame de púas, noutra parede. Son esféricos, e con coidadas tramas de mallas furadas e ocas. Na distancia curta aprécianse neles vellos rastros do lapis, aínda visibles, como as marcas que son as cicatrices da vida. </span></span></div>
<span style="font-size: medium;">
</span></div>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivIfD1wgMmuFSmqy9oisS2NX3ffT4oiDbajYTDLdtWRgsi7g8ZYxsb3UYizb4G_NpwZBAtX7xvESlK3csGedyAmkXlxRHjrPT_ofS28Su93uVoOEbEMyOys9HiwSEhOCcnlqIJ9QO0iUw2/s1600/33057847_2520288181550966_2208593593738723328_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivIfD1wgMmuFSmqy9oisS2NX3ffT4oiDbajYTDLdtWRgsi7g8ZYxsb3UYizb4G_NpwZBAtX7xvESlK3csGedyAmkXlxRHjrPT_ofS28Su93uVoOEbEMyOys9HiwSEhOCcnlqIJ9QO0iUw2/s1600/33057847_2520288181550966_2208593593738723328_n.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="" style="clear: both; text-align: center;">
<span style="text-align: left;"></span></div>
<div class="separator" style="clear: both; font-size: x-large; text-align: center;">
<span style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqoZ4BmZz1QoPctUXVt1lnRTPiiqb8U0T2NlX4YYjbl0Csuf4aX9R3i1Zlevz-3OC-AL-fXvo5HH4Jdguw8r7QcGxWZG5S240vjILs4WksNwowJChP3l1zwjQalxfBpDwPB6Fqa3oFftV0/s1600/IMG_0591.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1398" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqoZ4BmZz1QoPctUXVt1lnRTPiiqb8U0T2NlX4YYjbl0Csuf4aX9R3i1Zlevz-3OC-AL-fXvo5HH4Jdguw8r7QcGxWZG5S240vjILs4WksNwowJChP3l1zwjQalxfBpDwPB6Fqa3oFftV0/s400/IMG_0591.JPG" width="348" /></a></span></div>
<div style="font-size: x-large; text-align: right;">
<span style="text-align: left;"><span style="font-size: large;"><br /></span></span></div>
<div style="font-size: x-large; text-align: right;">
<span style="text-align: left;"><span style="font-size: large;"><br /></span></span></div>
<div style="text-align: right;">
<span style="text-align: left;"><span style="font-size: x-large;">R</span><span style="font-size: large;">esta a parede principal da sala, o centro da exposición. A instalación desenrola con claves poéticas o abandono do fogar, un mundo que se estraga invadido polas cascudas, que se moven polos sendeiros invisibles das humidades ata o chan e as paredes veciñas. </span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2R7uvsx-4XkTb9jJWn2jFZ1qmm3TWg5UWU_073MYiFYPbSzMfZ4Pjin6PXgIl55oVMkIvAKKduJpIXNJuAD_1KHeaQSDvZAKn0gEIHtBn1IV0yrjcJ7t3th0Fxc3a_F-7Ah1s5iQG3djY/s1600/La+artista+con+la+curadora%252C+Paula+Cabaleiro%252C+posaron+para+nosotros+antes+de+la+inauguracio%25CC%2581n.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-size: large;"><img border="0" data-original-height="809" data-original-width="883" height="586" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2R7uvsx-4XkTb9jJWn2jFZ1qmm3TWg5UWU_073MYiFYPbSzMfZ4Pjin6PXgIl55oVMkIvAKKduJpIXNJuAD_1KHeaQSDvZAKn0gEIHtBn1IV0yrjcJ7t3th0Fxc3a_F-7Ah1s5iQG3djY/s640/La+artista+con+la+curadora%252C+Paula+Cabaleiro%252C+posaron+para+nosotros+antes+de+la+inauguracio%25CC%2581n.JPG" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;">A artista coa Curadora, Paula Cabaleiro, posando para nós antes da inauguración.</span></td></tr>
</tbody></table>
</div>
<div>
<br /></div>
<div>
<span style="font-size: large;">Un coxín dourado aboia no decorativo papel de motivos dourados xeométricos e vexetais.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3pR5bd8C9VW0DbxYw7zitDaB6Y9aGxwO1g0OiirJZUwQi4fGxIYJ_KGgymiFXrQt0hy3eZvKb2hazrKrJWDGrgsiBzWksDBfsRaE0S25hC_TCWbTIMOlfCigysJ0GrzKTo2lrEVAcu2T/s1600/33183023_10216505933784561_6916755461081399296_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="395" data-original-width="526" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3pR5bd8C9VW0DbxYw7zitDaB6Y9aGxwO1g0OiirJZUwQi4fGxIYJ_KGgymiFXrQt0hy3eZvKb2hazrKrJWDGrgsiBzWksDBfsRaE0S25hC_TCWbTIMOlfCigysJ0GrzKTo2lrEVAcu2T/s400/33183023_10216505933784561_6916755461081399296_n.jpg" width="400" /></a><span style="text-align: left;"> </span></span></div>
<div style="border: 0px rgb(221, 221, 221); margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">No interior burgués o bordado son versos de <span style="color: cyan;">María Mariño Carou </span>(1907- 1967): </span><br />
<span style="font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3cRGTpL1bM6QF622AdL7crqtwsifq6HLVqdb0q_w4q-tTbCki-j1JyEUtZy_-d6dKd31iI2D1OQ6hyyfIXUYNfzWCZS7gH0kIYEOzPE6wq7gHm_vXF6SDt2RpeZsuoPVmjkH-M2klFOB/s1600/IMG_6777.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: large;"><img border="0" data-original-height="1340" data-original-width="1215" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3cRGTpL1bM6QF622AdL7crqtwsifq6HLVqdb0q_w4q-tTbCki-j1JyEUtZy_-d6dKd31iI2D1OQ6hyyfIXUYNfzWCZS7gH0kIYEOzPE6wq7gHm_vXF6SDt2RpeZsuoPVmjkH-M2klFOB/s640/IMG_6777.JPG" width="579" /></span></a></div>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">'<span style="font-size: small;">¡<i>Son aquela!, sempre soia que paseaba a ribeira a ver si nela afogaba'</i>, o seu mar noiés da infancia un motivo recorrente agora que vive no Folgoso do Courel... </span></span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"> ¡ E o cabo do fío queda atado ! </span><br />
<span style="font-size: large;"><span style="font-size: large;"><br /></span>
</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihmPF1o1AGXCdGfB8KaFkYrSHxT5D9x6Uh7f6S0fvnCxYtQEZF_bjKJv_hm-8dfL5HqJCw70YoV592GaOHpEmzhsZ6Fcx6-LjW4dFDJ2FmOyTP6DJsio_br20Xsb9T-AiMNNsLS3zNlwqJ/s1600/IMG_9778.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: large;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihmPF1o1AGXCdGfB8KaFkYrSHxT5D9x6Uh7f6S0fvnCxYtQEZF_bjKJv_hm-8dfL5HqJCw70YoV592GaOHpEmzhsZ6Fcx6-LjW4dFDJ2FmOyTP6DJsio_br20Xsb9T-AiMNNsLS3zNlwqJ/s640/IMG_9778.JPG" width="640" /></span></a></div>
<b><span style="font-size: large;"><br /></span></b></div>
</div>
<div>
<div style="border: 0px rgb(221, 221, 221); margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="font-size: large;"><span style="color: orange;">Paula</span>, de apelido<span style="color: orange;"> I</span><span style="color: orange;">glesias Rois</span> (Lugo, 1969), é profesora do IES Galileo Galilei, Madrid, e autora de '<span style="color: red;">Identidades y latidos</span>', 2014, tendo feito coa curadora Paula Cabaleiro (Cangas do Morrazo, Pontevedra) '<span style="color: yellow;">(En) la sutura invisible</span>' na IVª edición de Mujeres mirando a mujeres, da que sae o de '<i>Enfiar a agulla para atravesar a ferida</i>', frase coa que <span style="color: orange;">Cabaleiro</span> une os dous proxectos expositivos, con complicidades persoais con Paula Noya.</span><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR9n3xy8oja2CmMi3Hrb983D8RfyQ9AnFCjF80KFDaP3ynOtDgCZFbGF4xHV4Fzld1l9Mh_WuAfM72Sf5wwXp7wfZ2duTYZo0-PNDMsBqHZFWDn2JEAACkovVaz9hqPN55wCQqxBrAjcsd/s1600/34342295_2526625554250562_5150598504476835840_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR9n3xy8oja2CmMi3Hrb983D8RfyQ9AnFCjF80KFDaP3ynOtDgCZFbGF4xHV4Fzld1l9Mh_WuAfM72Sf5wwXp7wfZ2duTYZo0-PNDMsBqHZFWDn2JEAACkovVaz9hqPN55wCQqxBrAjcsd/s640/34342295_2526625554250562_5150598504476835840_o.jpg" width="640" /></a><span style="font-size: large;">E desde <span style="color: red;">Palabra no Tempo</span>, o libro de Mariño, '<i>Hoxe, onte do meu contento</i>!', as cascudas son prateadas...</span><br />
<span style="font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjba0zAMKkwg7Fi40HNFK3t2gub3BOcOZ_6t5-Hr5Dt_-NSfgd0YKxbiutMX9abeoWwoQ8qKBPhQFZtMC5Oc0iDPkk_zNMnB7z9v_H9mE81ka-QkSoA2x_IgiCkVxOQwd-PQJjrhRcnbU6P/s1600/32938323_10216487145754872_5777866495098880000_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="896" data-original-width="672" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjba0zAMKkwg7Fi40HNFK3t2gub3BOcOZ_6t5-Hr5Dt_-NSfgd0YKxbiutMX9abeoWwoQ8qKBPhQFZtMC5Oc0iDPkk_zNMnB7z9v_H9mE81ka-QkSoA2x_IgiCkVxOQwd-PQJjrhRcnbU6P/s400/32938323_10216487145754872_5777866495098880000_o.jpg" width="300" /></a></div>
</div>
<div style="border: 0px rgb(221, 221, 221); margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="color: #555555; font-family: verdana, geneva, sans-serif; font-size: 14px;">
<a href="http://arteaunclick.es/2018/05/23/paula-noya-exposicion-ouense/">Texto da curadora Paula Cabaleiro</a></div>
</div>
<div>
<span id="goog_82047536"></span><span id="goog_82047537"></span><br /></div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-7381705513810288182018-06-07T07:56:00.000+02:002018-06-08T12:31:51.170+02:00Charles Rennie Mackintosh, 150 aniversario.<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgllaEbbSN-lg9wQmQ-GwH-1PY44xKwuQE6LYwr44W_46HaVuJwkC9J5OjFARcLggc3ZXBNQb3qqWQEln8cRHqZs20-lm4wUKwMWLiLtMh2-oE439t7avuSy9_BxDHGzxr9u5ivdgHkKNI3/s1600/34798931_2081317445446564_7077796604169682944_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="368" data-original-width="409" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgllaEbbSN-lg9wQmQ-GwH-1PY44xKwuQE6LYwr44W_46HaVuJwkC9J5OjFARcLggc3ZXBNQb3qqWQEln8cRHqZs20-lm4wUKwMWLiLtMh2-oE439t7avuSy9_BxDHGzxr9u5ivdgHkKNI3/s1600/34798931_2081317445446564_7077796604169682944_n.jpg" /></a></div>
<div>
<br /></div>
<span style="color: cyan; font-size: x-large;">Charles Rennie Mackintosh</span>, 7 de junio 1868 / 10 diciembre 1928.<br />
<div>
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdUL5Cn8BrU4xqw7RnKnFz4JJauYvONqSXk-Q3l_Rk6MmAcpbcnNljsIB7DFUm1ZcZqdR5bAHYHoJjfu7A9H_mPqAsGe8oMLGRdvGfPqZqkvwqEeAx3dkzfG6dI9lrglw6B4DBRWhVdiZ/s1600/Unknown.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="259" data-original-width="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdUL5Cn8BrU4xqw7RnKnFz4JJauYvONqSXk-Q3l_Rk6MmAcpbcnNljsIB7DFUm1ZcZqdR5bAHYHoJjfu7A9H_mPqAsGe8oMLGRdvGfPqZqkvwqEeAx3dkzfG6dI9lrglw6B4DBRWhVdiZ/s1600/Unknown.jpeg" /></a><span style="font-size: large;">Arquitecto clave en el movimiento Arts and Crafts y el principal exponente del Art Nouveau en Escocia / Gran Bretaña. En el campo del diseño, hizo aportes al mobiliario, siendo recordadas sobre todo sus sillas. Hizo también diseños de joyería y acuarela...</span><br />
<div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo8dIT3JJkkD-zlOfns9QdpRdvWy-fubEy6vYnbvn98sKcAmVSmco6EIIwjEvG4lSz2u9jxXlxVvjUqPxJNDpDifePb8OQsNcaRl3YG3puCtaavK8bPgh_tkRqYQ8BGK6wJqv151frN2qX/s1600/58.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="567" data-original-width="1000" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo8dIT3JJkkD-zlOfns9QdpRdvWy-fubEy6vYnbvn98sKcAmVSmco6EIIwjEvG4lSz2u9jxXlxVvjUqPxJNDpDifePb8OQsNcaRl3YG3puCtaavK8bPgh_tkRqYQ8BGK6wJqv151frN2qX/s640/58.jpg" width="640" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-size: large;">Su edificio icónico: el 'Glasgow School of Art':</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTgHSUnB199RIKxc0qKHjq5JTzV-0iMjoxuuWhlUoB6eQYTE6RJwnl1tv2znaxMiir7lI2WBuZbjcGQr8VBRku1hlb_hEh852KGNtgS8pAvIx6Fpy-lIh6Utfz_4NyNU_POnCVrIwItiqd/s1600/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1199" data-original-width="1600" height="479" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTgHSUnB199RIKxc0qKHjq5JTzV-0iMjoxuuWhlUoB6eQYTE6RJwnl1tv2znaxMiir7lI2WBuZbjcGQr8VBRku1hlb_hEh852KGNtgS8pAvIx6Fpy-lIh6Utfz_4NyNU_POnCVrIwItiqd/s640/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_15.jpg" width="640" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJRJMXo-5hvvfKUae_B4OJRItPxi9w1eHRsXhBb7ymFEwOcDo5SG6I2ZNaVHDbKhl4R7vKD7ze335aT4Zw_q3X1wWNDPBMtrqqthJD0ifP1K8Dd6PV8fIMIvC7IkwWMZK3riHR3GoQT6E/s1600/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1071" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJRJMXo-5hvvfKUae_B4OJRItPxi9w1eHRsXhBb7ymFEwOcDo5SG6I2ZNaVHDbKhl4R7vKD7ze335aT4Zw_q3X1wWNDPBMtrqqthJD0ifP1K8Dd6PV8fIMIvC7IkwWMZK3riHR3GoQT6E/s640/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_5.jpg" width="428" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSD6lzbyi8XK1XxOvWV_GLO5hR4cFFZ26lkFGSwrW-Sf5Vu9_ruZK6vaLDnTfVtOBuaAd5L8lpaJtPmjq0Q84HVYRW9r5J8CfTiS4nZKIygyMCRj1AfmInjYtoHRF507lwY1p6c-AaL9fM/s1600/Ronnie-Ireland-Charles-Rennie-Mackintosh.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="900" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSD6lzbyi8XK1XxOvWV_GLO5hR4cFFZ26lkFGSwrW-Sf5Vu9_ruZK6vaLDnTfVtOBuaAd5L8lpaJtPmjq0Q84HVYRW9r5J8CfTiS4nZKIygyMCRj1AfmInjYtoHRF507lwY1p6c-AaL9fM/s640/Ronnie-Ireland-Charles-Rennie-Mackintosh.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
<br /></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7xd_Y2pHAxEHRZTHIE-0T_smOaEneCjguajlmZQS3Sl63WEzl5PiKqkt71zE8o0f_1DXdFdW4PjrntZM8A_xZTQuXVSF3Q6b8GEK7fhP0l6vBiY0CvYNnw8tMwztlYEZdWDfHU5tnQC-3/s1600/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7xd_Y2pHAxEHRZTHIE-0T_smOaEneCjguajlmZQS3Sl63WEzl5PiKqkt71zE8o0f_1DXdFdW4PjrntZM8A_xZTQuXVSF3Q6b8GEK7fhP0l6vBiY0CvYNnw8tMwztlYEZdWDfHU5tnQC-3/s640/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_8.jpg" width="426" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisg2wX-Krwkm32EwxpM0h5bKftd1Gu6cNAQDY-bQ85seHHtxoA17_ym1p1iyGTCZg5zG7r9_AUSLiYAQ54GldHOWEBOYKhQUPvRMjJ1hTx_sa0JnVqkZJKqtBIKWNYet2W2l3HmGV7rBfO/s1600/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzMhmibu3p6qEglFBjpc9T1qHCc7ojUjt7qnshmKqWCoPCVH4Kmvl2RwGCRUJ4dbc4XH6m5fLTwIgljrtcw-g1OMaAsfILnVg-WHMrFTC12yfOGmxk5GAfRm7F2s7OcjiYF8MVwnOHObQc/s1600/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1071" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzMhmibu3p6qEglFBjpc9T1qHCc7ojUjt7qnshmKqWCoPCVH4Kmvl2RwGCRUJ4dbc4XH6m5fLTwIgljrtcw-g1OMaAsfILnVg-WHMrFTC12yfOGmxk5GAfRm7F2s7OcjiYF8MVwnOHObQc/s400/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_3.jpg" width="267" /></a><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisg2wX-Krwkm32EwxpM0h5bKftd1Gu6cNAQDY-bQ85seHHtxoA17_ym1p1iyGTCZg5zG7r9_AUSLiYAQ54GldHOWEBOYKhQUPvRMjJ1hTx_sa0JnVqkZJKqtBIKWNYet2W2l3HmGV7rBfO/s400/glasgow-school-art-charles-rennie-mackintosh-architecture-education-scotland_dezeen_2364_col_11.jpg" width="266" /></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMDDwqqcFSnPbzkqX2l1qYPvNRbZm7KQIm3-f5MRBMloSd8BezG0TUpUbWoPS8X9ijSOGlZGm-pUD8O9vfo1KBNPszv3H-TgAR6-YQTu4EA-D_QZPxdkBkZOFwJWacn7fBhyphenhyphenw5WLppm1yM/s1600/GL_GM_E_1981_177_1_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="276" data-original-width="800" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMDDwqqcFSnPbzkqX2l1qYPvNRbZm7KQIm3-f5MRBMloSd8BezG0TUpUbWoPS8X9ijSOGlZGm-pUD8O9vfo1KBNPszv3H-TgAR6-YQTu4EA-D_QZPxdkBkZOFwJWacn7fBhyphenhyphenw5WLppm1yM/s640/GL_GM_E_1981_177_1_3.jpg" width="640" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2EJWmY2q3YMMg45ggzk46c-sDhaIZXcN3Karb5UK7WvqoBuD7nljqj_JOoUnWef_BcQ7gQvZE9G0np_hC6el-FDk5mBe2o1BVOJDsRJ5wZuE7wvXR2gVADaMiDblSQyblhQp02cfb49GN/s1600/34791770_2081317462113229_8877998980550623232_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="487" data-original-width="409" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2EJWmY2q3YMMg45ggzk46c-sDhaIZXcN3Karb5UK7WvqoBuD7nljqj_JOoUnWef_BcQ7gQvZE9G0np_hC6el-FDk5mBe2o1BVOJDsRJ5wZuE7wvXR2gVADaMiDblSQyblhQp02cfb49GN/s1600/34791770_2081317462113229_8877998980550623232_n.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWzrgLm3fR__V95uHHoII5leMHnRhGl2wmkYbQq38VfdZHH48qtpNkddXnkDsJPWWRbWt5gvXMg1Mb4hMElMNCBa7IppG8TzZ4-PgvIjBPMXBvXQEr_1AKQJ5HrvfzY1eBNIwvYkchtYd8/s1600/tables-charles-rennie-mackintosh-gate-leg-folding-table-1_large.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWzrgLm3fR__V95uHHoII5leMHnRhGl2wmkYbQq38VfdZHH48qtpNkddXnkDsJPWWRbWt5gvXMg1Mb4hMElMNCBa7IppG8TzZ4-PgvIjBPMXBvXQEr_1AKQJ5HrvfzY1eBNIwvYkchtYd8/s1600/tables-charles-rennie-mackintosh-gate-leg-folding-table-1_large.jpeg" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgouk2Vc-ImQkR5vfDp_-UZTVX3LX6LXJOVrweGH_tVesT1S_z6tVjfC0Irtxs_IMv0HULN__SsqCt0f0XPYMR9Hmk4Aw7ULLirYMHpxjOPAzZP1ILoPByFCk7OEfmbYRwDlh_sXg1kT3lm/s1600/Charles-Rennie-Mackintosh-Silla-Mackintosh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgouk2Vc-ImQkR5vfDp_-UZTVX3LX6LXJOVrweGH_tVesT1S_z6tVjfC0Irtxs_IMv0HULN__SsqCt0f0XPYMR9Hmk4Aw7ULLirYMHpxjOPAzZP1ILoPByFCk7OEfmbYRwDlh_sXg1kT3lm/s1600/Charles-Rennie-Mackintosh-Silla-Mackintosh.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: 1em; margin-right: 1em; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuE5aeW-8W9WPm7DDvdKRe-TFd1Ru68-hIwexU6OP6egQYkLrmphDCn4C72QCyH7q3UO857CNnGDtivRYIOQT6VG8Mf9gE2TYFoFmTuuE9M0yozsYEpa5q3ALTvfQLeJ8GenQDsSa3aNey/s1600/house-art-lover-charles-rennie-mackintosh-architecture-cultural-scotland-glasgow_dezeen_2364_col_2-852x567.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="567" data-original-width="852" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuE5aeW-8W9WPm7DDvdKRe-TFd1Ru68-hIwexU6OP6egQYkLrmphDCn4C72QCyH7q3UO857CNnGDtivRYIOQT6VG8Mf9gE2TYFoFmTuuE9M0yozsYEpa5q3ALTvfQLeJ8GenQDsSa3aNey/s640/house-art-lover-charles-rennie-mackintosh-architecture-cultural-scotland-glasgow_dezeen_2364_col_2-852x567.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">house-art-lover- </td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLBautpJZnUe_tOZNObbQTBS1zCJcyN3RlQ9Z_mMRBTkJDK_-JAQQBAzx-bo0DzUfI_2ixmdLFhcc_e86h1gG_nUaIu625KwH8HKkJVQP7LgNb0WeOLih5p1DhALFMBcUocp3IsUXCa-V3/s1600/Home-page-Mack-grid-2018.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLBautpJZnUe_tOZNObbQTBS1zCJcyN3RlQ9Z_mMRBTkJDK_-JAQQBAzx-bo0DzUfI_2ixmdLFhcc_e86h1gG_nUaIu625KwH8HKkJVQP7LgNb0WeOLih5p1DhALFMBcUocp3IsUXCa-V3/s640/Home-page-Mack-grid-2018.jpg" width="640" /></a></div>
<br />
<br /></div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-1063325435027249772018-06-05T10:00:00.000+02:002018-06-06T10:01:08.057+02:00Ao redor do monumento a Alexandre Bóveda<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
Un ano máis, homenaxe institucional ao político de orille ourensana Alexandre Bóveda na súa data natal, por parte de cargos electos no Concello e da Deputación de Ourense.<br />
<br />
<div>
O persoeiro nacionalista galego foi executado en agosto de 1936 (monte da Caeira, Poio, Pontevedra, 17). Era niquela altura secretario do Partido Galeguista, partido que concurrira ás elección coa Frente Popular. Foi un dos redactores do Estatuto de Autonomía...<br />
<br />
O clube Alexandre Bóveda foi pioneiro na súa vindicación. </div>
<div>
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhYS-efWK3VRaJ55jxWhDtlam2z307EXQv8MpkfdzE2GMfz8wYa9etL_-pjHWBW8VWyDtnx_vtPzLLZJSC7jUMFh3SOFHPTTAW-wMjNYuE5LsUg-fUWOop5qVdFM2Vc5LQZhst04FqWGnB/s1600/2018060510471677690.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="524" data-original-width="698" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhYS-efWK3VRaJ55jxWhDtlam2z307EXQv8MpkfdzE2GMfz8wYa9etL_-pjHWBW8VWyDtnx_vtPzLLZJSC7jUMFh3SOFHPTTAW-wMjNYuE5LsUg-fUWOop5qVdFM2Vc5LQZhst04FqWGnB/s640/2018060510471677690.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both;">
En 2014 no Café Cultural Auriense, proxectabase o documental "Alexandre Bóveda. A fazaña da liberdade" do director Davide S. Outeiro. E fixeron un "Roteiro" </div>
<div class="separator" style="clear: both;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfkCnhUYIEBWXLjWvHpa9AWj8MJg_BP2hdTB8v3z-g93f1rRAqkSJpmD3WrUk9vxjZnISDNqj9HfFg_CfRF2zEAxT3OMBZjoF0Fa_E7cMqir7bV6I2L1TwLTvMpgP1x5Y4_M3i6jgLHPa7/s1600/2016060508173580121.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfkCnhUYIEBWXLjWvHpa9AWj8MJg_BP2hdTB8v3z-g93f1rRAqkSJpmD3WrUk9vxjZnISDNqj9HfFg_CfRF2zEAxT3OMBZjoF0Fa_E7cMqir7bV6I2L1TwLTvMpgP1x5Y4_M3i6jgLHPa7/s1600/2016060508173580121.jpg" /></a></div>
<div class="separator" style="clear: both;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: start;">*</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: start;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: start;">Monumento en Ourense, obra de Manuel García, 'Buciños'.</span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheYooow0_zcSqNlBwKyrSd9AmPcYJilEyGEBmjIPga-rS-b1rzASlP3veFjRUig68oLWrfhgTjF00DLUcxPG1oqO5SxOi_IcVqO3aBwYc-0kN99Fz9gnras0pQ-7ut7uDKa24il0xReWVA/s1600/Ourense%252C_ru%25CC%2581a_Barreira%252C_Alexandre_Bo%25CC%2581veda_01-03.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="967" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheYooow0_zcSqNlBwKyrSd9AmPcYJilEyGEBmjIPga-rS-b1rzASlP3veFjRUig68oLWrfhgTjF00DLUcxPG1oqO5SxOi_IcVqO3aBwYc-0kN99Fz9gnras0pQ-7ut7uDKa24il0xReWVA/s640/Ourense%252C_ru%25CC%2581a_Barreira%252C_Alexandre_Bo%25CC%2581veda_01-03.JPG" width="386" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb7Bjl1sK2G0DzgxRvMhdShSqiQ_xPVkT7Mi6NICitxzYxYst0lgjbR1hRa3ME2RG5rJXwODR0yqFmdyiBREJ5E4X0vlyd_EQfBD3Z_SKuna_YFChzYDfAU1J_2TgIAnzYSw1dQOP_JDe7/s1600/Ourense%252C_ru%25CC%2581a_Barreira%252C_Alexandre_Bo%25CC%2581veda_01-02.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="964" data-original-width="487" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb7Bjl1sK2G0DzgxRvMhdShSqiQ_xPVkT7Mi6NICitxzYxYst0lgjbR1hRa3ME2RG5rJXwODR0yqFmdyiBREJ5E4X0vlyd_EQfBD3Z_SKuna_YFChzYDfAU1J_2TgIAnzYSw1dQOP_JDe7/s1600/Ourense%252C_ru%25CC%2581a_Barreira%252C_Alexandre_Bo%25CC%2581veda_01-02.JPG" /></a></div>
<br /></div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-7780090536968660242018-05-28T20:22:00.000+02:002018-06-07T21:29:24.567+02:00IGNACIO BASALLO e a COLECTIVA da FUNDACIÓN ARTIAGA<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEganEwJGtHO_B12pilftbEeHjxSBcIgmcm8zqjKHOftjdDA8wn8r3qefbTvtbrxiJ3vHptZsyONsAlFNNzA1qaEEYJtgbEPC9eilpNwj7757kjpzKjbNYwhmAS_L_t9Gjacf28hBUXArOxv/s1600/IMG_5951.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1344" data-original-width="1457" height="590" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEganEwJGtHO_B12pilftbEeHjxSBcIgmcm8zqjKHOftjdDA8wn8r3qefbTvtbrxiJ3vHptZsyONsAlFNNzA1qaEEYJtgbEPC9eilpNwj7757kjpzKjbNYwhmAS_L_t9Gjacf28hBUXArOxv/s640/IMG_5951.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mar Barral, e Luis Seoane, nun pormenor da exposición. E na vitrina Ignacio Basallo (vide infra)...</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="" style="clear: both; text-align: center;">
<span style="text-align: left;">IGNACIO BASALLO e a COLECTIVA da FUNDACIÓN ARTIAGA</span></div>
<div class="" style="clear: both; text-align: center;">
<span style="text-align: left;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyV9xMC69bedwG7IM36LYxje3rx0H7r4vP1Yr2PMAsYSc_2izimWr5SYHAjhAufMCUfyGkBTaUV4QRfOlxJj1lXJ_ywzOjDV87FGyWhN24fKTpsqbU3UiQwB9G26o7S_H3VyNwQLJIBRKm/s1600/32191202_1675481339194151_5835668280932564992_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1139" data-original-width="1600" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyV9xMC69bedwG7IM36LYxje3rx0H7r4vP1Yr2PMAsYSc_2izimWr5SYHAjhAufMCUfyGkBTaUV4QRfOlxJj1lXJ_ywzOjDV87FGyWhN24fKTpsqbU3UiQwB9G26o7S_H3VyNwQLJIBRKm/s400/32191202_1675481339194151_5835668280932564992_o.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
As casiñas de animais en ‘Sobre perros y estrellas’, cadro de <span style="color: orange;">Tono Carbajo</span>, son un símbolo da meritoria acción que a Fundación Artiaga promove coa exposición itinerante do Centro Cultural da Deputación. Aquelas poñen de manifesto o programa AAN (Axuda Animal Necesitado). Promover e divulgar a cultura a través da arte, apoiar artistas e contribuír ao desenrolo humano, cultural, científico, social de Galicia son os seus fins altruístas.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqK9mxeF3856ImNCPXj6JX52ku3OEGtBuiniXGfTTwCe2lBdoPRJRoKCFWL6PogTfeDojg1h1RYe2iM7WVfhX7mwsC6GND9d0UXQ8NQjOzF9FwwikZzqYrbfrY9bcKkWwVReRFiu2_wCaL/s1600/IMG_2116.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="946" data-original-width="1170" height="516" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqK9mxeF3856ImNCPXj6JX52ku3OEGtBuiniXGfTTwCe2lBdoPRJRoKCFWL6PogTfeDojg1h1RYe2iM7WVfhX7mwsC6GND9d0UXQ8NQjOzF9FwwikZzqYrbfrY9bcKkWwVReRFiu2_wCaL/s640/IMG_2116.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A obra de Tono Carbajo</td></tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK5uZE9C2iteVunfTauwUjVoG7utyLz9Bm9FOePgoBss2oS8kIjUaAKDo8gs6U-PRqc9tm4nUI6AZ3LRV2DJIkYDzGbDDMvILcoMOohmYo3Ic3ETm6HknCHujYLv8llv3oPz_VhhgikK8f/s1600/IMG_5836.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="803" data-original-width="566" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK5uZE9C2iteVunfTauwUjVoG7utyLz9Bm9FOePgoBss2oS8kIjUaAKDo8gs6U-PRqc9tm4nUI6AZ3LRV2DJIkYDzGbDDMvILcoMOohmYo3Ic3ETm6HknCHujYLv8llv3oPz_VhhgikK8f/s400/IMG_5836.JPG" width="281" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red;">Da serie 'A linguae da Memoria', 2015.</span></td></tr>
</tbody></table>
<br />
<br />
<br />
<br />
O conxunto comeza co '<span style="color: red;">Peto das doazóns'</span> de <span style="color: orange;">Mar Barral</span>, unha instalación cerámica dende os coñecidos chupa-chups; e segue pola Poesía en forma de libro, de <span style="color: orange;">Daniel Caxigueiro</span>, escultura en gres con un burato na capa, outra ‘<i>Fiestra valdeira</i>’.<br />
<br />
As fotos monocromas de <span style="color: orange;">Vari Caramés</span> comparten técnica coas de <span style="color: orange;">Xosé Artiaga</span> (Mondoñedo, Lugo, 1955), grandes e en aluminio, sombras de figuras a través de portas translúcidas, como aquelas presenzas das que falaba <b>Miguel Fernández-Cid</b> dunha exposición súa de 1990 no desaparecido Diario16.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9_YzoXCeJ5pbY93VHJMyB5TtfnhRW8moYRAqINPXbGQURBepH_2SikzA9cV8KeDm1m3Sjkx6dDlIFVWSjH1ErQe6Pjbho3b-YoXDiDhv_2qX1yJRq7pZlljLPW_O0YbvVbSnNnzxgsOB/s1600/17554510_1478752648835464_4753929173986210872_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9_YzoXCeJ5pbY93VHJMyB5TtfnhRW8moYRAqINPXbGQURBepH_2SikzA9cV8KeDm1m3Sjkx6dDlIFVWSjH1ErQe6Pjbho3b-YoXDiDhv_2qX1yJRq7pZlljLPW_O0YbvVbSnNnzxgsOB/s640/17554510_1478752648835464_4753929173986210872_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Obra de Mauro Leivas</td></tr>
</tbody></table>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU7Zxs_6MLV7a0k-zY8gqISFMVBwwKOuwCgIxJDQNYSb5KqAbHdpIFQx3-d2JIitG7vvBqrdcSbt2rwIZb0K7PddEllXHprN6NbrW3ReDYL1zvxl80Ylm1tiQDT7P9ojM2eTwpvQjjLnvy/s1600/IMG_4119.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU7Zxs_6MLV7a0k-zY8gqISFMVBwwKOuwCgIxJDQNYSb5KqAbHdpIFQx3-d2JIitG7vvBqrdcSbt2rwIZb0K7PddEllXHprN6NbrW3ReDYL1zvxl80Ylm1tiQDT7P9ojM2eTwpvQjjLnvy/s320/IMG_4119.JPG" width="240" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPkvcTEgBpwSXkTHQFo7lbNpFHmmi7vQiv5rc4_oVIy1ZqtDW-CW7PAnEEuQtBKTTjsTE0cEBS-ptoeadKIL39m6y0Pmw_grHuN2BHfUW1eWR0ZZv5ogWQPhPHwi2iguIhO4Y0R3QuvqwR/s1600/IMG_4535.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1232" data-original-width="924" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPkvcTEgBpwSXkTHQFo7lbNpFHmmi7vQiv5rc4_oVIy1ZqtDW-CW7PAnEEuQtBKTTjsTE0cEBS-ptoeadKIL39m6y0Pmw_grHuN2BHfUW1eWR0ZZv5ogWQPhPHwi2iguIhO4Y0R3QuvqwR/s320/IMG_4535.JPG" width="239" /></a><br />
<br />
<br />
As frores de <span style="color: orange;">Xoán Lomarti,</span> e os Kiwis hiperrealistas de <span style="color: orange;">Xoán Manuel </span><span style="color: orange;">Guerreiro</span> cos mindonienses <span style="color: orange;">Xosé </span><span style="color: orange;">Vizoso </span>e <span style="color: orange;">Mauro Leivas,</span> que amosan un dos seus celebrados carteis das San Lucas, as famosas festas, e, respectivamente,<br />
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcCUXLuT-RNsNGe2GkEqlFP3H4BDThE556uqPoIUV7yrgUaFNwRUXivNRM8CuI7LSAh65XNWDOvvvOB1QYYvdgo1e052ndYNaDGgrEU_fjHbmnrjkrJkUZC1GNdC-grdpbnfvrQtoDtZDt/s1600/Pormenor+da+mostra+coas+obras+de+Mauro+Leivas+e+Basallo.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="701" data-original-width="1159" height="387" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcCUXLuT-RNsNGe2GkEqlFP3H4BDThE556uqPoIUV7yrgUaFNwRUXivNRM8CuI7LSAh65XNWDOvvvOB1QYYvdgo1e052ndYNaDGgrEU_fjHbmnrjkrJkUZC1GNdC-grdpbnfvrQtoDtZDt/s640/Pormenor+da+mostra+coas+obras+de+Mauro+Leivas+e+Basallo.JPG" width="640" /></a></div>
unhas cerdeiras en flor a contraluz cun paxaro, achegado ao espirito das artes do leste asiático.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFXfif5wZ7TVUy-cOW9kyQalJl6yp7X5p6yHuenk0s8PTloXKmrM5dkYKjXNuSZZ2orHuQMQcZlC5Bupjig8WTFQ1ofQP6Vh6Y-DPPvMGOQwCCtxAaDHXUekQsoe5-91DJF2cw2f51dkvD/s1600/17554154_1478752425502153_5043752077896052994_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFXfif5wZ7TVUy-cOW9kyQalJl6yp7X5p6yHuenk0s8PTloXKmrM5dkYKjXNuSZZ2orHuQMQcZlC5Bupjig8WTFQ1ofQP6Vh6Y-DPPvMGOQwCCtxAaDHXUekQsoe5-91DJF2cw2f51dkvD/s400/17554154_1478752425502153_5043752077896052994_n.jpg" width="400" /></a></div>
<br />
<span style="color: cyan;"><span style="font-size: large;">O</span> gran </span><span style="color: cyan;">Luís Seoane</span>, un dos nosos clásicos, comparte protagonismo con doce xilografías, con outro, aínda vivo, <span style="color: orange;">Antonio López, </span><span style="color: orange;">d</span><span style="color: orange;">o que se amosa un debuxo</span><span style="color: orange;">.</span> E con eles, <span style="color: orange;">Mar Barral, Saudade Artiaga, Ana DMatos, Luis Fega, María X. Fernández</span> ou <span style="color: orange;">Monasterio;</span> e o santiagués <span style="color: orange;">Manuel </span><span style="color: orange;">Quintana Martelo</span>, presidente da Real Academia Galega de Belas Artes Nosa Señora do Rosario, con un dos contedores madrileños de lixo...<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPc3FUaBXW8TYhsn9mHKvx9Q22tbcMHk7mj3hsE2ZF4lfGrW1MhMPdGUMa2K7TYeYiJLZROW7QL80pwpyt2VJEtpQVKB2HNIYRBgENT4e_swTF8XcMUWhrdol5-KZ92tQqsBO9lf1lXwKF/s1600/32783536_593077761051994_5704385566078926848_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="702" data-original-width="937" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPc3FUaBXW8TYhsn9mHKvx9Q22tbcMHk7mj3hsE2ZF4lfGrW1MhMPdGUMa2K7TYeYiJLZROW7QL80pwpyt2VJEtpQVKB2HNIYRBgENT4e_swTF8XcMUWhrdol5-KZ92tQqsBO9lf1lXwKF/s640/32783536_593077761051994_5704385566078926848_n.jpg" width="640" /></a></div>
<br />
Unha selección dos moitos que colaboran con <span style="color: orange;">Artiaga</span>, presentada co viño do chantadino Pazo de Sabadelle, Ribeira Sacra en Lugo: así se potencia tamén, e proxecta, coa arte decote nas súas salas, exemplo que podían imitar outros pazos e adegas do Sil, pola banda de Sober e pola de Parada do Sil, Castro Caldelas e Valdeorras, ausentes polo de agora no ameto da cultura.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_2dEuXq8y3BIlPNIF8Uz6Vcpa1Lq3_TW7lOrJDG2GVs7QGTPd4NMYH_j1EKw43YSS5iLi7QrJYB4W4oOrEwW9NBvXoq3sYXnWGoxSwgOb1LMg33SQ9tIrFomkvZiMFHAfNp9xb1DNQihG/s1600/IMG_1719.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1344" data-original-width="1522" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_2dEuXq8y3BIlPNIF8Uz6Vcpa1Lq3_TW7lOrJDG2GVs7QGTPd4NMYH_j1EKw43YSS5iLi7QrJYB4W4oOrEwW9NBvXoq3sYXnWGoxSwgOb1LMg33SQ9tIrFomkvZiMFHAfNp9xb1DNQihG/s400/IMG_1719.JPG" width="400" /></a></div>
<br />
<span style="font-size: large;">
<b><span style="color: yellow;">Ignacio Basallo, unha presenza estelar</span></b></span><br />
<b><span style="color: red;"><br /></span></b>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8oNoYDTlFKb9JS1NTclqIHXgfJrg33lC5V5lA0J7fVH9nykbceXLGCF68GpkTcgGRHTFck8q9ZH81gacvcqoxm3hHuxxGUOiFnB4R8oOanfv7lm-4if7sffkey8dYQIg4QrhIdZN6uFB/s1600/IMG_6021.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1167" data-original-width="1450" height="514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8oNoYDTlFKb9JS1NTclqIHXgfJrg33lC5V5lA0J7fVH9nykbceXLGCF68GpkTcgGRHTFck8q9ZH81gacvcqoxm3hHuxxGUOiFnB4R8oOanfv7lm-4if7sffkey8dYQIg4QrhIdZN6uFB/s640/IMG_6021.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;">Ten o escultor ourensán un máis que relevante protagonismo na sala con ducias de pequenas pezas en varios contedores-vitrinas, nas que amosa os seus pensamentos.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisqk41WxR9AVhRfl6LNjz-WEnly9J0YqDxq3iv86akkilt9G5cJjrix6V6OiLJbzlPy8PPfrb2Efwyla3pv1ldHnsbkdafVZIm9pUsC90hET7Z-2pPvhslW4IrH4drOULavCt9-bxIz6OA/s1600/IMG_2893.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="943" data-original-width="1600" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisqk41WxR9AVhRfl6LNjz-WEnly9J0YqDxq3iv86akkilt9G5cJjrix6V6OiLJbzlPy8PPfrb2Efwyla3pv1ldHnsbkdafVZIm9pUsC90hET7Z-2pPvhslW4IrH4drOULavCt9-bxIz6OA/s640/IMG_2893.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caixa de madeira okume, cinc e cordel de cáñamo, 2001/ Caixa negra, tea metálica e escaiola, 1997</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPRyv840LGjHJY6G9BssdfBFHNmXSjsInQvbF1rZMZ2zqT32aW6r96hi4jf8HJbBf5NMklSqElVjqyygbQ73pOgxHpSH2EN8yMXPQOpBEcLoSIyjWLUtc3C4JWlrcgJKMh0epbSUsV_5O-/s1600/IMG_8196.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1151" data-original-width="1487" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPRyv840LGjHJY6G9BssdfBFHNmXSjsInQvbF1rZMZ2zqT32aW6r96hi4jf8HJbBf5NMklSqElVjqyygbQ73pOgxHpSH2EN8yMXPQOpBEcLoSIyjWLUtc3C4JWlrcgJKMh0epbSUsV_5O-/s400/IMG_8196.JPG" width="400" /></a><br />
<br />
<br />
<br />
Amais dilo hai outras nas paredes, a modo de cadros, de madeira e papel, ás que se engaden as que pendura do teito, e as que van directamente no parqué. Esta luminosa aparición é a primeira fai entre nós logo de súa entrada a fins de 2015 na mencionada Real Academia Galega.<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicU8jnpXcBwECd52A7VAEuPZ0tIXjlV1tF9X3WDpy74KaWg5Q933kGY31vrGEwzsxNImy6_jhGYhxcrS9ZI7rzrFx_kYbQbwrjgQWhLh89Q08w02fZ22dXZdBU5xuXPtaIMBfJabgq_vXL/s1600/IMG_2054.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicU8jnpXcBwECd52A7VAEuPZ0tIXjlV1tF9X3WDpy74KaWg5Q933kGY31vrGEwzsxNImy6_jhGYhxcrS9ZI7rzrFx_kYbQbwrjgQWhLh89Q08w02fZ22dXZdBU5xuXPtaIMBfJabgq_vXL/s400/IMG_2054.JPG" width="300" /></a></div>
<span id="goog_1743656955"></span><span id="goog_1743656956"></span><br />
A plasticidade da materia nas súas mans, directamente, e co coidado das pezas que pule e ensambla, acada a canle pola que a poesía flúe dende a sutileza da escala, e o asombro do artista que está dende neno en contacto coa madeira no serradoiro, co seu pai, e o coiro. Unha poética especial teñen as obras nas que cose sobre cartón dende a máquina que era da súa nai, cosido que aparece na solitaria peza en coiro dunha vitrina.<br />
<br />
<br />
Un xesto de xenerosidade coa substancia do conxunto e as dimensións da sala, que se materializou polo predicamento de <b>Paco G. Bouzán</b>, director do centro, e de <b>Fernández-Cid</b>.<br />
<br />
Temos así este regalo, que nace por unha boa causa e se desfruta dun xeito especial. <br />
<h1 style="margin: 16px 0px 4px;">
<span lang="GL" style="font-family: "helvetica" , sans-serif; font-size: 11pt; font-weight: normal; line-height: 107%; margin: 0px;"></span></h1>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-53999850225272391392018-05-25T19:21:00.000+02:002018-06-01T19:22:23.955+02:00María Lezón á voltas coa beleza<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div>
A Beleza, para Lezón<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf622D76kxTEP0_0oia5KPjrve4u44Y4gy_KHKCIZTYkLFB-b0OlBBg0xwiXcnMS-bI03cCuGZ1Pel9iqd-42vVFNp-TFduDiVo4dYQvcMPBTb6UIflFpAUgEljCRUUWRmDolOkUgw6wbt/s1600/Pormenor+da+sala.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="1432" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf622D76kxTEP0_0oia5KPjrve4u44Y4gy_KHKCIZTYkLFB-b0OlBBg0xwiXcnMS-bI03cCuGZ1Pel9iqd-42vVFNp-TFduDiVo4dYQvcMPBTb6UIflFpAUgEljCRUUWRmDolOkUgw6wbt/s640/Pormenor+da+sala.jpg" width="640" /></a></div>
<br />
<br />
Chéganos de novo coa Galería Visol a obra de María Lezón Fernández-Hontoria, (1971, Madrid), pintora que viñera dende Málaga en 2014, coa súa obra apoiándose na historia dun avó, Ricardo Nóvoa Lezón. <br />
<br /></div>
<div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3LY9u0FVntBB0xi7cO2fOmdXNRKJdg71YeKKsFRVzlbN0GgdUrj2aF2uzftwFlRhl2Aji66atPJti5UvaS2oMRbSJOlkaPIrWHpIqSROUtgsD85LOdSjB9VbTbYrFMGaPPTNmU2idVyql/s1600/010.-caseri%25CC%2581o+en+primavera%252C+mural.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3LY9u0FVntBB0xi7cO2fOmdXNRKJdg71YeKKsFRVzlbN0GgdUrj2aF2uzftwFlRhl2Aji66atPJti5UvaS2oMRbSJOlkaPIrWHpIqSROUtgsD85LOdSjB9VbTbYrFMGaPPTNmU2idVyql/s640/010.-caseri%25CC%2581o+en+primavera%252C+mural.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: orange;">caserío en primavera </span></td></tr>
</tbody></table>
</div>
<div>
Coa exposición que trae quere reivindicar o concepto de Beleza na arte, co argumento de non querer ‘<i>enfocarse en lo conceptual como tema primordial</i>’ pois dese xeito ‘<i>se convierte en elitista y marginal</i>’, xa que logo ‘<i>es menos accesible</i>’.<br />
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMq8JOCCRjWc7eL2nfpzS1iXqlyeDpQIV-eMsHhwns-d8d9Ev4u9EeX5ngioCF9NURlPUqb1ZOhfC7d2S6I5uua_A0EZdMb0cRhz3tMa1eNZMlRFo-VZd449LmIvWqlYwC_eojJbRRlYEq/s1600/DSC_0019.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="821" data-original-width="1600" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMq8JOCCRjWc7eL2nfpzS1iXqlyeDpQIV-eMsHhwns-d8d9Ev4u9EeX5ngioCF9NURlPUqb1ZOhfC7d2S6I5uua_A0EZdMb0cRhz3tMa1eNZMlRFo-VZd449LmIvWqlYwC_eojJbRRlYEq/s640/DSC_0019.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
Dende esta discutible apreciación presenta unha obra figurativa e narrativa, na que as rosas xogan un papel cromático determinante. E coas flores vai contando historias persoais, con un enfoque un punto inxenuo dende o mundo da ilustración, e claves persoais simbólicas, que se patentizan nas formas dalgunhas escenas que coloca xuntando pezas de distintos tamaños buscando dende as asimetrías unha suxestión.</div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib9pHTMU22Zpy_ZnWx0gWDxQwnO1NIZjW8BAn6yidmo6Oov7pFENkUxeGlKIVFwKzS3giZSBrne_VMUmh9GG9SQ05LF9uMiruhWhbZTdCWKNpGlPN6rn00h6WlOTbjmKlKKyNse6bfWynL/s1600/maria-lezon%252Cmipiscina.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="485" data-original-width="800" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib9pHTMU22Zpy_ZnWx0gWDxQwnO1NIZjW8BAn6yidmo6Oov7pFENkUxeGlKIVFwKzS3giZSBrne_VMUmh9GG9SQ05LF9uMiruhWhbZTdCWKNpGlPN6rn00h6WlOTbjmKlKKyNse6bfWynL/s640/maria-lezon%252Cmipiscina.jpg" width="640" /></a></div>
<br /></div>
<div>
<br />
<br />
<br />
<br />
Un Casarío vasco, a finca con xardín e piscina, e os seus nenos, que aparecen tamén en escenas de interior, o microcosmos dun mundo acomodado no económico, cálida e colorista mostra que expresa paixón dende a rechamante posta en escena para formar ambientes. </div>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-xWUplV0_NoOlVzpGhyphenhyphen76TO9ysdAsfAk1ok67B0KEtYhH4d5ds5GfWGU4-MFjHfpWyVR0hb_pt4O3FCZLp3jctDwmr_cqA2n8C71xNsQLwbomLbSigwGbj4ZszEQ_ka64zOo28e9SmCLv/s1600/Lolita+de+Mar%25C3%25ADa+Lez%25C3%25B3n.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="959" data-original-width="795" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-xWUplV0_NoOlVzpGhyphenhyphen76TO9ysdAsfAk1ok67B0KEtYhH4d5ds5GfWGU4-MFjHfpWyVR0hb_pt4O3FCZLp3jctDwmr_cqA2n8C71xNsQLwbomLbSigwGbj4ZszEQ_ka64zOo28e9SmCLv/s640/Lolita+de+Mar%25C3%25ADa+Lez%25C3%25B3n.JPG" width="528" /></a></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
A influenza do cine, caso de <span style="color: cyan;">Alfred Hitchcock</span>, na arte <span style="color: cyan;">Artemisia </span><span style="color: cyan;">Gentilleschi,</span> en a literatura, <span style="color: cyan;">Vladimir </span><span style="color: cyan;">Nabokov</span>, '<span style="color: yellow;">Lolita'</span> en concreto, son evasión, modelo e inspiración dunha artista formada en Canadá, con infancia en Getxto, Viscaia.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjGlQKrzpJ-DyxBhubonvwtgGBTDer6eL7T34WAMOomYcOMk9vm8Br-CsF6v_oCRL1TtMBNWi7nBf0IjywJI_yJhumQC9tCdDmHszPFjNu3A7140V6djp1VSd_p8nid3EL8B-JLirfi1qV/s1600/OY14C4F1_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="900" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjGlQKrzpJ-DyxBhubonvwtgGBTDer6eL7T34WAMOomYcOMk9vm8Br-CsF6v_oCRL1TtMBNWi7nBf0IjywJI_yJhumQC9tCdDmHszPFjNu3A7140V6djp1VSd_p8nid3EL8B-JLirfi1qV/s640/OY14C4F1_1.jpg" width="640" /></a></div>
</div>
<div style="margin: 0px 0px 10.66px;">
<span lang="GL" style="font-family: "georgia" , serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-87445317327745911442018-05-22T19:05:00.000+02:002018-06-01T19:13:31.639+02:00Maec<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRJfw0RXREsz1Fp_gUGb7f8XdxgewxM24ze1UJW8d9iLW3sIYrLx4FX4HqoeAliHfkj7JFuA6WaNeEz6C6lWHj0n8ZcM67Um12lrFIfKfNATJHZ3GnaUALoGqS42Vto2tgbaqCcFoL5y2/s1600/Pierneta+sobre+plaza+mayor+y+Que+os+den+II.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1122" data-original-width="1572" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRJfw0RXREsz1Fp_gUGb7f8XdxgewxM24ze1UJW8d9iLW3sIYrLx4FX4HqoeAliHfkj7JFuA6WaNeEz6C6lWHj0n8ZcM67Um12lrFIfKfNATJHZ3GnaUALoGqS42Vto2tgbaqCcFoL5y2/s640/Pierneta+sobre+plaza+mayor+y+Que+os+den+II.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: yellow;">Pierneta sobre plaza mayor</span> e <span style="color: yellow;">Que os den II,</span> no fondo.</td></tr>
</tbody></table>
<div>
<span style="color: orange;">Antonio Ángel Mariscal Gaitán </span>(El Carpio, Córdoba, 1960) é o '<b><span style="color: orange;">Maec</span></b>’, e anda a expoñer no centro Marcos Valcércel unha mostra, '<span style="color: yellow;">Piernetas</span>', inspirada ‘<i>na peineta</i>’, o xesto de levantar o dedo corazón cara outra persoa, acompañado de rostro e voces... o que ben sendo unha impostura, dende a grosería.<br />
<br /></div>
<div>
<i><br /></i></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz7Q8cgzdtRHclrUmM8INwOgbCFm3L9Oujz9BfOe238GBX154FfrWaiRK_nGmS3e0gmrAiHgk1ocvy0PsUvFpQw0Q6B9f2xz_VaRfkKkWD52vXPyKMJmEH2xggHn8rfF8PlrYHy-WRmELb/s1600/IMG_6677.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1102" data-original-width="1439" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz7Q8cgzdtRHclrUmM8INwOgbCFm3L9Oujz9BfOe238GBX154FfrWaiRK_nGmS3e0gmrAiHgk1ocvy0PsUvFpQw0Q6B9f2xz_VaRfkKkWD52vXPyKMJmEH2xggHn8rfF8PlrYHy-WRmELb/s400/IMG_6677.JPG" width="400" /></a><i></i><br />
<i><i><br /></i></i>
<span style="font-size: large;"><i> "Es una forma de representar mi descontento con las lacras que infectan la sociedad, como la corrupción. Necesitamos más honestidad</i>", dixo como xustificación. </span><br />
<br />
<br />
<br />
<br /></div>
<div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvp3i3fI9tYA9YjJMj2LhvTAZjXlZ_ChUjOHBd5vssNj_Rp94b3yxsHxukaDWp241kR82gsH3ZlJUlqm8CfLNohy-dvcPRHOMlaNuFU9NHIYF8sVkIW-ETU8-ARnqCxiaKOi6kGSjGy8cj/s1600/IMG_3646.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="1081" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvp3i3fI9tYA9YjJMj2LhvTAZjXlZ_ChUjOHBd5vssNj_Rp94b3yxsHxukaDWp241kR82gsH3ZlJUlqm8CfLNohy-dvcPRHOMlaNuFU9NHIYF8sVkIW-ETU8-ARnqCxiaKOi6kGSjGy8cj/s640/IMG_3646.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><span style="font-size: large;">Mais o asunto non da para máis quedándose na forma.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><span style="font-size: large;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN0xPRcopziV1aySoC-RIraaGed5p2Po-WVJOgFyJblCNpsmQ-2eebz75mYNJ7DQo1lSmrM2l3eYlZJTo0lXjkKoJN4EHqtY8ruWM3cPa1Q_Jdi9nhpsvT8zKvAO_B3T8i0Wcp6ZjS-Z16/s1600/IMG_3066.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1160" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN0xPRcopziV1aySoC-RIraaGed5p2Po-WVJOgFyJblCNpsmQ-2eebz75mYNJ7DQo1lSmrM2l3eYlZJTo0lXjkKoJN4EHqtY8ruWM3cPa1Q_Jdi9nhpsvT8zKvAO_B3T8i0Wcp6ZjS-Z16/s640/IMG_3066.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
</div>
<div>
Esta é un fragmento do corpo feminino, dende as coxas ata os pés, as pernas de perfil, unha delas levantada cara atrás, como amosa nun tríptico. A muller, dende a parte polo todo.<br />
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFvwF7w9XSbywtPwtZPihiS0Iki0XdrZkILQm_1Rw-zQL7HZgYO1Suj4qoBoFk4SE0t59Eky-pHhVdnNtwrLrZCTyyVrq5voVHOvW7L1qy3uPZMpvOGK5Uuug2ULqIlbPz-u8DyoNkBkMN/s1600/IMG_5127.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1032" data-original-width="1467" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFvwF7w9XSbywtPwtZPihiS0Iki0XdrZkILQm_1Rw-zQL7HZgYO1Suj4qoBoFk4SE0t59Eky-pHhVdnNtwrLrZCTyyVrq5voVHOvW7L1qy3uPZMpvOGK5Uuug2ULqIlbPz-u8DyoNkBkMN/s640/IMG_5127.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;">Inseríndolle un ollo e facendo variacións coas medias de nylon, as súas cores e os fondos <span style="color: orange;">Maec</span> xoga coa forma, coa que deu cando facía un debuxo erótico, mais tamén co achádeo plástico da perna, e fai frases, caso de ‘</span><i style="text-align: left;"><span style="color: red;">Que Os Den II’</span></i><span style="text-align: left;">, explícita mensaxe.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBkyrNVzVzm9eRJ4Sgqg4ruvhyphenhyphenOoBwYz1xu9uPlJ8tqjzlwYgiL6RRwNbRvym46seHmU_Sy8y-Pj1Vg-MxSrFIrSNlbC7DefrY_3HlvsH2Q9dzGLckK0wQd2lc5kGbXePt8c9hcYdoMM5W/s1600/IMG_6577.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1542" data-original-width="1154" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBkyrNVzVzm9eRJ4Sgqg4ruvhyphenhyphenOoBwYz1xu9uPlJ8tqjzlwYgiL6RRwNbRvym46seHmU_Sy8y-Pj1Vg-MxSrFIrSNlbC7DefrY_3HlvsH2Q9dzGLckK0wQd2lc5kGbXePt8c9hcYdoMM5W/s640/IMG_6577.JPG" width="476" /></a></div>
<br /></div>
<div>
<br />
<br />
<br />
Esta aparece xa en <span style="color: cyan;">Aristófanes</span>, dramaturgo grego do século V a.C, quen nas Nubes un dos seus personaxes levanta o dedo corazón, como símbolo fálico, dedicado a <span style="color: cyan;">Sócrates</span> pola súa influencia nos rapaces da ágora ateniense. Este dedo medio ten unha connotación sexual concreta, e así o explicita o poeta <span style="color: cyan;">Marcial</span> ao sinalar como Sextilio responderalle así a un quidam que lle chamara efeminado. Aquí en Roma era o ‘<i>Digitus impúdicus</i>’, ou ‘<i>infamen</i>’. </div>
<div>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br /></div>
<div>
O artista andaluz, arquitecto de profesión matriz, tense achegado a Nova Iorque, fai uns anos para amosar as súas ideas arquitectónico-urbanísticas na zona cero do Word Trade Center, e levou a súa icona ata Manhattan. Con anterioridade expuxera na Taparía Gaia de Celanova, e na súa estadía por alí pintou as súas prazas e tamén as de Vilanova dos Infantes.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnImd4U-HvXw6ET9H-Ram20Bp0C0FfA_FUPqf6omvwQKNajNiR9Cdn5tDql-hkZaC_s9e4yU9z44LMirRuDwtv2g2wFL2N4Vf37RxaGsboVnCGMoPMTJdJykPDAOfw760Udxt7pzoTQZ0N/s1600/2018051323474344541.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnImd4U-HvXw6ET9H-Ram20Bp0C0FfA_FUPqf6omvwQKNajNiR9Cdn5tDql-hkZaC_s9e4yU9z44LMirRuDwtv2g2wFL2N4Vf37RxaGsboVnCGMoPMTJdJykPDAOfw760Udxt7pzoTQZ0N/s640/2018051323474344541.jpg" width="640" /></a></div>
<br /></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-16748028784858963312018-05-20T13:42:00.000+02:002018-06-18T15:08:46.888+02:00Manuel Penin expon en Ourense<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<div>
<b><span style="font-size: large;">Penín</span></b><br />
<b><span style="font-size: large;"><br /></span></b>
<b><br /></b>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhzX2pPLeD4-aOqGbHLGucSNCegWdUmdlZ8viIVH8WFkXfk68Cv99CEIOLAbHenxWzYAJsvoJAueCDmjbWDhSN-hs2R2a5NPe_UzsEM7VljJcSEvHb5qdGSzgbi_wSflhy2rIAGkt8LIZX/s1600/112.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhzX2pPLeD4-aOqGbHLGucSNCegWdUmdlZ8viIVH8WFkXfk68Cv99CEIOLAbHenxWzYAJsvoJAueCDmjbWDhSN-hs2R2a5NPe_UzsEM7VljJcSEvHb5qdGSzgbi_wSflhy2rIAGkt8LIZX/s640/112.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj762JGM-zqmfyYSP9kK1ErX63VGYREe8UqDQgUbY72i8SMOxSnRs6LEvjKjMLAKiHDyqyrzjqJ9duQSio1S7fNM8xP3Bk00PsfZkdCK0uKYxQeaYjnlW6BieZWP1mWduskbJFLZ3tEz5ge/s1600/safe_image.php.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="281" data-original-width="540" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj762JGM-zqmfyYSP9kK1ErX63VGYREe8UqDQgUbY72i8SMOxSnRs6LEvjKjMLAKiHDyqyrzjqJ9duQSio1S7fNM8xP3Bk00PsfZkdCK0uKYxQeaYjnlW6BieZWP1mWduskbJFLZ3tEz5ge/s400/safe_image.php.jpeg" width="400" /></a>Ben de chegar de Nova Iorque, onde fixo, segundo conta, algunha dalgunhas obras que exhibe na súa exposición "<span style="color: red;">Del dedo a la llama</span>". Son quince cadros, óleos e técnicas mixtas sobre cartón e papel, formas informes nas que a cor é protagonista. Nelas quere compartir a intensidade das súas emocións, tamén realizadas aquí e en Berlín, estadía anterior. <span style="color: red;">Llama en azul,</span> <span style="color: red;">cante en verde</span>, e o <span style="color: red;">branco da ’noche’</span>, <span style="color: red;">bravas en vermello</span> e <span style="color: red;">as azuis mareas</span>: son os nomes que lles da, e as cores dominantes. <span style="color: red;">Interior,</span> <span style="color: red;">clave</span>, <span style="color: red;">flores</span>, e <span style="color: red;">floresta</span> son as outras obras ademais dunha que prefire non titular, como adoitaba facer ata agora.<br />
<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPL35JQgCwGeDBxPDgCHbJkV5zfEdX3pShqjKWhWkcqKVQXlTAsEvoVbUddujkLQSJ3Kbi9L6cg_59IyFh6DIr1aze2g8wihGT_YzYM0cQE6LS-0CHuZnavu-vgdeySvE6T3P267XLEbS7/s1600/IMG_1901.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPL35JQgCwGeDBxPDgCHbJkV5zfEdX3pShqjKWhWkcqKVQXlTAsEvoVbUddujkLQSJ3Kbi9L6cg_59IyFh6DIr1aze2g8wihGT_YzYM0cQE6LS-0CHuZnavu-vgdeySvE6T3P267XLEbS7/s400/IMG_1901.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Unha das obras na Cafetaría La Coruñesa.</td></tr>
</tbody></table>
<br />
<span style="font-size: large;">Con elo amosa estar nunha fase nova, como se pode comprobar poñendo as que adornan as paredes da Cafetería La Coruñesa, sita baixo o seu taller. Carpa honda, unha obra dobre que firma o pasado ano, unha suxestiva paisaxe que ben pode aludir a un acuario. As formas e harmonías das cores ofrecen unha espranza da que xorden os impulsos que fan que as persoas se transformen.</span><br />
<br /></div>
<div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizv0QGdwhIZlS_e1gDiuup36qFKWmP-Xyv9Ii3J4X7qJYAaGjdN4klYJrInWXCqDt4hG7HEuTCWe4QwOvyqlti_Qz5u5kgzoKH6JROo8Cei4uDSgH0LrA79lUWXdb445BoO-NumG3fdzng/s1600/33596807_10215763745943362_798690481981620224_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="371" data-original-width="808" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizv0QGdwhIZlS_e1gDiuup36qFKWmP-Xyv9Ii3J4X7qJYAaGjdN4klYJrInWXCqDt4hG7HEuTCWe4QwOvyqlti_Qz5u5kgzoKH6JROo8Cei4uDSgH0LrA79lUWXdb445BoO-NumG3fdzng/s640/33596807_10215763745943362_798690481981620224_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Momento da inauguración. Fala Roberto Mariño alias 'Verino'.</td></tr>
</tbody></table>
<br /></div>
<div>
<span style="font-size: large;">Así pensábao en xeral <span style="color: cyan;">John Berger,</span> para quen cando a arte da espranza transmútase en forza. Así tamén <span style="color: cyan;">Machado</span>, quen amou ‘<i>los mundos sutiles, ingrávidos y sutiles, como pombas de jabón...</i>’.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyN0CorCqKdNQ0Nnk48cxhFxKJ0SXcLh_QaS-JMHD5EgKH2Sz5Y_TrojwnUmCle4fgC4PA7pH33_IMcKzof_Ol2kwDH8URgfUY_RbShtYLV82xA0NJtRLYCoQH4TfYB719qB1KEEzebp9b/s1600/Obras+de+Penin.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="948" data-original-width="1600" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyN0CorCqKdNQ0Nnk48cxhFxKJ0SXcLh_QaS-JMHD5EgKH2Sz5Y_TrojwnUmCle4fgC4PA7pH33_IMcKzof_Ol2kwDH8URgfUY_RbShtYLV82xA0NJtRLYCoQH4TfYB719qB1KEEzebp9b/s640/Obras+de+Penin.JPG" width="640" /></a></div>
<br /></div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-45727067759439555942018-05-15T09:18:00.000+02:002018-06-01T19:14:10.994+02:00Lita Cabellut y Frida Khalo<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="text-align: center;"><span style="color: orange;">La Fundació Vila Casas está haciendo una retrospectiva de Lita Cabellut en el Espais Volart, Barcelona a punto de finalizar (</span></span><span style="color: orange; text-align: center;">octubre 2017 a mayo 2018).</span><br />
<div>
<div style="text-align: center;">
<span style="color: orange;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0KxFJFwOlwuXo6qSkIamwAT12R2l9mH8HFJsecolE2cx4_KtW8ojFH_IYVVMbER4T1YuwlNG5wkNBvEWnPW8hNWxfbAzwzXKjOSRsJUkargfg_JRp5zoQjZYwJugQWLm3KtO-i8htnuQG/s1600/litacabellutretrospective-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0KxFJFwOlwuXo6qSkIamwAT12R2l9mH8HFJsecolE2cx4_KtW8ojFH_IYVVMbER4T1YuwlNG5wkNBvEWnPW8hNWxfbAzwzXKjOSRsJUkargfg_JRp5zoQjZYwJugQWLm3KtO-i8htnuQG/s400/litacabellutretrospective-3.jpg" width="240" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf8cJitzNJaFIrqdgfdmepQpx-t0Oy_8RKgmepe1CNGo6FbYksqdK9BGIXOpChwuUNl1L-jUNQbSOHHBpiXZw1rrv8WBK7bCCn9O4s4kmdD-nScEwydMmyG3dj75BiSWuOdQyqfF2m5nuK/s1600/litacabellutretrospective-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="480" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf8cJitzNJaFIrqdgfdmepQpx-t0Oy_8RKgmepe1CNGo6FbYksqdK9BGIXOpChwuUNl1L-jUNQbSOHHBpiXZw1rrv8WBK7bCCn9O4s4kmdD-nScEwydMmyG3dj75BiSWuOdQyqfF2m5nuK/s400/litacabellutretrospective-4.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<div class="" style="clear: both; text-align: center;">
<span style="text-align: left;"><span style="color: yellow;">Lita Cabellut </span>(Sariñena, Huesca, 1961), vive en los Países Bajos desde la juventud. </span><span style="text-align: left;">En sus obras de gran formato, los retratos de</span><span style="text-align: left;"> </span><span style="color: yellow; text-align: left;">Cabellut </span><span style="text-align: left;">se consideran 'fotorrealistas', una variante del estilo Hiperrealismo, con una técnica peculiar desde el fresco y la minuciosidad de la pintura dela escuela holandesa pasada por el tamiz de</span><span style="text-align: left;"> </span><span style="color: cyan; text-align: left;">Lucien Freud </span><span style="text-align: left;">o</span><span style="text-align: left;"> </span><span style="color: cyan; text-align: left;">Francis Bacon,</span><span style="text-align: left;"> </span><span style="text-align: left;">entre otros. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKDo-Oo0JE7w06xGYb-ZXSmFawZnJCfz4Sl1VCFoFRbFPR6XLEI3AA5pgg8YP8Zslg1k61hEWE7dpCXtSOmPOqtuWORrrRAza1Rajg4fzSGc792PeBVoaN60NOyxntJalevYH_ftquQcAF/s1600/33038434_10215441559699442_422450414844116992_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="706" data-original-width="516" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKDo-Oo0JE7w06xGYb-ZXSmFawZnJCfz4Sl1VCFoFRbFPR6XLEI3AA5pgg8YP8Zslg1k61hEWE7dpCXtSOmPOqtuWORrrRAza1Rajg4fzSGc792PeBVoaN60NOyxntJalevYH_ftquQcAF/s1600/33038434_10215441559699442_422450414844116992_n.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="separator" style="clear: both;">
<span style="font-size: small;"><span style="text-align: left;">En la muestra se halla esta obra d</span><span style="text-align: left;">e su colección '</span><span style="color: red; text-align: left;">Frida, The Black Pearl'</span><span style="text-align: left;">, de 2010.</span></span></div>
<div class="separator" style="clear: both;">
<span style="text-align: left;"><br /></span></div>
<div class="separator" style="clear: both;">
<span style="text-align: left;"><br /></span></div>
<span style="text-align: left;"> <span style="font-size: small;">Con ello da voz a las mujeres, denunciando la violencia, y apoya a la infancia necesitada, recuerdo y mucho más, sin duda, de cuando ella, de etnia gitana, que no conoció a sus padres, fue criada por una abuela hasta que tras su muerte es adoptada por una familia catalana en el orfanato con trece años... </span></span><br />
<span style="text-align: left;"><span style="font-size: small;"><br /></span></span>
<span style="text-align: left;"><span style="font-size: small;">Una obra basada en la de Khalo aunque sin duda tiene de la vida de Lita Cabellut...</span></span></td></tr>
</tbody></table>
<div class="separator" style="clear: both;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: 1em; margin-right: 1em; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_a0FnP4Z0OAmSCBwUqcABx69khboaDXsMu0d6qLvP_k0bX1IVmYyIGBaj7BkSD1fuHEVj6LUvV9rIhBw86mktSjF2rrgcrMjlgi0kM-mvQ7pT1wYFpXTORqrJSEYOBF2TIC7UgDtjmSS/s1600/fk_columna.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="620" data-original-width="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_a0FnP4Z0OAmSCBwUqcABx69khboaDXsMu0d6qLvP_k0bX1IVmYyIGBaj7BkSD1fuHEVj6LUvV9rIhBw86mktSjF2rrgcrMjlgi0kM-mvQ7pT1wYFpXTORqrJSEYOBF2TIC7UgDtjmSS/s1600/fk_columna.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La columna rota (autorretrato), 1944, Museo Dolores Olmedo Patiño, Ciudad de México.</td></tr>
</tbody></table>
<div class="" style="clear: both;">
<span style="color: cyan;">Magdalena Carmen Frida Kahlo Calderón</span> artista mejicana (Coyoacán). Su padre era judío, un inmigrante húngaro, su madre era mestiza y católica, natural de Oaxaca, estado Zapoteca . Desde la poliomielitis de niña a un accidente traumático con huesos rotos y lesiones en su espina dorsal, que hacen tenga que estar en la cama, desde la que pinta, y tras ímprobos esfuerzos, siempre con dolor, logra volver a caminar. Casada con el pintor muralista <span style="color: cyan;">Diego Rivera,</span> veinte años mayor, alto y grueso, que eran llamados 'la paloma y el elefante'.</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNyUdZzLxz4q5-0nft6yvj7T6rh92xqj1kbiNS6SA0YApOMfH5DgXexUu9iFSVMFKqzzpPCl3A764OdWXAyk3qpFbx062DwptXCbLgVccvkL41Nqpnqz5J-HFwjj1XRycXCbGJe1_MS5V8/s1600/Unknown.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="160" data-original-width="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNyUdZzLxz4q5-0nft6yvj7T6rh92xqj1kbiNS6SA0YApOMfH5DgXexUu9iFSVMFKqzzpPCl3A764OdWXAyk3qpFbx062DwptXCbLgVccvkL41Nqpnqz5J-HFwjj1XRycXCbGJe1_MS5V8/s1600/Unknown.jpeg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBkiUYnt6HWlWma2BVx6LDjYkMnEBZ9kH8G-HsQ2BhZvpKolhvcmgjOK83gpyOhMXVHVlFQKKUB9H-gdqF1Xm83h3kxtv2d5uqIfvQBHCFyraNfJzslPhSzTq7VJ_Z-cE69ZYvhM_hyOD_/s1600/Unknown-1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="160" data-original-width="105" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBkiUYnt6HWlWma2BVx6LDjYkMnEBZ9kH8G-HsQ2BhZvpKolhvcmgjOK83gpyOhMXVHVlFQKKUB9H-gdqF1Xm83h3kxtv2d5uqIfvQBHCFyraNfJzslPhSzTq7VJ_Z-cE69ZYvhM_hyOD_/s1600/Unknown-1.jpeg" /></a></div>
<br /></div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-74321590082918107942018-05-12T15:06:00.000+02:002018-06-19T20:34:07.143+02:00Xosé Poldras: Ver chegar aquilo que permanece<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJD9_qsqA0XSIOLAMDrO83LaTzZ5d6EmBs-sTj1jEHO9JHjJkA3AaeaCvi7_EzVB2YJskUBJtwqmE3ZrAsFfjqdviT09n_yRYjkEIduZrJmlAT8dewCiQHL7RpeEZxyTEFleZKR3h2EiYH/s1600/a8778554-6711-43c0-9ab9-dbdf8edf4ecb.JPG" imageanchor="1" style="font-size: 12.800000190734863px; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1471" data-original-width="1511" height="622" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJD9_qsqA0XSIOLAMDrO83LaTzZ5d6EmBs-sTj1jEHO9JHjJkA3AaeaCvi7_EzVB2YJskUBJtwqmE3ZrAsFfjqdviT09n_yRYjkEIduZrJmlAT8dewCiQHL7RpeEZxyTEFleZKR3h2EiYH/s640/a8778554-6711-43c0-9ab9-dbdf8edf4ecb.JPG" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="text-align: left;"><span style="text-align: left;"><span style="font-size: large;">Eis</span> a proposta de </span><span style="color: orange; text-align: left;">Xosé ‘Poldras’</span><span style="color: orange; text-align: left;">, artista grabador, </span>‘</span><span style="color: red; text-align: left;">Ver chegar aquilo que permanece</span><span style="text-align: left;">’, </span><span style="color: orange; text-align: left;"> unha caída reflexión desde a </span><span style="text-align: left;"><span style="color: red;"><i>Estética de la desaparición</i></span> de </span><span style="color: cyan; text-align: left;">Paul Virilio:</span><span style="text-align: left;"> ‘</span><i style="text-align: left;">Su deseo de movimiento es sólo un deseo de inercia, el deseo de ver llegar aquello que permanece</i><span style="text-align: left;">’, un pensamento que transformou en imaxes. </span><br />
<span style="text-align: left;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaKCM_bJGxtTnT-D_WKdd9aptw2RbF7akukPrPVeb_EUBuLAHJRYM09qaKG5JgqIoCsNL4Kk0DkIBMC-01JvmZPYkV9VRObsnotddYl4h0O-fxZoihIpYVoPFRtoOMHNb2GsBPthvMc76o/s1600/-56ffbb99c682.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1429" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaKCM_bJGxtTnT-D_WKdd9aptw2RbF7akukPrPVeb_EUBuLAHJRYM09qaKG5JgqIoCsNL4Kk0DkIBMC-01JvmZPYkV9VRObsnotddYl4h0O-fxZoihIpYVoPFRtoOMHNb2GsBPthvMc76o/s640/-56ffbb99c682.JPG" width="571" /></a></div>
<div style="font-size: 12.800000190734863px; text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: large;"><span style="color: red;">'O mar non quiere metáforas</span>'</span><span style="font-size: medium;">, unha das obras. </span></div>
<div style="font-size: 12.800000190734863px; text-align: center;">
<a href="http://www.laregion.es/video/videos-ourense/exposicion-grabados-xose-poldras-roberto-verino/20180301193410774940.html">Reportaxe en Telemiño</a></div>
<br />
<br />
<span style="font-size: large; text-align: left;">Con elo este destacado gravador da terras do sur leste da provincia, de Baronceli e do Bolo, con centros en Verín e Viana respectivamente, quere facer explícito un anceio: o da discreción, refugando á vocación de espectáculo de motos artistas e das súas propuestas plásticas, mais tamén doutros mundos da creación. E fuxe d</span><span style="font-size: large;">este modus operandi, que refutan as súas obras. </span><br />
<span style="font-size: large;"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEEh5qYhh0fcqvq0U-Sc43ZmomS41IaJcS6MTMkD_plRAngfQCQUFE8sf5ir8XDQT5hjnsU54-RPFRgtB51cB17L0nMBKp646S0YDEkefTNy7CzUI3JwuGfRIvMy36QghT33MIwd-oVCh/s1600/35414696_2087651454813163_2320063813434474496_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="802" data-original-width="901" height="569" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEEh5qYhh0fcqvq0U-Sc43ZmomS41IaJcS6MTMkD_plRAngfQCQUFE8sf5ir8XDQT5hjnsU54-RPFRgtB51cB17L0nMBKp646S0YDEkefTNy7CzUI3JwuGfRIvMy36QghT33MIwd-oVCh/s640/35414696_2087651454813163_2320063813434474496_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red;">Verdades rente ao chan,</span> 2012, 1/4.</td></tr>
</tbody></table>
<span style="font-size: large; text-align: left;">M</span><span style="text-align: left;">alia que podamos convir co gran poeta </span><span style="color: cyan; text-align: left;">Machado, D. Antonio</span><span style="text-align: left;"> ‘</span><i style="text-align: left;">Pero lo nuestro es pasar, pasar haciendo caminos</i><span style="text-align: left;">’, na arte, como na vida, cada quen vai facendo o seu. Uns artistas apostan polo sólido, en ferro, bronce ou mármore, outros pola tea, cartón ou papel, e aínda outros pola fotografía, vídeo ou cine, poñamos por caso, mais o tempo, ese gran mestre, sinalará o devir no porvir sen poder nos albiscar a súa relevancia futura, ou ata cando...</span><br />
<span style="text-align: left;"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhifGFSR9ARIyApxKsCQ42muu9xYOfyV7ox0k7QEZVHGIWT0LG-HYbXL3UbFKQL4iWDmmvB86gguut49EHfXWniOqwgxHiy5_R-ecukYXBe9jgZ7P8TiQWh0OnkXrg-_Svmjz2CHsec-1wx/s1600/-799351dcfba2.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhifGFSR9ARIyApxKsCQ42muu9xYOfyV7ox0k7QEZVHGIWT0LG-HYbXL3UbFKQL4iWDmmvB86gguut49EHfXWniOqwgxHiy5_R-ecukYXBe9jgZ7P8TiQWh0OnkXrg-_Svmjz2CHsec-1wx/s640/-799351dcfba2.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">'<span style="color: red;">Árbore do tacto II".</span></td></tr>
</tbody></table>
<div style="font-size: 12.800000190734863px;">
<span style="font-size: large;">Son estas trece composicións cos corpos nuns espazos amplos, nos que se respira tranquilidade, pois hai silenzo, dende unha constante procura estética.</span><br />
<div style="-webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; font-size: 12.800000190734863px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; margin: 0px; text-decoration: none; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="font-size: large; text-align: left;"><br /></span></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQkCKeA2TjX8p2xacVWTB523ODINpBtA_pdaT39diAlUhnoaMzmGwCxEy_o8DBW3YaC3jpTmWW8w6H5GgNqwtCJIZ2zubUqWCTQOcZYvGpDx8rcHT2z_WrMlzs-WMdkSfaDZzhWhvdsCIY/s1600/OM2C11F5_19435.jpg" imageanchor="1" style="-webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; font-size: 12.800000190734863px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; margin-left: 1em; margin-right: 1em; text-decoration: none; text-transform: none; white-space: normal; word-spacing: 0px;"><img border="0" data-original-height="686" data-original-width="1245" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQkCKeA2TjX8p2xacVWTB523ODINpBtA_pdaT39diAlUhnoaMzmGwCxEy_o8DBW3YaC3jpTmWW8w6H5GgNqwtCJIZ2zubUqWCTQOcZYvGpDx8rcHT2z_WrMlzs-WMdkSfaDZzhWhvdsCIY/s640/OM2C11F5_19435.jpg" width="640" /></a></div>
<div style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; font-size: 12.800000190734863px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: center; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<br /></div>
<div style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; font-size: 12.800000190734863px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: center; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<br /></div>
<span style="text-align: left;"><span style="color: orange; text-align: left;">Poldras</span><span style="text-align: left;"> traballa as obras co papel, sempre co papel. Un días despois dil, entrou na sala </span><span style="color: orange; text-align: left;">Penin, que </span><span style="text-align: left;">tamén o utiliza para nas acuarelas e óleos, co cartón. Alén diso, este fai obras en bronce, e madeira.</span></span><br />
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYqQlcAlgX5t5hqCwvPaUJlcNN56tKofIW7pMnk5NLvGTyG_YOn_Hur18cwh2tYHBxisQlKDcQf4rvgBxN7rRGZ-vPbLUFVwkhYKH47w7H0sCeKchF6E_jky3VF2DnpMLKBmiXhRWa0ZVp/s1600/cf49563a-cfdf-4e9c-a04a-671c18f1bf56.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1084" data-original-width="1192" height="363" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYqQlcAlgX5t5hqCwvPaUJlcNN56tKofIW7pMnk5NLvGTyG_YOn_Hur18cwh2tYHBxisQlKDcQf4rvgBxN7rRGZ-vPbLUFVwkhYKH47w7H0sCeKchF6E_jky3VF2DnpMLKBmiXhRWa0ZVp/s400/cf49563a-cfdf-4e9c-a04a-671c18f1bf56.JPG" width="400" /></a></div>
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span>
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span>
<span style="text-align: left;"><span style="text-align: left;">Ámbolos dous están unidos como os actores </span><span style="color: orange; text-align: left;">Michelle Pfeiffer</span><span style="text-align: left;"> e </span><span style="color: orange; text-align: left;">Rutger Hauer</span><span style="text-align: left;"> en </span><span style="color: red; text-align: left;">Ladyhawke </span><span style="text-align: left;">de </span><span style="color: orange; text-align: left;">Richard Donner</span><span style="text-align: left;">, ela de noite, el polo día, sen poder estar xuntos, xa que logo cando un estaba íase o outro. </span><span style="text-align: left;">Así eles no Espacio de Arte RV, pois aquel concluía o seu tempo para deixarlle espazo a este. Mais dende fóra deste movemento do péndulo, e da súa secuencia temporal, as propostas seguen... </span></span><br />
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDk2Ct7fUcHAFRHAL4hZYB6MgZuYvUuEF1_DF5CN1rdHQxTgVYS9Pi7xQVd8tk_5-j-MN-5mTjogCw2jf-vV-OC2Stekx47EizgFLI46IPzgI2-Ufv4pNq5REehxjuPzSqsPf4dOKXU4f_/s1600/406e230380.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1571" data-original-width="1560" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDk2Ct7fUcHAFRHAL4hZYB6MgZuYvUuEF1_DF5CN1rdHQxTgVYS9Pi7xQVd8tk_5-j-MN-5mTjogCw2jf-vV-OC2Stekx47EizgFLI46IPzgI2-Ufv4pNq5REehxjuPzSqsPf4dOKXU4f_/s640/406e230380.JPG" width="634" /></a></div>
<span style="text-align: left;"><span style="text-align: left;"><br /></span></span></div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-83516218533370889002018-05-10T13:01:00.000+02:002018-06-01T19:44:13.205+02:00'Involutas mors' de Salvador Dalí en su Making off<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="color: cyan;">Salvador Dalí </span>con la ayuda del fotógrafo <span style="color: cyan;">Phillippe Halsman </span>realizó su conocido 'cráneo' con mujeres desnudas, siete. </div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-1k5ksirHEFvDA-cnSZzS-qagVTpNdeGNAMJzoUXHgXBvaUKwIdp7PhOiCeBYuY2RYys-zZWEWD47udTIFW8HZlH4pZegdWffNcAyhFvT868oZVNVrE56waU8MdMYdvfN2OizOivGiA4K/s1600/IMG_2099.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="487" data-original-width="409" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-1k5ksirHEFvDA-cnSZzS-qagVTpNdeGNAMJzoUXHgXBvaUKwIdp7PhOiCeBYuY2RYys-zZWEWD47udTIFW8HZlH4pZegdWffNcAyhFvT868oZVNVrE56waU8MdMYdvfN2OizOivGiA4K/s320/IMG_2099.JPG" width="268" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFvUHGXiVdYyVCRN3TD_buWhFhi7NMbAXxUcXOft1HmoV5omw9DZljoPqgQr_OBlQ7l3n-fCGlRJ2jMah3jgpNHbqehoq08sc2bCdgDuU5oP1vWp4in111C5Oi5TwJLvKY6ocqe40E2pin/s1600/IMG_2097.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="420" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFvUHGXiVdYyVCRN3TD_buWhFhi7NMbAXxUcXOft1HmoV5omw9DZljoPqgQr_OBlQ7l3n-fCGlRJ2jMah3jgpNHbqehoq08sc2bCdgDuU5oP1vWp4in111C5Oi5TwJLvKY6ocqe40E2pin/s320/IMG_2097.JPG" width="287" /></a></div>
<br />
Realiza la obra en 1951, con el fotógrafo <span style="color: cyan;">Philippe Halsman</span>.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSgPcbeliN2W9v_uTYohOVvwz4IyFHj5qK9n-nzybmhkUDlJqPRsd14eIwV-MAqUOym7EeNK55rBy_OqrEoM5ZhQLIJdgP05c6PhF5B5_0dho3Jvi6wFKDVMizFDVzhmAoHa_x350OX1Hm/s1600/DALI%25CC%2581+In+Voluptas+Mors+%252810%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="306" data-original-width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSgPcbeliN2W9v_uTYohOVvwz4IyFHj5qK9n-nzybmhkUDlJqPRsd14eIwV-MAqUOym7EeNK55rBy_OqrEoM5ZhQLIJdgP05c6PhF5B5_0dho3Jvi6wFKDVMizFDVzhmAoHa_x350OX1Hm/s1600/DALI%25CC%2581+In+Voluptas+Mors+%252810%2529.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="" style="clear: both; text-align: center;">
Los cuerpos de las modelos los coloca <span style="color: cyan;">Halsman </span>y su ayudante hasta tres veces siguiendo el diseño de <span style="color: cyan;">Dalí.</span> En tres horas, al parecer.</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8dPVDJggDoU6FwRuDceKDXAl1jWRW5qIpCmmUazKpo3oXjEg-i_E9-6Cn9V1ssRqmZhj8tYvK6Mgi1BjsPXLvAIlwE_bKcsEyOxDfSdmzC0cdjUl-fUa1i0EOC1nJ9k3gm2eBUiAMwWyA/s1600/IMG_2101.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="445" data-original-width="409" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8dPVDJggDoU6FwRuDceKDXAl1jWRW5qIpCmmUazKpo3oXjEg-i_E9-6Cn9V1ssRqmZhj8tYvK6Mgi1BjsPXLvAIlwE_bKcsEyOxDfSdmzC0cdjUl-fUa1i0EOC1nJ9k3gm2eBUiAMwWyA/s320/IMG_2101.JPG" width="294" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG2vbtFDf9vgyBLER8QngjDYHzI10rMQQpjU7PLvE3rjVGApV3-7xVLVMBN0sRh90QnB7WOfQitxGRVNx7HYUqJ8_URk9vDqlKLd2Vq0OA5DwPp2N5iqnKJH8HXyOmPeZjrTjm8kNrJJ7n/s1600/IMG_2100.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="483" data-original-width="409" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG2vbtFDf9vgyBLER8QngjDYHzI10rMQQpjU7PLvE3rjVGApV3-7xVLVMBN0sRh90QnB7WOfQitxGRVNx7HYUqJ8_URk9vDqlKLd2Vq0OA5DwPp2N5iqnKJH8HXyOmPeZjrTjm8kNrJJ7n/s320/IMG_2100.JPG" width="270" /></a></div>
<div class="" style="clear: both; text-align: center;">
<span style="color: cyan;">Dalí</span> supervisando...<br />
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilmW7TCDV-yaDPTzhAxYdgyffx3qiIgNsX-5AwNpByqfAyic3IPForVxP3ULUKBKDhivwjw-dXYxVq0FREszfNspIKL6r7J6fszs2c5guCIpqfpIYmq5buHJXBhVmi0WjhGznzW4n3UOmB/s1600/Salvador_Dali_IN_VOLUPTAS_MORS_Cultura_Inquieta4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="593" data-original-width="565" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilmW7TCDV-yaDPTzhAxYdgyffx3qiIgNsX-5AwNpByqfAyic3IPForVxP3ULUKBKDhivwjw-dXYxVq0FREszfNspIKL6r7J6fszs2c5guCIpqfpIYmq5buHJXBhVmi0WjhGznzW4n3UOmB/s320/Salvador_Dali_IN_VOLUPTAS_MORS_Cultura_Inquieta4.jpg" width="304" /></a></div>
<br />
<div class="" style="clear: both; text-align: center;">
<span style="color: cyan;">Dalí</span> y <span style="color: cyan;">Halsman</span> at work:</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp3B90y7NqE-Mzcyo06llUigADEmvsN6AKUMO1kFmEkN0lWePkezaTTqcpAng7Ps_83U5w7X_3LTP3Q7fAv0ttZYAKP3noAYnAx8ltlDOtl5iAmt7E_4Ubqcs2CxagLO_JWqLOcPkJcQUR/s1600/IMG_2102.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="409" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp3B90y7NqE-Mzcyo06llUigADEmvsN6AKUMO1kFmEkN0lWePkezaTTqcpAng7Ps_83U5w7X_3LTP3Q7fAv0ttZYAKP3noAYnAx8ltlDOtl5iAmt7E_4Ubqcs2CxagLO_JWqLOcPkJcQUR/s1600/IMG_2102.JPG" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR-PL_8e0zWPd-P2nEU7mZvx7YzADCiizmC9MUI6ukmQjwbUcGMcUiSHMrIw-1U8tsRSZsENKx1_kxW7JYdBZv-6uFbB8BhQlm_NOLOXdZscKRmgQVz7haI5jx8RR42J3HkiTLu2tonfO0/s1600/IMG_2103.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="467" data-original-width="423" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR-PL_8e0zWPd-P2nEU7mZvx7YzADCiizmC9MUI6ukmQjwbUcGMcUiSHMrIw-1U8tsRSZsENKx1_kxW7JYdBZv-6uFbB8BhQlm_NOLOXdZscKRmgQVz7haI5jx8RR42J3HkiTLu2tonfO0/s1600/IMG_2103.JPG" /></a></div>
<br />
<br />
<span style="font-size: x-large;">La relación de sexo y muerte, en el contexto culto de la '<i>Vanitas</i>' que se desarrolla en la época del estilo Barroco, en el contexto de la Contra Reforma católica.</span><br />
<br />
<br />
<br />
<br />
<br />
<br />
<span style="font-size: x-large;">A</span><span style="font-size: large;">quí se pasa por el tamiz de juego sexual y neurótico del artista del Ampurdá, de Girona / Catalunya...</span><br />
<span style="font-size: x-large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhytaFEvT-wtRx_C7HI5LmLppQtTln0HakpHU_HvQM1vlTgIn9lmS6JQMNK_u4f4hhuuiEgB-71wYiC6cZ_c3klIeOlw7OIWfu4X6HaSQH-w7lB1kOcN3mp4Qac3uzhuUUV6ckWYanYN99p/s1600/IMG_2098.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhytaFEvT-wtRx_C7HI5LmLppQtTln0HakpHU_HvQM1vlTgIn9lmS6JQMNK_u4f4hhuuiEgB-71wYiC6cZ_c3klIeOlw7OIWfu4X6HaSQH-w7lB1kOcN3mp4Qac3uzhuUUV6ckWYanYN99p/s1600/IMG_2098.JPG" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="font-size: large;">Finalmente <span style="color: cyan;">Dalí </span>posó cual dandy junto a dicha composición, quedando así el '<span style="color: yellow;">tableau vivant</span>' concluido</span>.<br />
<div>
<br />
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis1BnQVl_brEdz-NaITkTuw662ChdakZ-YYYeImDB5ireJTxjd1uMp77ws5bsxAm3h9FpWY4HuLFtmCDC55MiiarR-Hx0fEmm6-N5eoChA_FBNY9BYYhbuQ-2ROveK3KFociKxU-mC_LoD/s1600/Salvador_Dali_IN_VOLUPTAS_MORS_Cultura_Inquieta.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="709" data-original-width="565" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis1BnQVl_brEdz-NaITkTuw662ChdakZ-YYYeImDB5ireJTxjd1uMp77ws5bsxAm3h9FpWY4HuLFtmCDC55MiiarR-Hx0fEmm6-N5eoChA_FBNY9BYYhbuQ-2ROveK3KFociKxU-mC_LoD/s1600/Salvador_Dali_IN_VOLUPTAS_MORS_Cultura_Inquieta.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;">Un homenaje en clave </span><span style="font-size: large; text-align: left;">cinematográfica, se produce </span><span style="font-size: large; text-align: left;">en 1991</span><span style="font-size: large; text-align: left;">desde el cartel... </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;">de la película </span><span style="font-size: large;"><span style="text-align: left;">'</span><span style="color: red; text-align: left;">El Silencio de los Corderos</span><span style="color: #444444; text-align: left;">'</span><span style="text-align: left;">,</span></span><span style="font-size: large; text-align: left;"> película rodada por </span><span style="color: orange; font-size: large;"><span style="text-align: left;">Jonatham Demme</span><span style="text-align: left;"> </span></span><span style="font-size: large; text-align: left;"> en el torso de la polilla que cubre la boca. de la actriz <span style="color: orange;">Jodie Fisher</span>. </span></div>
</div>
<div>
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDvzkD9z5M13u37Sgm62mKL_Xnzpl6OPo_aRbf422TpVBpOMF0z7DgvcqlEnbNONVQiSD2m9Ty9YdTO0SO3ak4CGhyqXAWXSsowB89YMuPGENsJYyPvoQ7ASyReOto1TKa2Fdw5EiG3poT/s1600/the-silence-of-the-lambs_poster_goldposter_com_27-232.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="1240" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDvzkD9z5M13u37Sgm62mKL_Xnzpl6OPo_aRbf422TpVBpOMF0z7DgvcqlEnbNONVQiSD2m9Ty9YdTO0SO3ak4CGhyqXAWXSsowB89YMuPGENsJYyPvoQ7ASyReOto1TKa2Fdw5EiG3poT/s640/the-silence-of-the-lambs_poster_goldposter_com_27-232.png" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;"><span style="color: orange;">Como todo cinéfilo conoce...</span></span></div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-14415727349602920622018-05-07T18:22:00.002+02:002018-06-01T19:23:20.212+02:00Segunda gran exposición de Moxom<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieVtmV5VpUZ5CFWMl_McMIurP32UEbxSuydhHAGFMaOJSzPI2iPcqxCIpDfhw_LCZZHl_1HOpkvWfHnajSOHgv6xtax4a9Bz5nsH4Ppd9D7KxpdHYO-cTHtjKwOstQ09hxsMdhlakPov-s/s1600/IMG_0273.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="875" data-original-width="1600" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieVtmV5VpUZ5CFWMl_McMIurP32UEbxSuydhHAGFMaOJSzPI2iPcqxCIpDfhw_LCZZHl_1HOpkvWfHnajSOHgv6xtax4a9Bz5nsH4Ppd9D7KxpdHYO-cTHtjKwOstQ09hxsMdhlakPov-s/s640/IMG_0273.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pormenor da sala pequeña da exposición: pezas da súa colección, debuxos e colaxes, una instalación...</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="font-size: large;">É a segunda gran exposición de Moxom en Ourense. E, con ella, “<span style="color: yellow;">moXom</span>" medra. No Museo Municipal...</span><br />
<span style="font-size: large;"><br /></span>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsCL0yG8tfqmIxs9a0Pdjyc5fScC73enbRiSDpihQ78bojXJzqbkuBrsHIA_G7-5LgZd3dsk2-ci7tl1pUUvCHTBEoNunSOpg7ejYq8W-c3tSSLJNfJVgfF3-n1O1Syz5hKJaL_50_0aHW/s1600/IMG_1677.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsCL0yG8tfqmIxs9a0Pdjyc5fScC73enbRiSDpihQ78bojXJzqbkuBrsHIA_G7-5LgZd3dsk2-ci7tl1pUUvCHTBEoNunSOpg7ejYq8W-c3tSSLJNfJVgfF3-n1O1Syz5hKJaL_50_0aHW/s400/IMG_1677.jpg" width="300" /></a><br />
<span style="font-size: medium;">De</span> Nogueira de Montederramo é <span style="color: orange;">José Manuel Rodríguez Mojón</span> (1964), ‘<span style="color: orange; font-size: medium;">moXom’</span><span style="font-size: medium;">,</span> tallista coñecido entre os que gustan da plástica de arte dende que fixera a exposición en 2010 no Centro Marcos Valcárcel.<br />
<span style="font-size: large;"><span style="font-size: small;"></span><br /></span>
<span style="font-size: medium;">Alí, no antigo Simeón, pervive a ‘</span><i><span style="color: red;">muller con paraugas e bolso</span></i><span style="font-size: medium;">’ , insólita polo tamaño no que adoita traballar mais non pola combinación de estúrdiga materia vexetal e o tratamento dos sutís engadidos que potencian o xesto ata conquerir a forma buscada, á que engade policromía. </span><br />
<span style="font-size: medium;"><br /></span>
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN7GOd97F3DJ18Vw3Pf3THL-psnedKVBk56y7LHdFyg9p9TVep_CnquCvvbzjZswew7d_BJt8P-FHsaHfmG7DAOnI890JMiZH_wzYwU2aQ5rqfeNX5LUCVnaG-mo1rS0tBhVj9Zc2GBLK6/s1600/muller+con+paraugas+e+bolso.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="626" data-original-width="626" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN7GOd97F3DJ18Vw3Pf3THL-psnedKVBk56y7LHdFyg9p9TVep_CnquCvvbzjZswew7d_BJt8P-FHsaHfmG7DAOnI890JMiZH_wzYwU2aQ5rqfeNX5LUCVnaG-mo1rS0tBhVj9Zc2GBLK6/s320/muller+con+paraugas+e+bolso.png" width="320" /></a><span style="font-size: large;">Hai nela moito do proceder lúdico que o anima, un carácter jocoserio propio que se move con chispa no gume da súa navalla. </span><br />
<br />
<span style="font-size: large;"><span style="font-size: medium;"><br /></span>
<span style="font-size: medium;">Así o seu nome artístico en palíndromo, </span><b><i><span style="color: yellow;">moxom</span></i></b><span style="font-size: medium;">, que se pode ler igual do revés.</span></span><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj7wLpHY44EWHMEV8lDiVEN-EsAD_BZoErROUt-0ZmLKUFVE2RPW3InGQgqxydUli0wGiBU08SVQefVY1OUwhdJDKrrnXF2IjbFK4kS_Wi3Wsn_-kp1JFOiDOYRo-xjoZfu0XtrLZBF7Nu/s1600/IMG_8961.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1059" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj7wLpHY44EWHMEV8lDiVEN-EsAD_BZoErROUt-0ZmLKUFVE2RPW3InGQgqxydUli0wGiBU08SVQefVY1OUwhdJDKrrnXF2IjbFK4kS_Wi3Wsn_-kp1JFOiDOYRo-xjoZfu0XtrLZBF7Nu/s400/IMG_8961.JPG" width="263" /></a><span style="font-size: medium;"></span><br />
<span style="font-size: large;"><span style="font-size: large;"><br /></span></span>
<span style="font-size: large;"><span style="font-size: large;"><span style="font-size: small;"></span><br /></span></span>
<span style="font-size: large;">Daquela sala emblemática o antigo debuxante de banda deseñada, que apenas tiña participado en nalgunha que outra exposición, saíu reafirmado na súa escolla. Con unha técnica pouco invasiva que procede da navalla, coa que dera en enxangar deixando o tabaco, engádelle gubias e martelos, e coas polas e troncos que recolle vai alterandoas na procura dun rostro, que pinta, e tamén o corpo.</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"></span><br />
<span style="font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFatJB3WFXKz9_0IQD_KCyKcGLNkHph_LyXBdA1QNuoTzr8xEDL8W4pVSPIqUGotfWmkE3dkWOLzhbBKE3vVTeLIJqO6gVFBRT0UbALRlqb3-Tw3d4IeQpYXBjNNQs7qbPS0K4TKi9tkTc/s1600/29694957_2049409261970716_6996318341257163764_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="742" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFatJB3WFXKz9_0IQD_KCyKcGLNkHph_LyXBdA1QNuoTzr8xEDL8W4pVSPIqUGotfWmkE3dkWOLzhbBKE3vVTeLIJqO6gVFBRT0UbALRlqb3-Tw3d4IeQpYXBjNNQs7qbPS0K4TKi9tkTc/s640/29694957_2049409261970716_6996318341257163764_n.jpg" width="621" /></a><span style="font-size: large;"><br /></span></div>
<span style="font-size: large;">Son obras de mulleres de canon esvelto, que se impón dende o material utilizado, e por elo nelas prevalece o movemento.</span><br />
<span style="font-size: large;"></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19IQO8hus21SOZ-_lrRCIbhJzmAxAnwAP3-tTM_Z2dQBy2dDrR621cNXzERLoG_QbB86UDDCtgfoz2tHazfYtvAda18xV8HPBkloTeyAdwaK-YEKWdewKtYLloBEsi56QI_8ttKDidafc/s1600/IMG_1692.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1525" data-original-width="655" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19IQO8hus21SOZ-_lrRCIbhJzmAxAnwAP3-tTM_Z2dQBy2dDrR621cNXzERLoG_QbB86UDDCtgfoz2tHazfYtvAda18xV8HPBkloTeyAdwaK-YEKWdewKtYLloBEsi56QI_8ttKDidafc/s640/IMG_1692.jpg" width="273" /></a><br />
<br />
A policromía dalgunhas, ben distinta da súa, más plana e monócroma, é das mans de <span style="color: magenta;">Maite</span>, a súa dona, inspiración e aguillón constante, quen lles aporta outra vizosa personalidade.<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpVSKns6-3Fb3GuuixbqJv2GaZY6_Ed3a1QvJoIvvSySjg_0ifRFf3h2sBT-QDeviMVurhOW6SGSDC1Jc_4m65i8WCoGXD-WWv-93OuBvLmyvh70gpqstc6aNHE9rC2ATCVnFzyn5AhOoz/s1600/IMG_1282.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><img border="0" data-original-height="1600" data-original-width="830" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpVSKns6-3Fb3GuuixbqJv2GaZY6_Ed3a1QvJoIvvSySjg_0ifRFf3h2sBT-QDeviMVurhOW6SGSDC1Jc_4m65i8WCoGXD-WWv-93OuBvLmyvh70gpqstc6aNHE9rC2ATCVnFzyn5AhOoz/s400/IMG_1282.jpg" width="206" /><br />
<br />
<span style="font-size: large;">Antes de chegar aquí, amosou no Ateneo de Ourense, na torre, en 2011, as súas obras; e o ano seguinte se vincula como asesor artístico ao proxecto da Editorial Eurisaces de <span style="color: cyan;">Javier González Lamelas</span>, conveciño de Chandrexa </span><br />
<span style="font-size: large;">de Queixa, sendo as súas obras icona dela, e unha capa de <span style="color: red;">Ocultarse en una hoguera.Thomas Merton a través de sus diarios</span>, de <b>Ramón Cao Martínez</b>, que saíu do prelo en 2015 e foi o número dez da colección.</span><br />
<span style="font-size: large;"><br /></span>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQCS3t_FH4ZeO-Mw79PUAHo-2yheynxP6fzGkHnRP8bpf9uhiWKkDFqDUfIpSg9UJYo238itKOp29O-Jbp85SmUmfIhIM_OHUbjMcZQi6oSIksOPBtR1wW11NM_1ZCvhlc2GjnImTPZ5-y/s1600/IMG_1283.jpg" imageanchor="1" style="-webkit-text-stroke-width: 0px; background-color: transparent; clear: left; color: #0066cc; float: left; font-family: Times New Roman; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 16px; margin-right: 16px; orphans: 2; text-align: left; text-decoration: underline; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><img border="0" data-original-height="1172" data-original-width="1600" height="467" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQCS3t_FH4ZeO-Mw79PUAHo-2yheynxP6fzGkHnRP8bpf9uhiWKkDFqDUfIpSg9UJYo238itKOp29O-Jbp85SmUmfIhIM_OHUbjMcZQi6oSIksOPBtR1wW11NM_1ZCvhlc2GjnImTPZ5-y/s640/IMG_1283.jpg" style="cursor: move;" width="640" /></a><br />
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQCS3t_FH4ZeO-Mw79PUAHo-2yheynxP6fzGkHnRP8bpf9uhiWKkDFqDUfIpSg9UJYo238itKOp29O-Jbp85SmUmfIhIM_OHUbjMcZQi6oSIksOPBtR1wW11NM_1ZCvhlc2GjnImTPZ5-y/s1600/IMG_1283.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="font-size: large;">En paralelo comezan a saíren, expoñendo “De boas madeiras” en 2017, no faro de Cabo Vilán, Camariñas, A Coruña.</span><br />
<span style="font-size: large;"></span><br />
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3SzCxbg7dujF5TaH1kF669LkN2I61l63VAlvKGCiUVolwoDSuxXNkXu1rMev_BMyeeCeBCyjk4_W04gOQvCId1j_jpxLmdHec5jjmMDNdDBX7zz3DVYptHFIfdlr81E0WfS63uP2Qi3Ec/s1600/IMG_2454.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1464" data-original-width="1600" height="584" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3SzCxbg7dujF5TaH1kF669LkN2I61l63VAlvKGCiUVolwoDSuxXNkXu1rMev_BMyeeCeBCyjk4_W04gOQvCId1j_jpxLmdHec5jjmMDNdDBX7zz3DVYptHFIfdlr81E0WfS63uP2Qi3Ec/s640/IMG_2454.JPG" width="640" /></a></div>
<br /></div>
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibjQkKQaNinC_9ZOCklQvFZAzQ460TzF3BvtPlErtoeob5SOwfbDJtPc79K6Oj2h_8T1miesXoszsP87L5Tk1o-5u-GHzDllkq0yTSSPoxtejePwyLP_B4r6Ax-aBjTa3FmsABfSfnO8Cl/s1600/IMG_7861.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibjQkKQaNinC_9ZOCklQvFZAzQ460TzF3BvtPlErtoeob5SOwfbDJtPc79K6Oj2h_8T1miesXoszsP87L5Tk1o-5u-GHzDllkq0yTSSPoxtejePwyLP_B4r6Ax-aBjTa3FmsABfSfnO8Cl/s320/IMG_7861.JPG" width="289" /></a><span style="font-size: large;"><br /></span></span><br />
<span style="font-size: large;">Nas salas do Municipal, ás súas coñecidas obras de mulleres, que están sempre moi preto da artesanía de autor, engade pezas distintas, escultóricas, caso de '<span style="color: red;">Confidentes,</span>' que vive no centro da sala grande, praxe na que abunda noutras faces, aínda que as pegue á parede. </span><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp2cDchzRlnRJMOzBpOxy5Ugp4xeRhjbCKWe-BPJnJYwiRYN0Gz2B_WOvnQrLbm7Ay3k06a9XHDQemqeuDycazy3HYH7RF2Bo4FC5Z21ODpmFScm9wPTRcFzDvYcjfXoZNxfpaqQa2xDGF/s1600/IMG_1391+2.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1305" data-original-width="1111" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp2cDchzRlnRJMOzBpOxy5Ugp4xeRhjbCKWe-BPJnJYwiRYN0Gz2B_WOvnQrLbm7Ay3k06a9XHDQemqeuDycazy3HYH7RF2Bo4FC5Z21ODpmFScm9wPTRcFzDvYcjfXoZNxfpaqQa2xDGF/s640/IMG_1391+2.JPG" width="544" /></a></div>
<br />
<br />
<span style="font-size: medium;"><span style="font-size: large;">Con elas hai un grupo, cartaz da mostra de ‘</span><span style="color: orange; font-size: large;">moXom e demais familia</span><span style="font-size: large;">’, xente na que unha delas berra; e escenas baseadas en cadros, caso de </span><span style="color: cyan;">Friedrich</span></span><span style="font-size: medium;">...</span><span style="font-size: large;"> </span><br />
<span style="font-size: large;"><span style="font-size: medium;"><br /></span></span>
<span style="font-size: large;"><span style="font-size: medium;"><br /></span></span>
<span style="font-size: large;"><span style="font-size: medium;"><br /></span></span>
<span style="font-size: large;"><span style="font-size: medium;"><br /></span></span>
<span style="font-size: large;">
A da muller lendo procede dun coñecido cadro, "<span style="color: red;">Habitación de hotel</span>" de <span style="color: cyan;">Edvard Hopper</span>, que se pode ver en Madrid:</span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmqRNWxuVKU7aWzd79loONZO0OBAv_FFfjr56liXcnsWW-5lfUbZojdACXCTiCs8tdNP8cHlZ8A-tjrI2m3bCbVeEEl9YPcQrecGMNFTAwqgp6sNzl1qF4BifqqqRHwB1y6xNE2gwQL77/s1600/IMG_3830.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1371" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmqRNWxuVKU7aWzd79loONZO0OBAv_FFfjr56liXcnsWW-5lfUbZojdACXCTiCs8tdNP8cHlZ8A-tjrI2m3bCbVeEEl9YPcQrecGMNFTAwqgp6sNzl1qF4BifqqqRHwB1y6xNE2gwQL77/s640/IMG_3830.JPG" width="548" /></a></div>
<br />
<span style="font-size: large;">Velaquí un camiño a desenrolar, como fixo entre nós, <span style="color: cyan;">Arturo Baltar</span>. Coñece as obras de <span style="color: magenta;">Álvaro de la Vega, Enrique Tenreiro</span> e <span style="color: magenta;">Tino Canicoba</span>, ou posiblemente as de <span style="color: magenta;">Ricardo Dávila</span>, ao que vimos na Pobra do Caramiñal, <span style="color: magenta;">Diego Guerrero </span>ou do guineano <span style="color: magenta;">Nguema</span>, pola vía dixital da net, medio que tanto inflúe nos artistas.</span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbBAdAtCgMO0OAA0oyQlvEUpmRw3rq9gIjChAFlNSkyufKyWxr00v_6UKtYjZBq32c5qB_ck5g17-u0lie9KS2TYp3TYUCEE-9FKG94iS_VjOb4HFL4kwqIsodjVWeyqbMyzq-lj82ZcK5/s1600/IMG_7363.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbBAdAtCgMO0OAA0oyQlvEUpmRw3rq9gIjChAFlNSkyufKyWxr00v_6UKtYjZBq32c5qB_ck5g17-u0lie9KS2TYp3TYUCEE-9FKG94iS_VjOb4HFL4kwqIsodjVWeyqbMyzq-lj82ZcK5/s320/IMG_7363.JPG" width="240" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmZ_VW8HthcqWdAuVmlhAjG3yNW4ewOjvlQOR5lX6BtTy0xgxPMt8i38SpK_WxeUYdUCwnUOjHBaCxI52Yn19NiLwItOA7iLzispv5j7ef62LwwU_FZqJw0F4y5eYz9Qs0JHP_CMYe5Sr5/s1600/IMG_8834.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="875" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmZ_VW8HthcqWdAuVmlhAjG3yNW4ewOjvlQOR5lX6BtTy0xgxPMt8i38SpK_WxeUYdUCwnUOjHBaCxI52Yn19NiLwItOA7iLzispv5j7ef62LwwU_FZqJw0F4y5eYz9Qs0JHP_CMYe5Sr5/s320/IMG_8834.JPG" width="175" /></a><br />
Na outra sala, complementaria, aproveitaa para exhibir debuxos, colaxes e unha instalación.<br />
<br />
Os colaxes dende a fotografía, son ocurrentes e cheos de inxenuidade. E nas vitrinas algunhas das súas primeiras obras, alfaias de seu.<br />
<br />
Artesanía da talla directa, na base deste pintor que pensa porque debuxa os seus pensamentos,<br />
<span style="font-size: large;">moXom</span>.<br />
<br />
<div>
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TTknf2MhEseDgL35gysfIdTdCXm6B0RWxtweBNLeCtE_KqNrTwii-ilqWJbBIfYRsMhlzQMz-nwefu9-3YKL2WPcunAQVwTXdw_rZ-oBhHtlhshNNDLrxYKgy9JDZicWPHlHUzmlo9DX/s1600/IMG_6316.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1158" data-original-width="1600" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TTknf2MhEseDgL35gysfIdTdCXm6B0RWxtweBNLeCtE_KqNrTwii-ilqWJbBIfYRsMhlzQMz-nwefu9-3YKL2WPcunAQVwTXdw_rZ-oBhHtlhshNNDLrxYKgy9JDZicWPHlHUzmlo9DX/s640/IMG_6316.JPG" width="640" /></a></div>
<br />
<div>
<span style="font-size: x-large;">O seu vai sendo outro camiño. Que tal unha Tenda de Moxom e Maite...?</span><span style="font-size: x-large;"></span><br />
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_Mk7dFhsOVKBEiap3yEQU2GuKzitKRxNoYJC5cX5HDx0sww0eCvF8FIGYoRTlhH1phFbGDA4qTt_C-N45cSCiFQ_oVMv3C3Ur8cF2td_FD8Kqogaff3std58aiglEJ0UAkc2TQlgaeX8G/s1600/IMG_4412.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1011" data-original-width="1600" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_Mk7dFhsOVKBEiap3yEQU2GuKzitKRxNoYJC5cX5HDx0sww0eCvF8FIGYoRTlhH1phFbGDA4qTt_C-N45cSCiFQ_oVMv3C3Ur8cF2td_FD8Kqogaff3std58aiglEJ0UAkc2TQlgaeX8G/s640/IMG_4412.JPG" width="640" /></a></div>
<br /></div>
<div>
<br /></div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-61236378871782171292018-04-30T18:51:00.000+02:002018-05-07T18:51:57.609+02:00En torno a los 'Discípulos de Emaús' de Caravaggio <div dir="ltr" style="text-align: left;" trbidi="on">
<div>
<br /></div>
<span style="color: cyan;">Michelangelo Merisi da Caravaggio</span> (1573-1610), es un artista de fines del manierismo romano que con el que da inicio el Barroco. Su apuesta por lo real, claramente, y la percepción desde la luz, con efectos dramáticos, es el Tenebrismo o luz de sótano.<br />
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhu2dU3RKM7dFknQFKiH0SvBsVtObMCdEYXYudmGc5cYS8zcXD_DR_sdFTTB1DLmiCW79DKBlbmjsyKDFCfRTtZhp1-b_yjF-JleYtzsjAShDFUCWSuh4mQYbrNk0TAHeSJ6OT1nMmmX1/s1600/1280px-1602-3_Caravaggio%252CSupper_at_Emmaus_National_Gallery%252C_London.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="910" data-original-width="1280" height="455" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhu2dU3RKM7dFknQFKiH0SvBsVtObMCdEYXYudmGc5cYS8zcXD_DR_sdFTTB1DLmiCW79DKBlbmjsyKDFCfRTtZhp1-b_yjF-JleYtzsjAShDFUCWSuh4mQYbrNk0TAHeSJ6OT1nMmmX1/s640/1280px-1602-3_Caravaggio%252CSupper_at_Emmaus_National_Gallery%252C_London.jpg" width="640" /></a></div>
<div>
<span style="font-size: large;"><br /></span>
<div>
<span style="font-size: large;">Caravaggio</span><span style="font-size: large;"> expresa con hondura toda una lección teológica desde la historia de “los discípulos de Emaús”, o pequeña Última Cena. Están, ante todo, el pan y el vino, esto es, la Eucaristía. Mas está también la sombra del criado... que no existe, ...</span><br />
<span style="font-size: large;">un pollo en la fuente,</span><br />
<span style="font-size: large;">y un sólo cuenco...</span></div>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmrmzElRcYyCaIjXtVFkIosRCgC7o4Cw5e-DIvKrsCumWiCTidai8z27sKvayKFf3fXJQUN1CvOhqVL6ydV8Vua_AyYj18AH4euIf8YPjKaGtyNZEqQdEA9mhUKp80Ycq3xfSZdRwcaHPe/s1600/35emmau1-caravaggio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="548" data-original-width="554" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmrmzElRcYyCaIjXtVFkIosRCgC7o4Cw5e-DIvKrsCumWiCTidai8z27sKvayKFf3fXJQUN1CvOhqVL6ydV8Vua_AyYj18AH4euIf8YPjKaGtyNZEqQdEA9mhUKp80Ycq3xfSZdRwcaHPe/s1600/35emmau1-caravaggio.jpg" /></a></div>
<div>
<br />
<br />
<span style="font-size: large;">La cesta de frutas es todo un artificio simbólico. No hay nada al azar y el pintor quiere mandar un mensaje con cada una de las frutas.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5RLKv4kiG25JqyECIN86Y166h4bnChMK2Im7DgRDi6QJ4UKyBACXDHr5y6eE3St4q1pkNPyj7_IIXtQRXFftpS0JC0IEz4gtd2l36mPHdESqpM9LO8pIPpZap5YoMJApdJXpuGshdPMme/s1600/Cena+emmau2.jpg" imageanchor="1" style="clear: right; display: inline !important; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="398" data-original-width="778" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5RLKv4kiG25JqyECIN86Y166h4bnChMK2Im7DgRDi6QJ4UKyBACXDHr5y6eE3St4q1pkNPyj7_IIXtQRXFftpS0JC0IEz4gtd2l36mPHdESqpM9LO8pIPpZap5YoMJApdJXpuGshdPMme/s640/Cena+emmau2.jpg" width="640" /></a><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<span style="font-size: large;">Hay desde ellas unas claves, que son símbolos, y todos juntos una alegoría...: las manzanas del 'pecado original', la uva negra, que puede aludir a la muerte, que están al lado de las uvas blancas, que serían la resurrección, siendo las granadas la Pasión de Cristo... </span><br />
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj95JmEToyNX0b0BjQl1BPV0ldiMaexfLcz1lgeK3UFlUyZK1fr0BT4kJeTmhww3s2L1TXJVQ_yYkH3093Qp4NcWjdFfCIJa6obM0FbHIO1EQhg_4XloPsmkOUIObUTh30LUW5f56xOUHV6/s1600/6-6.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="870" data-original-width="650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj95JmEToyNX0b0BjQl1BPV0ldiMaexfLcz1lgeK3UFlUyZK1fr0BT4kJeTmhww3s2L1TXJVQ_yYkH3093Qp4NcWjdFfCIJa6obM0FbHIO1EQhg_4XloPsmkOUIObUTh30LUW5f56xOUHV6/s1600/6-6.jpg" /></a><br />
<br /></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<div>
<span style="font-size: large;">Pero hay además otro símbolo, erudito en clave manierista, que se halla sutilmente disimulado a la vista, en las inmediaciones de aquella cesta-frutero, la cola de un pez y su parte media. Este es un artificio, antiguo código secreto de los primeros cristianos del ámbito romano helenístico: pez, en griego, una alusión a Christo.</span><br />
<br /></div>
<div>
</div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDDkI4d43YlWBMQaWPxyjjZyiTXGVmV0L4ynIj46pCJlSyPVk3ZU30FeqQpXOm-DAffh5zzAhNWyKqbOJtIqji8GfCo-aq1HaqVMrrVAsKCXcELT0sP-AAHx5174TxQs4cIVNcfgpyG0zq/s1600/pintura-barroca-7-728.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="546" data-original-width="728" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDDkI4d43YlWBMQaWPxyjjZyiTXGVmV0L4ynIj46pCJlSyPVk3ZU30FeqQpXOm-DAffh5zzAhNWyKqbOJtIqji8GfCo-aq1HaqVMrrVAsKCXcELT0sP-AAHx5174TxQs4cIVNcfgpyG0zq/s1600/pintura-barroca-7-728.jpg" /></a></div>
<div>
<div>
<br /></div>
Evangelio de Lucas, 24:30-32:<br />
<br />
“<i>Y esto sucedió. Mientras estaba en la mesa con ellos, tomó el pan, pronunció la bendición, lo partió y se lo dio. y en ese momento se les abrieron los ojos y lo reconocieron. Pero ya había desaparecido. Entonces se dijeron el uno al otro: «¿No sentíamos arder nuestro corazón cuando nos hablaba en el camino y nos explicaba las Escrituras?”</i>.</div>
</div>
<div>
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBBTzuW3yQwPkGOu9VUW3vB081QO9H7U5JuxcXVqv3Y4XGF4vPE_wM5MP669k-zhdGTUsyk2yMsGKspbsxNPdR8nI2w6OdqlkhhyCNnHL-Ek74SIFYke3j46R3sIjVbF7hkGzKpJSd1im/s1600/Caravaggio-Ceia-em-Emaus-detalhe.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="764" data-original-width="694" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBBTzuW3yQwPkGOu9VUW3vB081QO9H7U5JuxcXVqv3Y4XGF4vPE_wM5MP669k-zhdGTUsyk2yMsGKspbsxNPdR8nI2w6OdqlkhhyCNnHL-Ek74SIFYke3j46R3sIjVbF7hkGzKpJSd1im/s1600/Caravaggio-Ceia-em-Emaus-detalhe.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alusión a peregrino desde la concha que aunque nop sea de vieira sino de zamburiña no deja lugar a dudas...</td></tr>
</tbody></table>
<div>
<br /></div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-72562408311245912602018-04-28T12:39:00.000+02:002018-05-07T18:14:55.718+02:00Sofonisba Anguisola pintora<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; font-family: Times New Roman; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="font-size: large;">'</span><span style="color: yellow; font-size: large;">SOPHONISBA ANGVSSOLA, VIRGO, AMILCARIS FILIA, EX VERA / </span></div>
<div style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; font-family: Times New Roman; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="color: yellow; font-size: large;"> EFFIGIE TRES SVAS SORORES ET ANCILLAM PINXIT. MDLV</span><span style="font-size: large;">'</span> </div>
<div style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; font-family: Times New Roman; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="font-size: x-large;"></span><span style="font-size: x-large;"></span><span style="font-size: large;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg8_-H-K-p97yZeF0RTSMK4zxL3_NqTFrNEXGJ3JpAJeOjofTsvgvm_fvvXlczi44HhnZ6UITrmXqrgag8g8dCioHF4xDK3c2LEU_bF5ATYK3EHEQzGRFSAeKNd4M8U61Qgw9QPKeOyjOa/s1600/The_Chess_Game_-_Sofonisba_Anguissola.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="632" data-original-width="800" height="505" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg8_-H-K-p97yZeF0RTSMK4zxL3_NqTFrNEXGJ3JpAJeOjofTsvgvm_fvvXlczi44HhnZ6UITrmXqrgag8g8dCioHF4xDK3c2LEU_bF5ATYK3EHEQzGRFSAeKNd4M8U61Qgw9QPKeOyjOa/s640/The_Chess_Game_-_Sofonisba_Anguissola.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucía, Minerva y Europa Anguissola jugando al ajedrez, 1555. Mº Nacional de Polonia, en Poznan.</td></tr>
</tbody></table>
<div>
<br /></div>
<div>
<span style="color: yellow; font-size: large;">Sofonisba Anguissola, doncella, hija de Amilcar, pintó a sus tres hermanas y a la criada del natural, 1555</span>. </div>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DDC7Hc0g0TGT1W88VUST3W3iVWABqa-Qmh5RA_00of_P4ja236u32QIbTdySOZDnHaa_uKeD5Nspno4WpDdhnozV8ZJxrcvXsgK9Hl2gJeZNnFqOyv6nh7B_Wm6X6nssj9ZvL-2b25-D/s1600/1555+Juego+Ajedrez_Poznan_Muzeum_Narodowe+Det..jpeg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="242" data-original-width="896" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DDC7Hc0g0TGT1W88VUST3W3iVWABqa-Qmh5RA_00of_P4ja236u32QIbTdySOZDnHaa_uKeD5Nspno4WpDdhnozV8ZJxrcvXsgK9Hl2gJeZNnFqOyv6nh7B_Wm6X6nssj9ZvL-2b25-D/s400/1555+Juego+Ajedrez_Poznan_Muzeum_Narodowe+Det..jpeg.jpg" width="400" /></a></div>
<div>
<br />
<span style="font-size: large;">La clave está en las miradas. Mira el cuadro. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">En él la criada mira a Europa, quien mira hacia Minerva, y esta a Elena... quien lo hace hacia Sofonisba Anguissola.</span><br />
<br />
<span style="font-size: large;">Son miradas de mujer, entre mujeres,... </span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1LYGbRwRHlEkLprPpQsyq-UkCcpEU5jRvP7gaPq5-V9hSBdt69LcYCtFHvh6IkOv0epco4DtIibBoSHg8oFZrIIpeeFE2SP3wfdxpEWd_3oG5gHHCXgZnUsFDk4_0bZFfDeTuyZLuBIMH/s1600/Sofonisba_anguissola-alla+spinetta_1561_sofonisba_anguissola_autoportrait_self_portrait_hst_althorp_collection_du_comte_spencer_83x65_cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="469" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1LYGbRwRHlEkLprPpQsyq-UkCcpEU5jRvP7gaPq5-V9hSBdt69LcYCtFHvh6IkOv0epco4DtIibBoSHg8oFZrIIpeeFE2SP3wfdxpEWd_3oG5gHHCXgZnUsFDk4_0bZFfDeTuyZLuBIMH/s1600/Sofonisba_anguissola-alla+spinetta_1561_sofonisba_anguissola_autoportrait_self_portrait_hst_althorp_collection_du_comte_spencer_83x65_cm.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Autorretrato con espineta, 1561.</td></tr>
</tbody></table>
<span style="text-align: center;">Hija de Amilcare Anguissola y Bianca Ponzoni Anguissola, se casó con Fabrizio Moncada, que falleció en 1579. Fue alumna de Bernardino Campi.</span><div>
<div style="text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWEmFKodq5bq0mzAcijhZiSbMQU7QuEduqEVcBYYygWn58jMTNpA6nbMT75geSL3lFbxbmsgBCu1igy8SiCLy66GdKPRfgoiprLQsEw-VgLnbLCmvVCl50RfVu5H9dp06bQ51R7d7Dxk0w/s1600/800px-Self-portrait_at_the_Easel_Painting_a_Devotional_Panel_by_Sofonisba_Anguissola.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="925" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWEmFKodq5bq0mzAcijhZiSbMQU7QuEduqEVcBYYygWn58jMTNpA6nbMT75geSL3lFbxbmsgBCu1igy8SiCLy66GdKPRfgoiprLQsEw-VgLnbLCmvVCl50RfVu5H9dp06bQ51R7d7Dxk0w/s640/800px-Self-portrait_at_the_Easel_Painting_a_Devotional_Panel_by_Sofonisba_Anguissola.jpg" width="553" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Autorretrato como pintora: una Virgen con el Niño, 1556, Mº Lancut, Polonia.</td></tr>
</tbody></table>
<div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;">Nació en Cremona, en 1535, localidad que se haría famosa por ser en un futuro próximo el taller en el que se asentaron importantes familias dedicadas a la elaboración de violines y otros instrumentos de cuerda, los Guarnieri, Stradivari... </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;">Falleció en Palermo, Sicilia, territorio de la Corona española de los Habsburgo, el 16 de noviembre de 1615.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large; text-align: left;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRuhVk4ohOlJ3LoLBQrI83MOtaLTrWDrt0H9Ue-eBzk1SWa3oxAdjsZasRazbNqhuaqqHZhmIhjN2N3PR1712bmhiqOTBjmT-TXo58YveZeJv0lbJd4kgQYS3U8quKgLGvCvcu1NqVe5oL/s1600/Sofonisba-Anguissola1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1024" data-original-width="789" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRuhVk4ohOlJ3LoLBQrI83MOtaLTrWDrt0H9Ue-eBzk1SWa3oxAdjsZasRazbNqhuaqqHZhmIhjN2N3PR1712bmhiqOTBjmT-TXo58YveZeJv0lbJd4kgQYS3U8quKgLGvCvcu1NqVe5oL/s1600/Sofonisba-Anguissola1.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Minerva, Amilcare y Asdrubale Anguissola, 1557.</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-59727253477854331692018-04-23T08:00:00.000+02:002018-06-06T23:02:10.620+02:00Exposición de Paz Pérez, no Museo Municipal<div dir="ltr" style="text-align: left;" trbidi="on">
<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
<o:PixelsPerInch>96</o:PixelsPerInch>
</o:OfficeDocumentSettings>
</xml><![endif]-->
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:HyphenationZone>21</w:HyphenationZone>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>ES-TRAD</w:LidThemeOther>
<w:LidThemeAsian>X-NONE</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
DefSemiHidden="false" DefQFormat="false" DefPriority="99"
LatentStyleCount="382">
<w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Smart Hyperlink"/>
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabla normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Calibri",sans-serif;}
</style>
<![endif]-->
<!--StartFragment-->
<!--EndFragment--><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOTw03WDPexY3cBXObWKuAhDRcRKeKfqJpcrtPCiPsxTxTAwLJB3TMcQKT5B7fgG3_851gHNdwEcCo2BUkLzEVhFv8NL65Anc4IbFDLOGMfzkVKCpH4yzSyeVws2-dfFad8OvimGKLcbSs/s1600/IMG_1907.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="645" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOTw03WDPexY3cBXObWKuAhDRcRKeKfqJpcrtPCiPsxTxTAwLJB3TMcQKT5B7fgG3_851gHNdwEcCo2BUkLzEVhFv8NL65Anc4IbFDLOGMfzkVKCpH4yzSyeVws2-dfFad8OvimGKLcbSs/s640/IMG_1907.JPG" width="640" /></a></div>
<br />
ARTE ET ALIA.<br />
<div>
<br /></div>
<div>
Xabier Limia de Gardón.<br />
<br />
<span style="font-size: large;">E</span>sculturas en cristalinas vitrinas, de marfís sobre ébano, na procura do contraste de cores, sobre escuras peañas de pedra negra ou verde, cores en equilibrio de complementarios ou na procura do contraste, co estaño, pequenas pezas con ar de xoiería alto standing...<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLxW0FuvKFWq5tntVimW2P-sJ82yZEDUnBIIIEmCFB56yYSKtHoqSQCWZQa3p2bFKRhlLTy8uqY3CStyS0Xx9d3-2pB4biRzFwt9_kq8eEJHwb23Bi1vM0qrmReHIyL1u3Q3xRJ6os3Ntd/s1600/Con+marfil%252C+esmalte+e+madeira.jpg" imageanchor="1" style="clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="509" data-original-width="714" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLxW0FuvKFWq5tntVimW2P-sJ82yZEDUnBIIIEmCFB56yYSKtHoqSQCWZQa3p2bFKRhlLTy8uqY3CStyS0Xx9d3-2pB4biRzFwt9_kq8eEJHwb23Bi1vM0qrmReHIyL1u3Q3xRJ6os3Ntd/s400/Con+marfil%252C+esmalte+e+madeira.jpg" width="400" /></a><br />
<br />
<br />
trae a lalinense <span style="color: magenta;">María Mercedes Paz Pérez</span> ata a sala do primeiro andar do Mº Municipal.<br />
<br />
<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfRYzo26q4Y3QJtIyzXtL5vY8UUCb5bwyKQHmEqRXt6oLWZrvXNtwknfHcb26l8UD5w-UJ5MbpcEoHoRgRhfzGqqNVIXCw9CffIDZdpR3YtW4ph86eMiADnDXmYgLMW-PPkM7N9HSlcdlk/s1600/IMG_1937.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="949" data-original-width="584" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfRYzo26q4Y3QJtIyzXtL5vY8UUCb5bwyKQHmEqRXt6oLWZrvXNtwknfHcb26l8UD5w-UJ5MbpcEoHoRgRhfzGqqNVIXCw9CffIDZdpR3YtW4ph86eMiADnDXmYgLMW-PPkM7N9HSlcdlk/s640/IMG_1937.jpg" width="392" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Teñen aquí protagonismo de seu polo exótico dos materiais e o seu carácter decorativo, definitorio desta madura empresaria natural do Barrio de Abaixo de Lalín metida a artista nos últimos anos.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Dende a súa actividade en Chantada, onde traballa e vive, convivindo coa arte e os artistas que se achegan ao seu taller de marquetería e enmarcado, que ten dende fai máis de trinta anos.<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><span style="font-size: x-large;">Pouco a pouco fíxose coleccionista de arte, e coa apertura da Galería Ansoar tamén marchante de antigüidades.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVwVj6Un14SuqCcKf2yUMg5yfiLqfS2vzK9wq3HRnvrkvPkXaIxK_L-BFOzqeh1O1_216Df2smPegFtMOihmzJLMYfYCSWvzO_RzrvwRFYQRTVeU7A3Xs9bY-OeJEOSWeB6WeS4Roo6l5/s1600/IMG_0695.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="924" data-original-width="1232" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVwVj6Un14SuqCcKf2yUMg5yfiLqfS2vzK9wq3HRnvrkvPkXaIxK_L-BFOzqeh1O1_216Df2smPegFtMOihmzJLMYfYCSWvzO_RzrvwRFYQRTVeU7A3Xs9bY-OeJEOSWeB6WeS4Roo6l5/s640/IMG_0695.JPG" width="640" /></a></div>
<br />
É así como chega fai anos a Ourense traendo aos artistas da Riverside Group, en 2011, obras dos londinenses que forman xa parte dos fondos do Museo, grupo que expuxera xa antes, cando o Museo botaba a andar.<br />
<br /></div>
<div>
<div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyFUgi3imjxRzXRNavZQvYunXdKsN5cnWnFIwRPtbXDFCjaK7jpt143etsGQ1Mcxc5YMVc3ujE0hfHr82B-RSrhtkeKVhEyEsb4noL0_9xtCbT0al5GdAfSrfWfNyC_mStgbtrTK3W0XYJ/s1600/2011_12_21_IMG_2011_12_21_232107_de8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="600" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyFUgi3imjxRzXRNavZQvYunXdKsN5cnWnFIwRPtbXDFCjaK7jpt143etsGQ1Mcxc5YMVc3ujE0hfHr82B-RSrhtkeKVhEyEsb4noL0_9xtCbT0al5GdAfSrfWfNyC_mStgbtrTK3W0XYJ/s640/2011_12_21_IMG_2011_12_21_232107_de8.jpg" width="640" /></a></div>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Alí, na capital do Deza fixo estudos no Centro de formación para as Artes (Cefort) do concello impulsado por <span style="color: magenta;">Pilar Taboada</span>, a súa mentora, e as bolboretas son un tema de estudo que se converte en afortunado achado plástico, un tótem, co que abre a súa exposición de Ourense.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibTFXXe6qsDUlf8WhgRMIPEigIqsPkZL-daO-lQD2K9ZJzaJbxRp3BOFm28KNCb_fZrquFKV8T9QpPRJ1_LUKoQ7JAulaHbvv7WRt7B0KoenA0epUpTOPgw6nBi8lx5974IJ-leG3oaTYV/s1600/30127652_10211353430811594_9013249430903675300_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibTFXXe6qsDUlf8WhgRMIPEigIqsPkZL-daO-lQD2K9ZJzaJbxRp3BOFm28KNCb_fZrquFKV8T9QpPRJ1_LUKoQ7JAulaHbvv7WRt7B0KoenA0epUpTOPgw6nBi8lx5974IJ-leG3oaTYV/s640/30127652_10211353430811594_9013249430903675300_n.jpg" width="480" /></a></div>
<br /></div>
<div>
<br />
<br />
<br /></div>
<div>
Comeza a participar en colectivas dende 2012, acudindo ás 'Emporc-art' de Lalín, no Museo municipal Ramón Mª Aller dende 2013, ano do diploma de honra do Cefort pola súa creatividade.<br />
<br />
<br />
<br />
<br /></div>
</div>
<div>
As exposicións compartidas con <span style="color: magenta;">José Suárez</span> e con <span style="color: magenta;">Patricia Fernández</span>, nestes anos, supoñen un empurrón, sendo a súa pancada nas costas ‘<span style="color: orange;">Expansión natura</span>’, no Pazo de Tor, fai un par de anos, que foi a súa primeira exposición individual, á que segue a do museo de Lalín. </div>
<div>
<br />
<br /></div>
<div>
A expresión, dende o pouso biográfico que estaba a xermolar por anos, ten que ter sido grande, máis sempre é tempo de extraer o destilado, ata daquela repousado, no entorno do traballo e familia.</div>
<div>
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWryJAgVnBLUdVMuqFuGPVFdf1l7TfC1mS9fL0UQqS0nTI3wegjpGMqRs4ImzXZyC9Qe5I_XkxwZaxJleUVxBIhG-ONUU76B2opuYgqLGh9MNxUSrSgNcdXSJg2Wf3RivVCcPQ3TRY8FPy/s1600/30710398_2056412667937042_6659775052227018752_n.jpg" imageanchor="1" style="clear: right; display: inline; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWryJAgVnBLUdVMuqFuGPVFdf1l7TfC1mS9fL0UQqS0nTI3wegjpGMqRs4ImzXZyC9Qe5I_XkxwZaxJleUVxBIhG-ONUU76B2opuYgqLGh9MNxUSrSgNcdXSJg2Wf3RivVCcPQ3TRY8FPy/s640/30710398_2056412667937042_6659775052227018752_n.jpg" width="640" /></a><br />
<div>
<br />
<br />
<br />
<br /></div>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">É agora o tempo de Ourense. </span><br />
<span style="font-size: large;">Nesta terceira exposición, a primeira con catálogo, aínda que o seu contido non corresponda co exposto na sala, converterase en especial, un dos encantos de estar fóra da súa área de confort. </span></div>
<div>
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqR4_zEnc8k5SyfnImgEmxOpRBQAhae20srwf8vm_eYlz7RnUxNIokdz0CzyohPW3qjeuf1m9c6uJkUfAnQg_v37fCKKzIZCyliu9F8n7WHF8bn4nGwNML1LqPeAOML085FeHGTcr29tpr/s1600/30124640_2050831998495109_3216971543116513280_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="400" data-original-width="300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqR4_zEnc8k5SyfnImgEmxOpRBQAhae20srwf8vm_eYlz7RnUxNIokdz0CzyohPW3qjeuf1m9c6uJkUfAnQg_v37fCKKzIZCyliu9F8n7WHF8bn4nGwNML1LqPeAOML085FeHGTcr29tpr/s400/30124640_2050831998495109_3216971543116513280_n.jpg" width="300" /></a><br />
<br />
<br />
<br />
<br />
<br />
A escultura de marfil en toradas ten o seu encanto, por máis que se ache lonxe dos achados das pezas antigas, e as pezas en madeira M, castiñeiro, Mongoy ou Pitomba, dispostas tamén en toradas, ás que fai mordidas en finos regos paralelos coa ferramenta a motor a tres mil revolucións/minuto, manexada con precisión cirúrxica. </div>
<div>
<br /></div>
<div>
Nese estado móvese, case febril no creativo, pois tamén ten redactado un libro, ''<span style="color: red;">A cien y sin frenos</span>'', un explícito título que fala do vertixe vital no que vive. </div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI0l-OLMVRn0CuM7eEiLlhjBxPHqd5hyphenhyphen3ohj6gLyCj-Cqw7LCEA90B4nLJUOEI7UMQBgpc0REIvUj2asfwYjC1kOYckuTWKUMrfwh4XwQC7EQWnE0ltKuK5_YuawepBCruBbk5kP7Fzyn3/s1600/30222073_2050394461872196_8217356547123052544_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI0l-OLMVRn0CuM7eEiLlhjBxPHqd5hyphenhyphen3ohj6gLyCj-Cqw7LCEA90B4nLJUOEI7UMQBgpc0REIvUj2asfwYjC1kOYckuTWKUMrfwh4XwQC7EQWnE0ltKuK5_YuawepBCruBbk5kP7Fzyn3/s400/30222073_2050394461872196_8217356547123052544_n.jpg" width="400" /></a><span style="font-size: large;">As pinturas de intensas cores esmaltadas son de movemento máis calmo, un magma subconsciente que insire en formato tradicional ou modifica máis alá dese marco, en acaídas formulacións nas que prima o decorativo, como os seus equilibrados e curvilíneos debuxos nos que a liña define un camiñar...</span><br />
<span style="font-size: large;"><br /></span></div>
<div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZzICv1mB7IyrU6HGo9gn1tA83B8i7XgY99bwZ7L7tBQI4Ao0HwgDL-n8lalNHD2bAtp_dq3kkoC3641sMAbm7LJ-MLp3DL_DsYD0MwyTf5VyBDy8RBL9LxAj8ChZeKsKYLSI6LCVswmNO/s1600/frontispicio+da+exposicio%25CC%2581n+coa+escultura+de+bolboreta.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="536" data-original-width="867" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZzICv1mB7IyrU6HGo9gn1tA83B8i7XgY99bwZ7L7tBQI4Ao0HwgDL-n8lalNHD2bAtp_dq3kkoC3641sMAbm7LJ-MLp3DL_DsYD0MwyTf5VyBDy8RBL9LxAj8ChZeKsKYLSI6LCVswmNO/s640/frontispicio+da+exposicio%25CC%2581n+coa+escultura+de+bolboreta.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Materiais: aceiro inox., base de granito.</td></tr>
</tbody></table>
<br />
<div class="MsoHeader">
<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
<o:PixelsPerInch>96</o:PixelsPerInch>
</o:OfficeDocumentSettings>
</xml><![endif]-->
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:HyphenationZone>21</w:HyphenationZone>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>ES-TRAD</w:LidThemeOther>
<w:LidThemeAsian>X-NONE</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
DefSemiHidden="false" DefQFormat="false" DefPriority="99"
LatentStyleCount="382">
<w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Smart Hyperlink"/>
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabla normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Calibri",sans-serif;}
</style>
<![endif]-->
<!--StartFragment-->
<!--EndFragment--></div>
<div class="MsoNormal">
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-33197461619997527162018-04-20T18:42:00.000+02:002018-05-07T18:23:35.060+02:00O quiosco modernista de Sada, A Coruña<div dir="ltr" style="text-align: left;" trbidi="on">
<div>
<br /></div>
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">
</span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRDQu9hPrR0Or4SyDyHi25MYXrvU0U7n-uxiyaS4xP1tH7eqfv90WJ2kW_XfYiuweB_oYFxyjCP-hm6pqQe1AnNUCDb2O0SZJuv-PXLcKDkIRv4dfsA8rXaEAyWriXkM3-zw-TMXvKO6tt/s1600/31265396_2059942957584013_8973932138873225216_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRDQu9hPrR0Or4SyDyHi25MYXrvU0U7n-uxiyaS4xP1tH7eqfv90WJ2kW_XfYiuweB_oYFxyjCP-hm6pqQe1AnNUCDb2O0SZJuv-PXLcKDkIRv4dfsA8rXaEAyWriXkM3-zw-TMXvKO6tt/s640/31265396_2059942957584013_8973932138873225216_n.jpg" width="640" /></a></span></div>
<span style="font-size: x-large;">
</span>
<div>
<span style="font-size: x-large;"><br /></span></div>
<span style="font-size: x-large;">
A primitiva "Terraza" do Recheo (1912) que reproducían os sobres da empresa que a levou, dos irmáns Feal</span><br />
<div>
<span style="font-size: x-large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjl_DozICC0X5P0_6e60Iydf64ANe3KZum7eowYk658AdQtR-xCA7Mhq2CkiB18U5FgqZYdv1hHbGoVGRl_nC8kVLR-WM3g_uYy-ZpSoNuPUkH1817l3kg4Hkv8Qw-17bUIDpYmuwQP9Hj/s1600/31239261_2059943040917338_8233486331162918912_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="414" data-original-width="960" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjl_DozICC0X5P0_6e60Iydf64ANe3KZum7eowYk658AdQtR-xCA7Mhq2CkiB18U5FgqZYdv1hHbGoVGRl_nC8kVLR-WM3g_uYy-ZpSoNuPUkH1817l3kg4Hkv8Qw-17bUIDpYmuwQP9Hj/s640/31239261_2059943040917338_8233486331162918912_n.jpg" width="640" /></a></div>
<div>
<span style="font-size: x-large;"><br /></span></div>
<div>
<span style="font-size: x-large;">é un quiosco modernista de Sada, reformado en varias ocasións. </span><br />
<span style="font-size: x-large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu0kM73AzdRutV2xeqH0u1XlRWMa4_0AZzu8OXUOYzoMo-pVPxzsbt0ZjOz03ikYrxLJXqsFUbCBXJf1yriPD2GIMQh4rNJ4fRQR43jCcl6_-foiMtRJfczFTzUOVzcMlYkEHa3tSpLmrL/s1600/31277537_2059942937584015_349076576538722304_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="960" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu0kM73AzdRutV2xeqH0u1XlRWMa4_0AZzu8OXUOYzoMo-pVPxzsbt0ZjOz03ikYrxLJXqsFUbCBXJf1yriPD2GIMQh4rNJ4fRQR43jCcl6_-foiMtRJfczFTzUOVzcMlYkEHa3tSpLmrL/s640/31277537_2059942937584015_349076576538722304_n.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-large;">O interior fermoso, con arcos de ferro a modo de faixóns para soster a cuberta, co intradós ornamentado por filigranas lineais curvilíneas...</span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRyW9SbuA97Wuhy7iRqBjalbJl8bcEhsQBUI6hOMdyTjPqhXicqzZjMeznAHE7C2OPH17zKQj1MdrQKBevzVgtIGwlf9pcOBcsQP2Gui1T_U-bx50WaOXul36bZXcy8WGQrBJDrU0oQFbC/s1600/31290784_2059943050917337_6161315690612523008_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRyW9SbuA97Wuhy7iRqBjalbJl8bcEhsQBUI6hOMdyTjPqhXicqzZjMeznAHE7C2OPH17zKQj1MdrQKBevzVgtIGwlf9pcOBcsQP2Gui1T_U-bx50WaOXul36bZXcy8WGQrBJDrU0oQFbC/s640/31290784_2059943050917337_6161315690612523008_n.jpg" width="640" /></a><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR1ib2XmTF5UueOj_tZd-InWmvkXmxC2KBL0MVE1Cj-CSTn5_XT84J9N5UJz30C6LnH-FQ-8e9a5Tm7wrVX9CqoLxKiFSmwGIUNSRuLzOK3o5S6zNpxrzBP5dUbIEXKGr7MbstQW4yKWFw/s1600/31318375_2059943024250673_4776031357165895680_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR1ib2XmTF5UueOj_tZd-InWmvkXmxC2KBL0MVE1Cj-CSTn5_XT84J9N5UJz30C6LnH-FQ-8e9a5Tm7wrVX9CqoLxKiFSmwGIUNSRuLzOK3o5S6zNpxrzBP5dUbIEXKGr7MbstQW4yKWFw/s640/31318375_2059943024250673_4776031357165895680_n.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTiZuP7TZSwh07Pkya9BAFU4rUrjFx-F3r-v3sWtlJiy5M73keBSREcSfOIwCHUfpZy2d7JFz_uX0uHjzd1Z8eWybZvX1-e5vrh6UudpqLTf4Gc073SU85bYqf7FEMoK2Z5K8fncx3arcn/s1600/31295176_2059942950917347_8274983308744458240_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="331" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTiZuP7TZSwh07Pkya9BAFU4rUrjFx-F3r-v3sWtlJiy5M73keBSREcSfOIwCHUfpZy2d7JFz_uX0uHjzd1Z8eWybZvX1-e5vrh6UudpqLTf4Gc073SU85bYqf7FEMoK2Z5K8fncx3arcn/s1600/31295176_2059942950917347_8274983308744458240_n.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<span style="font-size: x-large;">Ben de Interese Cultural (BIC) xaora...</span></div>
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPoAPPfm45On6Ug0Z2Y_FExpyi_E5wk8frcUGfVgJ5cYOjXGpFs-hOjCQxQ-hsakhwgmjQvPARYymeXKZagxNnUdTrVF87A9QcbNoVPj43bM0UU8BRTVj-nGfY8NjAJxXhlJLmvSiwQDAn/s1600/31265241_2059942984250677_616432788861616128_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="791" data-original-width="945" height="534" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPoAPPfm45On6Ug0Z2Y_FExpyi_E5wk8frcUGfVgJ5cYOjXGpFs-hOjCQxQ-hsakhwgmjQvPARYymeXKZagxNnUdTrVF87A9QcbNoVPj43bM0UU8BRTVj-nGfY8NjAJxXhlJLmvSiwQDAn/s640/31265241_2059942984250677_616432788861616128_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Foto de Xurxo Lobato</td></tr>
</tbody></table>
<div>
<span style="font-size: x-large;"><br /></span></div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-56679043265882118082018-04-18T18:54:00.000+02:002018-06-19T20:45:02.823+02:00A paisaxe como poesía visual de 'Christian' Villamide<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5JFsvVDUwOSz-pyZ4yQPldtJznUqqp1T4kXwuBo_WbTD6jscX_OpEu9FwegtlNL6rVJ_Xx8sDIg9pPw_3-4nddLxCDZ6OMlZOUP0GgS8vBIXZJgfoWfyolGXcTvwjJU7mcgbPmW-E283i/s1600/Pormenor+da+exposicio%25CC%2581n.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="729" data-original-width="1600" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5JFsvVDUwOSz-pyZ4yQPldtJznUqqp1T4kXwuBo_WbTD6jscX_OpEu9FwegtlNL6rVJ_Xx8sDIg9pPw_3-4nddLxCDZ6OMlZOUP0GgS8vBIXZJgfoWfyolGXcTvwjJU7mcgbPmW-E283i/s640/Pormenor+da+exposicio%25CC%2581n.JPG" width="640" /></a><br />
<br />
<span style="font-size: large;">Arte et Alia</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Xabier Limia de Gardón</span><br />
<span style="font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN97m__GRVZw-SoiLYuedfybbU4aW52KZkpsLrow22Yigboe-HDzy-1oo-pWZMjTMsWawKPLICYUAcEfTYvdxdggkHZDJ_PcqTfbBwc2IFHpelDojCMJjFsIzs7HWjxABmK6Szkgcn669Q/s1600/30715545_578342809192156_3288943972247928832_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1075" data-original-width="1600" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN97m__GRVZw-SoiLYuedfybbU4aW52KZkpsLrow22Yigboe-HDzy-1oo-pWZMjTMsWawKPLICYUAcEfTYvdxdggkHZDJ_PcqTfbBwc2IFHpelDojCMJjFsIzs7HWjxABmK6Szkgcn669Q/s400/30715545_578342809192156_3288943972247928832_o.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<span style="font-size: x-large;">A</span>chegámonos a ‘<span style="color: orange;">Hortus conclusus</span>’. Son catro grandes fotografías, de árbores altas en gris, e no centro delas un tronco tronzado, poderoso e decotado, que é o protagonista da quinta.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmeLIQSmxNHORq_bfMNwqALkcvUB8hENV5cC_srBFQIbwrmF8P3Kyxj73K4hDeRVJFr0VbudhDZh6Prnwo1-EwSerFBVHC8SYzaU7paVh9VW3XiBk5XDoJEIlX2B59qtUR3ukxo5CVQog/s1600/IMG_9069.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1179" data-original-width="1600" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmeLIQSmxNHORq_bfMNwqALkcvUB8hENV5cC_srBFQIbwrmF8P3Kyxj73K4hDeRVJFr0VbudhDZh6Prnwo1-EwSerFBVHC8SYzaU7paVh9VW3XiBk5XDoJEIlX2B59qtUR3ukxo5CVQog/s640/IMG_9069.JPG" width="640" /></a></div>
<br />
<div>
<br />
<div>
Están no Centro Cultural da Deputación e a serie de fotos dalle título ao conxunto da mostra de ‘<span style="color: magenta;">Christian Villamide’</span> (<span style="color: magenta;"><b>José Manuel Pérez Villamide</b></span>, Lugo, 1966), quen visita de novo a cidade dende que en 1991 expuxera. Era nos seus comezos, e dende o mito do Grial e as súas sensacións, iniciaba a súa andaina na arte en Lugo, Ourense e Buenos Aires, respectivamente.<br />
<br />
Nos seguintes dez anos continuou ata que con ‘<span style="color: red;">Mutación</span>’ detense, reiniciando a súa carreira en 2010 con ‘<span style="color: red;">Vacío y plenitud</span>’, na Galería lucense Clérigos. </div>
<div>
<br /></div>
<div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdL6de9l47ePCAEM0EDZ8Mmh3yJIQMK-8fc-p55jzmbD86stqfHcOi2dkEHrt0W6Bx3ylMmI8ASLBZcfAQGsHh3yegRtQgcuouhT9W6GEV7MRH6gV9W72oBbk_xKdlijduKPBIg6G4vvwn/s1600/30715649_578342802525490_6937967750505562112_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdL6de9l47ePCAEM0EDZ8Mmh3yJIQMK-8fc-p55jzmbD86stqfHcOi2dkEHrt0W6Bx3ylMmI8ASLBZcfAQGsHh3yegRtQgcuouhT9W6GEV7MRH6gV9W72oBbk_xKdlijduKPBIg6G4vvwn/s640/30715649_578342802525490_6937967750505562112_o.jpg" width="640" /></a></div>
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div>
Era xa daquela a súa preocupación central a da natureza e o home, unha teima a súa en clave binaria, por máis que a presenza física directa da xente sexa obviada, amosando o artista os seus efectos na sala, na posta en escena. Aquela é sempre retórica e conceptual, utilizando metonimias e sinécdoques, segundo os casos, que funcionan como metáforas.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC18kGST2J7-JrwdQInEjPjn8h9Ehc7fxe2yjQvioYMFxmn4DDwWVchBY-mKFDfyqmNkh07dvBoxdhOE0_qdFJo0VyAlLMyFdx486Qcp_aTOoMKukMMQRzVP80MbSCvEYWlKH6GZrcMI2H/s1600/98816_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="904" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC18kGST2J7-JrwdQInEjPjn8h9Ehc7fxe2yjQvioYMFxmn4DDwWVchBY-mKFDfyqmNkh07dvBoxdhOE0_qdFJo0VyAlLMyFdx486Qcp_aTOoMKukMMQRzVP80MbSCvEYWlKH6GZrcMI2H/s640/98816_o.jpg" width="640" /></a></div>
<br />
<span style="font-size: large;">O seu é ser calmo e reflexivo, mais o humano e a súa contorna sempre son quen de poñelo en cuestión.</span><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNPqp-vZl_GnUxWv07co6n-AzvdViDG5d7yavC0V15lXn5Xi0tAXELkSZohNJuauMiEMWd-yq_UKbCiOBAInlGWgbWBy2vuYvVMIv6i2u38Zx9YMfboaLGN_FDZ5vx3_B2xBVk-vlqRp4l/s1600/30729603_578342792525491_8355361152082903040_o.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1445" data-original-width="1384" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNPqp-vZl_GnUxWv07co6n-AzvdViDG5d7yavC0V15lXn5Xi0tAXELkSZohNJuauMiEMWd-yq_UKbCiOBAInlGWgbWBy2vuYvVMIv6i2u38Zx9YMfboaLGN_FDZ5vx3_B2xBVk-vlqRp4l/s320/30729603_578342792525491_8355361152082903040_o.jpg" width="306" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOMg-k44GkzGYYsHHSzdyZ1565VG8Y0hEQ3Rff6M9ousvy5ZlfxZ4F73QRDHNzy4qeuMKlVaiSuuI-DXblMP6a5HHla6jpJSkJsy2Kyr7RnjIqAO2H72DLxJ9qbzj-RWo_kn4mMZMNSd5i/s1600/IMG_4501.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1482" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOMg-k44GkzGYYsHHSzdyZ1565VG8Y0hEQ3Rff6M9ousvy5ZlfxZ4F73QRDHNzy4qeuMKlVaiSuuI-DXblMP6a5HHla6jpJSkJsy2Kyr7RnjIqAO2H72DLxJ9qbzj-RWo_kn4mMZMNSd5i/s320/IMG_4501.JPG" width="296" /></a><br />
<br />
<span style="font-size: large;">Así desde </span> <span style="font-size: large;">'<span style="color: orange;">Percepciones', 'Dunas', 'Paisajes incógnitos'</span>, '<span style="color: orange;">Hábitat protegido oculto</span>' e '<span style="color: orange;">Coexistencias'</span>, uns títulos explícitos das súas exposicións que o poñen de manifesto.</span><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRRTNhVd2aEv-uK7o-FnCS2rCJTjsxYDyFrD3UQaTh7E2BkTwiWaztue45LPENVTlDve9IFfQjy46Dgj33vrBD5Qlkgc8AG2rHBPGyQAuM1yX_IhhH9UHjXLUFJA7S9wCVf-YhahV5uLUk/s1600/_43607_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1304" data-original-width="1600" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRRTNhVd2aEv-uK7o-FnCS2rCJTjsxYDyFrD3UQaTh7E2BkTwiWaztue45LPENVTlDve9IFfQjy46Dgj33vrBD5Qlkgc8AG2rHBPGyQAuM1yX_IhhH9UHjXLUFJA7S9wCVf-YhahV5uLUk/s400/_43607_o.jpg" width="400" /></a><br />
A que trae ata o primeiro andar do Marcos Valcárcel depende directamente de '<span style="color: orange;">Territorios transversais'</span> e '<span style="color: orange;">A paisaxe contra a parede</span>', de 2016, nas que semella haber unha asunción de compromiso, como se sentise unha maior responsabilidade, dende a preocupación coa terra compartida. Así con fotografías, planos, escultura en mármore e madeira, pintada en cores planas, que dispón en vizosas instalacións visuais axudándose da iluminación, para producir sombras resaltando os perfís.<br />
<br />
Utiliza así varias disciplinas para provocar reflexión baixo unha tonalidade que ten lirismo, mais tamén un aquel de ironía, ou retranca, caso do título, que abarca as series, en concreto a de Proxectos para subir montañas, unha das últimas, e a de Serras e montes de Galicia.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7opOKvHN9gMERHOdM6QDQEpaFVk_7L-y5LrptSnhi6hHqbInbFVbAjPlogHy0AkV1AhrfsyiWNO93wBkDa5BE1DYg1La434YsJLMgV-bRE4IZ-DKrYQfPpTvYRXOQiroUKoR4dJMuMwOe/s1600/Paisaxes+cautivas.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="535" data-original-width="1550" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7opOKvHN9gMERHOdM6QDQEpaFVk_7L-y5LrptSnhi6hHqbInbFVbAjPlogHy0AkV1AhrfsyiWNO93wBkDa5BE1DYg1La434YsJLMgV-bRE4IZ-DKrYQfPpTvYRXOQiroUKoR4dJMuMwOe/s640/Paisaxes+cautivas.JPG" width="640" /></a></div>
</div>
<div>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW_QCPoQU9m_or4V-ckEzA1Z9lEy3uvfI3u9f7zofhuBFlx8gTIzueDHJ9LjeagSRLz1WPf37hyOWLPTfN2kM9h9taC0bV0q5wHNMzZISbtqTg_Zw61e_CvjCBT4SMuHXSZf7sAvTzFqqI/s1600/IMG_2509.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1063" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW_QCPoQU9m_or4V-ckEzA1Z9lEy3uvfI3u9f7zofhuBFlx8gTIzueDHJ9LjeagSRLz1WPf37hyOWLPTfN2kM9h9taC0bV0q5wHNMzZISbtqTg_Zw61e_CvjCBT4SMuHXSZf7sAvTzFqqI/s400/IMG_2509.JPG" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Obra-instalación de <span style="color: orange;">Rubén Fdez. Castón: <br />'</span><span style="color: red;">Composición naturaleza mecánica x</span><span style="color: orange;">'</span></td></tr>
</tbody></table>
<br />
Aquí están os límites da súa escultura, pezas superpostas con perfís de serra, e de distintos tamaños, suxestivas dende o bricolaxe, como opinaba <span style="color: cyan;">Jean Clair,</span> e nas que se revela a perda progresiva do oficio dende as Vangardas históricas do século pasado, e que se ten incrementado nas últimas décadas.<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL91foiDDJ4W4l5TdpC7yxH9kevx1QNadkitHvplWbL852bnANqVsIS2dVZ9PTz0whes_OmQcl4ICPAhDp_23CcVTyDpjTzXkR-etO4iFHqPa1XoTmNaXB0c0wXGXU3S3VUN1K08_rIuWR/s1600/IMG_7667.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL91foiDDJ4W4l5TdpC7yxH9kevx1QNadkitHvplWbL852bnANqVsIS2dVZ9PTz0whes_OmQcl4ICPAhDp_23CcVTyDpjTzXkR-etO4iFHqPa1XoTmNaXB0c0wXGXU3S3VUN1K08_rIuWR/s400/IMG_7667.JPG" width="300" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<span style="font-size: large;">É a corrente iniciada <span style="color: cyan;">Rosalind Krauss</span> co seu concepto de ‘<i>escultura expandida</i>’, na que o extremeño <span style="color: magenta;">Rubén Fernández Castón</span> se expresa con habilidade cando xustapón diagonais nas súas pezas en ángulo.</span><br />
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
Outra serie son as ‘<span style="color: red;">Paisaxes cau</span><span style="color: red;">tivas</span>’, ou en catividade. </div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;">As obras de mármore semellando tea e pezas penduradas por cables, son un fresco ar. </span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: left;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZJAciWqDv6YsyRa6UIFQKgy0IdJ3Gg2_UmCG464FJRuE437ZpJsNndP1_BWKkmkz-GcZCbGfKHwJK_ABt4KdjliqmSkAHHc3KrP4M9RAAZHbTGSYJ3WlVUuyaK6bcvbOu7qptdCnzXF_/s1600/IMG_3893.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1006" data-original-width="1600" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZJAciWqDv6YsyRa6UIFQKgy0IdJ3Gg2_UmCG464FJRuE437ZpJsNndP1_BWKkmkz-GcZCbGfKHwJK_ABt4KdjliqmSkAHHc3KrP4M9RAAZHbTGSYJ3WlVUuyaK6bcvbOu7qptdCnzXF_/s640/IMG_3893.JPG" width="640" /></a></span></div>
<span style="text-align: left;">
</span>
<div class="separator" style="clear: both; text-align: center;">
<span style="text-align: left;"><br /></span></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijl-Ubpx2gHqu9APp-1TYxFIGYArqiQOGk6Bh4ij1iXTIL2kruRzCyrrthPYdvKVewjtF3-nQFQy76wjegfXpYmdXwrcimrSF9KKwMYR7jL5WR-11K8tV7-Db1vlRH03xaoC3Jvwki6RUB/s1600/IMG_1656.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="672" data-original-width="1600" height="167" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijl-Ubpx2gHqu9APp-1TYxFIGYArqiQOGk6Bh4ij1iXTIL2kruRzCyrrthPYdvKVewjtF3-nQFQy76wjegfXpYmdXwrcimrSF9KKwMYR7jL5WR-11K8tV7-Db1vlRH03xaoC3Jvwki6RUB/s400/IMG_1656.JPG" width="400" /></a></div>
<div>
E as dúas obras escultóricas de madeira suxeitas ás columnas que dividen o espazo da sala como si dun banco de carpinteiro se tratara son acaídos conceptos dun artista máis que interesante no conceptual, como tamén en '<span style="color: red;">Serendipia</span>', mármore e cristal.<br />
<br /></div>
<div>
<br /></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib5u32WV5MrVZBfrie8K_u26ANi8oyFXLeqRPkn9rW0twJNbG2-f7ZL-883ZuoIS-L3oy_GG-ML5avD73-yFh2Lf_3DWCG5iq5SbCP3BG3p2nxt80dlDrQ9nLj8lpARJ94_CZsTsLOShs6/s1600/IMG_8645.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1098" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib5u32WV5MrVZBfrie8K_u26ANi8oyFXLeqRPkn9rW0twJNbG2-f7ZL-883ZuoIS-L3oy_GG-ML5avD73-yFh2Lf_3DWCG5iq5SbCP3BG3p2nxt80dlDrQ9nLj8lpARJ94_CZsTsLOShs6/s400/IMG_8645.JPG" width="273" /></a><br />
<br />
<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpb30iQEFICFTtGcmAUh2jIaybxgsNnSLMbjjXaePSuRYYfmgoPKor7x_2wkKoYYxOncbR8ju46hRvJnaJ0Bqgs-bLKaMqTyLdOftPVYJudwB8a255EMmEKGXT3tRi9txvuMgD-uFQNFEL/s1600/19059700_1539007616150541_8757679224638104641_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpb30iQEFICFTtGcmAUh2jIaybxgsNnSLMbjjXaePSuRYYfmgoPKor7x_2wkKoYYxOncbR8ju46hRvJnaJ0Bqgs-bLKaMqTyLdOftPVYJudwB8a255EMmEKGXT3tRi9txvuMgD-uFQNFEL/s320/19059700_1539007616150541_8757679224638104641_n.jpg" width="240" /></a><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-size: large;">Pendurounas dunha árbore do Lérez no Vº encontro de arte e natureza 2017 en Pontevedra, coordinado por <span style="color: magenta;">Carme Hermo </span>e <span style="color: magenta;">Antón Sobral</span>. E antes en Lugo.</span></div>
<div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZDwjvQO7tJW3MrqQ91aeftyLFE6IoaEo7FO79QHFnUdDg23EuP0l-bNL_UrEhIm61B1wblSrst38KZCko-z3SYwZv0kj2LY5xRDsm9JitrcYwdbYOn2g7DzsR90_y4cUCE_Luxn2o9uU6/s1600/DSCN0164.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZDwjvQO7tJW3MrqQ91aeftyLFE6IoaEo7FO79QHFnUdDg23EuP0l-bNL_UrEhIm61B1wblSrst38KZCko-z3SYwZv0kj2LY5xRDsm9JitrcYwdbYOn2g7DzsR90_y4cUCE_Luxn2o9uU6/s640/DSCN0164.JPG" width="640" /></a></div>
<br /></div>
<div>
<span style="font-size: large;">Agora ben de triunfar en ArtMadrid...</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br /></div>
</div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-9793997077858835722018-04-12T09:51:00.000+02:002018-04-24T09:52:58.676+02:00Chuvia, choiva, e artistas...<div dir="ltr" style="text-align: left;" trbidi="on">
<div>
<br /></div>
CHUVIA, CHOIVA...<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7Gro6annbvBM9yzsvf7kmFYlHIoFYXBgqHYBvGbrwM1MMtsJ3pEcMAvoJkww_lZs9W92e_ud9domWZh_3gxa-x8bv5cPsOxxdWfYY5Z0e8u_FGjGRKp7H2o2KxuAlWm3MslKskONQoJCb/s1600/lluvia-van-gogh.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="510" data-original-width="660" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7Gro6annbvBM9yzsvf7kmFYlHIoFYXBgqHYBvGbrwM1MMtsJ3pEcMAvoJkww_lZs9W92e_ud9domWZh_3gxa-x8bv5cPsOxxdWfYY5Z0e8u_FGjGRKp7H2o2KxuAlWm3MslKskONQoJCb/s1600/lluvia-van-gogh.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: cyan;">V. Van Gogh</span>: <span style="color: red;">Trigal bajo la lluvia, 1889.</span></td></tr>
</tbody></table>
<br />
Chuvia, que é choiva, e que sempre molla.<br />
<div>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB63VcAd5YDJHg5qT9WigO1ZXh92Ah5xkEdsnk4Q2Bc0h4rmAD75cMNCQeflIi3ggmFnI7fYVOMXKWux87BLE03w0X6DvtsgxqRNeJGO23W8-clgxeYI39jbKXrOafD59e-l9OzxSbLN1e/s1600/hokusai+paisaje.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="530" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB63VcAd5YDJHg5qT9WigO1ZXh92Ah5xkEdsnk4Q2Bc0h4rmAD75cMNCQeflIi3ggmFnI7fYVOMXKWux87BLE03w0X6DvtsgxqRNeJGO23W8-clgxeYI39jbKXrOafD59e-l9OzxSbLN1e/s400/hokusai+paisaje.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption">Sunshu Ejiri (paisaje de Sunshu Ejiri). Katsushika Hokusai.</td></tr>
</tbody></table>
<div>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFtEYuF_gH2LjkpG-VBSHIfHH5IrLebffApR9oX0zjb93kVnO_gEEk2Uvxu0jBvGiNiy2opAtwkFinj9xkqUPn5jaRV7DiGeaqJZqeNcZgO8l9hpNeebVBZ-QIEt4_bguAy1CaZzkhBlXK/s1600/d10b38eb906cf9e1c31aa7c7eccc9037.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="598" data-original-width="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFtEYuF_gH2LjkpG-VBSHIfHH5IrLebffApR9oX0zjb93kVnO_gEEk2Uvxu0jBvGiNiy2opAtwkFinj9xkqUPn5jaRV7DiGeaqJZqeNcZgO8l9hpNeebVBZ-QIEt4_bguAy1CaZzkhBlXK/s1600/d10b38eb906cf9e1c31aa7c7eccc9037.jpg" /></a></td></tr>
<tr><td class="tr-caption"><span style="color: cyan;">Utagawa HIROSHIGE</span>. Edo (desde 1867 Tokyo) 1797 – 1858<br />
<span style="color: red;">Súbita lluvia en el puente de Õhashi a Atake - 1857</span></td></tr>
</tbody></table>
<div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<br /></div>
<div>
<span style="font-size: large;">Mollanse as terras, </span></div>
<div>
<span style="font-size: large;">e os lameiros se </span></div>
<div>
<span style="font-size: large;">enchoupan, e medran os regatos.</span> </div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br />
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<span style="font-size: large;">E tamén os ríos, </span></div>
<div>
<span style="font-size: large;">que van dar á mar, ‘<span style="color: orange;">que es el morir</span>’ </span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">(<span style="color: cyan;">J. Manrique</span>).</span></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<span style="font-size: x-large;">Chove e xurden as fontes.</span></div>
<div>
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0gF2xv3VD-4koEx06jpzPf15naJwc_mS3vPjElwo1zDsjcsgdBjKT2BbsQ3lIqniDoTu9SBzCNXGMmgwcumqDcZpABPvijjjX4tf_G6gyxqDGw_aTmSpNFxzGYKzIxvJ6zKomSLPkpKAV/s1600/Hiroshige-lluvia-puente.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="517" data-original-width="800" height="413" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0gF2xv3VD-4koEx06jpzPf15naJwc_mS3vPjElwo1zDsjcsgdBjKT2BbsQ3lIqniDoTu9SBzCNXGMmgwcumqDcZpABPvijjjX4tf_G6gyxqDGw_aTmSpNFxzGYKzIxvJ6zKomSLPkpKAV/s640/Hiroshige-lluvia-puente.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: cyan;">Hiroshige: </span>choiva, pontes, xente, e o monte Fuji...</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMKj-j5B21sapv7u1J9SbgW5Ear2leL0w13G1Z1Y8WXbZ92DeccY0XUh3lNONwMpgGBD5uNTM2Ne-prxr83UUcvMZGrEwYLRNi_qLm7vvCHRu-3JnqOQSe_ljzAIwnuEfDRqWOX-zL67eJ/s1600/Turner-lluvia-vapor-velocidad.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="594" data-original-width="800" height="475" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMKj-j5B21sapv7u1J9SbgW5Ear2leL0w13G1Z1Y8WXbZ92DeccY0XUh3lNONwMpgGBD5uNTM2Ne-prxr83UUcvMZGrEwYLRNi_qLm7vvCHRu-3JnqOQSe_ljzAIwnuEfDRqWOX-zL67eJ/s640/Turner-lluvia-vapor-velocidad.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption"><span style="color: red;">Lluvia, vapor y velocidad</span>, de <span style="color: cyan;">Turner,</span> de <span style="color: red;">1844</span>.</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4w0bZiTbMUnG_hFqwJSpuZD0bKeODLOB0qJtA5TinoEXI0gTH0mQ-CFRYAOHchqqw8s4naALuSHGkV_EF0YRXcgxnf_xs9ZVEixp8Mv_zmHfDmFk6w1N0pgwMsq7Pry_C_zpBuGnIoOxG/s1600/43aed-puentejaponesgiverny18991vl.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="465" data-original-width="496" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4w0bZiTbMUnG_hFqwJSpuZD0bKeODLOB0qJtA5TinoEXI0gTH0mQ-CFRYAOHchqqw8s4naALuSHGkV_EF0YRXcgxnf_xs9ZVEixp8Mv_zmHfDmFk6w1N0pgwMsq7Pry_C_zpBuGnIoOxG/s320/43aed-puentejaponesgiverny18991vl.jpg" width="320" /></a><span style="font-size: x-large;"><br /></span></div>
<div>
<span style="font-size: x-large;">E os poetas cantan ‘<span style="color: yellow;">Chove para que eu soñe</span>’ (<span style="color: cyan;">U. Novoneyra</span>). </span></div>
<div>
<span style="font-size: x-large;"><br /></span></div>
<div>
<span style="font-size: x-large;">E Galicia é verde.</span><br />
<br />
<br />
<br /></div>
</div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0tag:blogger.com,1999:blog-9066886044122681302.post-22494810791903191592018-04-11T09:53:00.000+02:002018-04-24T18:22:54.525+02:00Antonio Quesada revive en Vigo a los tres años <div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdnWq-_Bx245yMNukS1xRX9gTKxzGqIiNhEFXn0JajqXhuOA9Povhgv-PIHO11Nrm57vxBsD0bCopkkQIk1hw4BpsozEkd477MxRAWgUk2jh8fBiGlzOMOyRpWq5otoD4H6WkSs0e6JiBR/s1600/Unha+das+obras+expostas.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="924" data-original-width="1232" height="479" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdnWq-_Bx245yMNukS1xRX9gTKxzGqIiNhEFXn0JajqXhuOA9Povhgv-PIHO11Nrm57vxBsD0bCopkkQIk1hw4BpsozEkd477MxRAWgUk2jh8fBiGlzOMOyRpWq5otoD4H6WkSs0e6JiBR/s640/Unha+das+obras+expostas.JPG" width="640" /></a></div>
<br />
<span style="color: orange;">'A. <span style="font-size: x-large;">q</span>UESADA’, ANTONIO QUESADA PORTO É...</span><br />
<div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXN3aLuqq2GmAdD41l0vxdOtb0ia6CJK3HQ44mQCl25RlJPWs77nZ7th8Bd3P27n0q7LeRDK8ruDeblDPLhV9uoE5AvIdeTIy9EMpAXz8YmgLoy6zDXZNXmjMoZOGmgwFsjyNotu-TUVYM/s1600/2015012807215375819.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="750" height="523" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXN3aLuqq2GmAdD41l0vxdOtb0ia6CJK3HQ44mQCl25RlJPWs77nZ7th8Bd3P27n0q7LeRDK8ruDeblDPLhV9uoE5AvIdeTIy9EMpAXz8YmgLoy6zDXZNXmjMoZOGmgwFsjyNotu-TUVYM/s640/2015012807215375819.jpg" width="640" /></a></div>
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Arte et Alia</span><br />
<br />
<span style="font-size: large;">Xabier Limia de Gardón</span></div>
<div>
<br />
<br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: x-large;">R</span>ecente está, aínda moi recente, a súa morte en Vigo, apenas tres anos dende aquel 26 de xaneiro, tempo no que se xestou esta retrospectiva e selecta exposición. ‘<span style="color: orange;">Dende o sentimento</span>’ en elocuente título que amosa as pretensións nas que se move a súa ausencia.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfRIWsVwlV55W2eTrpwoG11b2JDqmkJ-lfsI6GnHQKEEzzHQU8hcwTtHWIpT5iO5Or1yuwreqEU-r_bV6-JfVaxr4V-IDUOP8z2BMj_w5FS0Vw8iBYnNwOecC96fN6yjMyxns0yOLFwV0/s1600/Transicio%25CC%2581nIntegracio%25CC%2581n%252C94.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="736" data-original-width="971" height="485" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfRIWsVwlV55W2eTrpwoG11b2JDqmkJ-lfsI6GnHQKEEzzHQU8hcwTtHWIpT5iO5Or1yuwreqEU-r_bV6-JfVaxr4V-IDUOP8z2BMj_w5FS0Vw8iBYnNwOecC96fN6yjMyxns0yOLFwV0/s640/Transicio%25CC%2581nIntegracio%25CC%2581n%252C94.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="color: red;">Transición -Integración, 1994</span>, obra bisagra.</span></td></tr>
</tbody></table>
</div>
O necesario afán memorialista que a preside explica tamén a imaxinativa carpeta, realizada por Teófilo Comunicación, con un libriño de mementos inseridos en obras do artista, reproducidas en numerosas e grandes láminas. <div>
<br /><div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim4z1ZXa2MvStt7j3wSwNjc_7Lm7FT8mtBxMdJ5-PMhZjBpguvgG8rHijEMMA3gZVDvLffQ7HMA99ToQJildZpClVde6wfF7ejrJRl1DMaxHSWyaVntLem4nZGQvPQYVFdvOWam6C1oFBL/s1600/IMG_1263+2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="842" data-original-width="1136" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim4z1ZXa2MvStt7j3wSwNjc_7Lm7FT8mtBxMdJ5-PMhZjBpguvgG8rHijEMMA3gZVDvLffQ7HMA99ToQJildZpClVde6wfF7ejrJRl1DMaxHSWyaVntLem4nZGQvPQYVFdvOWam6C1oFBL/s320/IMG_1263+2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: orange;">A comisaria posando diante don recuncho da exposición, <br />espazo único presidido por seis obras de pequeno formato.</span> </td></tr>
</tbody></table>
<div>
<br />
<br />
A exposición, comisariada por <span style="color: orange;">Teresa Cendón Alonso</span>, dende a proximidade coa familia do artista e o coñecemento, desenvolve a súa biografía en núcleos cronolóxicos e temáticos aproveitando a singular forma da área de exposicións do antigo teatro García Barbón, reformado por <span style="color: magenta;">Desiderio Pernas</span> cando o mercou a Caixa de Aforros viguesa, hoxe Afundación.</div>
<div>
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ50UGfon-_RxyjoFH0UwpTXop8eH0UTG_NCwer1UqiiFxN2ibHd7nviWYhVSWBu-kXsx7IBTFr8UX2zi20PZ03Ijysthqwcroru5U8s5rpwMYmWHPOuhb6YemV5rjXls2E802GlPq3K2v/s1600/preview2col_mg.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="220" data-original-width="649" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ50UGfon-_RxyjoFH0UwpTXop8eH0UTG_NCwer1UqiiFxN2ibHd7nviWYhVSWBu-kXsx7IBTFr8UX2zi20PZ03Ijysthqwcroru5U8s5rpwMYmWHPOuhb6YemV5rjXls2E802GlPq3K2v/s1600/preview2col_mg.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Do Faro de Vigo...</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioyatsktcpwIw_QM6bW18OTignYlKqyl0TNDxAGE-7Lltz97zhOnbwptjnk5RqY1DZtJfg31BYTN9KFsPCutOT6pJU9fZSRV2MiOv1GurbCiAFXxddmulHiq1hoQv1NSBJ5O9otAbXIlxx/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioyatsktcpwIw_QM6bW18OTignYlKqyl0TNDxAGE-7Lltz97zhOnbwptjnk5RqY1DZtJfg31BYTN9KFsPCutOT6pJU9fZSRV2MiOv1GurbCiAFXxddmulHiq1hoQv1NSBJ5O9otAbXIlxx/s640/1.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUb9Kbw7mtyvnW_w_VG2YF63KNXjp6p_rJQiRaLSSuxB8cG1PtUO3H96aKXJPqOBsFngtqf9cst5co7wLoH4yJJVCPEM34lGumQ_tUWPuytW1BHhd7W_8QtnMDb7y35qgNRkQgc3Ceupyl/s1600/Foto.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1097" data-original-width="1600" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUb9Kbw7mtyvnW_w_VG2YF63KNXjp6p_rJQiRaLSSuxB8cG1PtUO3H96aKXJPqOBsFngtqf9cst5co7wLoH4yJJVCPEM34lGumQ_tUWPuytW1BHhd7W_8QtnMDb7y35qgNRkQgc3Ceupyl/s400/Foto.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">O artista diante don cadro seu de 1967. ¿Cuenca?</td></tr>
</tbody></table>
<span style="font-size: large;">N</span>acera <span style="color: cyan;">Antonio Quesada </span>no Ourense da República en 1932, e a súa infancia discorre na guerra civil, coa adolescencia e xuventude na época da Ditadura Franquista, a do bloqueo político e a autarquía económica. A pequena cidade amoreábase nos derrames do Montealegre, a ámbolos lados do manancial salutífero das Burgas. Aquí está o seu territorio, co regato do Barbaña no límite dos xogos xuvenís con <span style="color: orange;">Xosé Luís Méndez Ferrín</span>, e os seus irmáns, pola Barronca da Alameda. Polo norte, a distancia da cidade vella, o Miño, máis presentido que visto.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi656oT5WW5ltyiUHNg5QnTGrlZM4spi0Up9zPhfAo4vn1yn5mAqJ1Pb30vQLdt525j7u_ggdp9OtwufktDqSA9cpCDqYQGjYDmOTEG9l_ZEwYcApwqsCvSqnRWPzLaMgTHGQugqXfnTH8S/s1600/OU%252C66.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="966" data-original-width="1600" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi656oT5WW5ltyiUHNg5QnTGrlZM4spi0Up9zPhfAo4vn1yn5mAqJ1Pb30vQLdt525j7u_ggdp9OtwufktDqSA9cpCDqYQGjYDmOTEG9l_ZEwYcApwqsCvSqnRWPzLaMgTHGQugqXfnTH8S/s640/OU%252C66.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Unha visión moi realista do <span style="color: red;">Ourense</span>, cara o Montalegre, <span style="color: red;">1966</span>, dende a ponte das Burgas. </span></td></tr>
</tbody></table>
Así tamén se lle irá facendo este mundo cos estudos en Madrid que o levan aos vinte e un anos a Zamora, funcionario da delegación de Facenda. E neste balcón sobre o río Douro, fronte do Campus Viriato, coa vista na Ponte de Pedra e o casco histórico, da comezo o seu cambio vital, aquí namorou e casou con <span style="color: magenta;">Fe,</span> e fai familia, <span style="color: magenta;">Antonio, Héctor, Humberto </span>e <span style="color: magenta;">María Fe</span>, ademais de <span style="color: magenta;">Alicia</span>, que nacería en Vigo con posterioridade a 1966, ano no que se trasladan. <br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3qAJGqEF4w5uaOhUa_FWkfE-Pl9hLtFnf5bZ7LzSSNKVgvSNirZCovtRNYOwyqMzFqx3Vl6kA3nA5lIGtesOu6ilI9WDmvZ3UcCn2kEbtm5yHQ3l3Ju2I50Lgmp8dqaSHrDVkuWdUrZP/s1600/Aquesada_Atmo%25CC%2581sfera%252C1994.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1157" data-original-width="1500" height="492" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3qAJGqEF4w5uaOhUa_FWkfE-Pl9hLtFnf5bZ7LzSSNKVgvSNirZCovtRNYOwyqMzFqx3Vl6kA3nA5lIGtesOu6ilI9WDmvZ3UcCn2kEbtm5yHQ3l3Ju2I50Lgmp8dqaSHrDVkuWdUrZP/s640/Aquesada_Atmo%25CC%2581sfera%252C1994.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red; font-size: small;">Atmósfera, 1994.</span></td></tr>
</tbody></table>
<span style="font-size: large;">O</span> ambiente de Ourense, de música, artistas e literatos, aos que <span style="color: cyan;">Vicente Risco</span> chamaba 'artistiñas', cos que expuxera en 1962 en Madrid, farao cos poetas <span style="color: orange;">Jesús Hilario Tundidor </span>e <span style="color: orange;">Claudio Rodríguez,</span> e o pintor <span style="color: orange;">Antonio Pedrero</span>, co que terá algo máis que conversas. Aquel ano, na XXIª Exposición Nacional, obtén a medalla de bronce, moito máis que un estímulo. Xorden así as súas paisaxes, que pronto se iluminarán, como o '<span style="color: red;">Páramo da Gudiña</span>', de 1971, medalla especial na bienal zamorana. Danlle a de ouro na Bienal de Pontevedra por '<span style="color: red;">Tierras rítmicas de Verín</span>', de 1972, o mesmo ano do gran premio da IIª Bienal de Toledo por '<span style="color: red;">O Tajo-Texo</span>'.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRlP2-wiPBO3ArXbal0FiPBwT_v1PtIdgdvgl9GbokWao7EJ0DjlnX5xbyoQpe76jHVjUSj7zozViwLt0n32SPN3sC-px3DVUcBbZjmQeMvIQhHaD-jD76eNJB8xxJjcbGBygrEqR0r33q/s1600/Tierrasri%25CC%2581tmicasde+Veri%25CC%2581n%252C+det%252C+72.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="924" data-original-width="1232" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRlP2-wiPBO3ArXbal0FiPBwT_v1PtIdgdvgl9GbokWao7EJ0DjlnX5xbyoQpe76jHVjUSj7zozViwLt0n32SPN3sC-px3DVUcBbZjmQeMvIQhHaD-jD76eNJB8xxJjcbGBygrEqR0r33q/s640/Tierrasri%25CC%2581tmicasde+Veri%25CC%2581n%252C+det%252C+72.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="text-align: left;">'</span><span style="color: red; text-align: left;">Tierras rítmicas de Verín</span><span style="text-align: left;">'</span></span><span style="font-size: small; text-align: left;">, <span style="color: red;">1972.</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFs0qTEIIgBvPZ4HOKkSgYsFZYUbGYEt_GrPzekJoGvsgA09CUB4pABWU5tYBIDIp0WWdmOQ01xSyBoXy-BAEgWxnH5ePna6DmiwlHpZssBxwlUJ49p1lxEcTeZzmRhbyRiu5Pawqmli0/s1600/TierrasVelazquen%25CC%2583as.86.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1148" data-original-width="1547" height="474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFFs0qTEIIgBvPZ4HOKkSgYsFZYUbGYEt_GrPzekJoGvsgA09CUB4pABWU5tYBIDIp0WWdmOQ01xSyBoXy-BAEgWxnH5ePna6DmiwlHpZssBxwlUJ49p1lxEcTeZzmRhbyRiu5Pawqmli0/s640/TierrasVelazquen%25CC%2583as.86.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="color: red;">'TierrasVelazqueñas'</span>, <span style="color: red;">1986</span>.<br /></span></td></tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbT5fkB6RAS-XmWuw9HrHqKG4WeBEs9VSpfoYd1YIvRxCHoQ-LH6sfUNGawdDpmcqgsJWX31xVqfVldyQSfm4DuMNfS9RgMJzDwEzKT0ljyWY-yj38TBtDMD9en6-XwU9RFDTJ2gpTZrIV/s1600/Elcaminar+delos+a%25CC%2581rboles%252C+82.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1104" data-original-width="1540" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbT5fkB6RAS-XmWuw9HrHqKG4WeBEs9VSpfoYd1YIvRxCHoQ-LH6sfUNGawdDpmcqgsJWX31xVqfVldyQSfm4DuMNfS9RgMJzDwEzKT0ljyWY-yj38TBtDMD9en6-XwU9RFDTJ2gpTZrIV/s400/Elcaminar+delos+a%25CC%2581rboles%252C+82.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red; font-size: small;">El caminar de los árboles, 1982.</span></td></tr>
</tbody></table>
<br />
<br />
<br />
Á busca dunha expresión sintética da paisaxe, con énfase lírica e idealista, nas súas amplas áreas cromáticas aboian os contrastes e o movemento, amosando a súa paixón pola natureza, que transmitiu nas viaxes familiares con caravana aos Pirineos ou ao Atlas marroquí, como nos lembraron <span style="color: magenta;">Humberto </span>e <span style="color: magenta;">Maife</span>, ela unha gran ilustradora.<br />
<br />
<br />
<br />
Un esforzo rememorativo que deberá verse en Ourense e Zamora, onde xermolou todo.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEits9El85cIfcsFJrWuwSbe6H7CIigTIQj2pJemJvNdnwWd21tog0SW6uwLjZ5lAUs77MB0VwJ7rLUrCxSpWUtrBd3Hj0qDZrBUOe5jQ6N_LaYUR9EhH3jUq8dN76ithVKcIeiA6SwyAtqI/s1600/Pueblo+en+el+pa%25CC%2581ramo%252C+1985.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1236" data-original-width="1516" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEits9El85cIfcsFJrWuwSbe6H7CIigTIQj2pJemJvNdnwWd21tog0SW6uwLjZ5lAUs77MB0VwJ7rLUrCxSpWUtrBd3Hj0qDZrBUOe5jQ6N_LaYUR9EhH3jUq8dN76ithVKcIeiA6SwyAtqI/s640/Pueblo+en+el+pa%25CC%2581ramo%252C+1985.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red; font-size: small;">Pueblo en el páramo, 1985.</span></td></tr>
</tbody></table>
<br /></div>
</div>
</div>
</div>
Xabier Limia de Gardónhttp://www.blogger.com/profile/11528533076535221657noreply@blogger.com0